Guitar - easy SKU: BT.REG9781898466710 Exam Material. Book Only. London C...(+)
Guitar - easy
SKU:
BT.REG9781898466710
Exam Material. Book Only.
London College Music
#REG9781898466710.
Published by London
College Music
(BT.REG9781898466710).
ISBN 9781898466710.
English.
This
volume covers all the
material required for
three Bass Guitar grades
and includes useful
advice and tips about
preparing for London
College of Music Bass
Guitar examinations.
Whether or not you intend
to take a bass guitar
exam the handbooks will
help you develop your
playing, increase your
knowledge of specialist
bass guitar techniques
and provide a sound
theoretical basis to
enable you to achieve
your full potential as a
bassist.
Guitar SKU: UT.CH-403 Composed by Luciano Chillemi Piero Bonaguri. Classi...(+)
Guitar
SKU:
UT.CH-403
Composed by
Luciano Chillemi Piero
Bonaguri. Classical.
Score. Ut Orpheus #CH
403. Published by Ut
Orpheus (UT.CH-403).
ISBN 9790215328631. 9
x 12 inches.
This
short introductory text
to the practice of
figured bass for
guitarists certainly has
no claim to discuss the
topic thoroughly. It
arose both from the
desire to share practical
experience gained in the
field and from a
pedagogical concern
towards young guitar
students. As can be
seen from the
Introduction, an initial
practical knowledge of
the figured bass
performed on the guitar
can help the student to
develop a greater
awareness of the harmonic
possibilities of the
instrument and to fill
that gap which is too
often visible between the
theoretical-harmonic
knowledge acquired in the
theory courses and
instrumental
practice. The
practical examples
provided in this text
also arise from the
authorsâ didactic
experience gained from
teaching this subject in
the conservatories of
Bologna and Rovigo.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Guitar - beginner SKU: FJ.G1062 Composed by Michael Trowbridge and Philip...(+)
Guitar - beginner
SKU:
FJ.G1062
Composed by
Michael Trowbridge and
Philip Groeber. Bass
Guitar Method or
Supplement. Guitar
Method. Book. The FJH
Music Company Inc
#98-G1062. Published by
The FJH Music Company Inc
(FJ.G1062).
ISBN
9781619282285. UPC:
241444392980.
English.
This
comprehensive book guides
the beginning bass
student from the music
stand to the band stand
by concentrating on
important concepts.
About Hal
Leonard Guitar
Method
The
world-famous Hal Leonard
Guitar Method is
preferred by teachers
because it makes them
more effective while
making their job easier.
Students enjoy its
easy-to-follow format
that gives them a solid
music education while
letting them play songs
right away. The Hal
Leonard Guitar Method
provides a complete
system to playing success
which includes three
levels of instruction and
a myriad of play-along
supplemental songbooks
that let students play
great songs while they're
still learning to
play.
By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG3) From the great ...(+)
By Barry Galbraith.
Published by Jamey
Aebersold Jazz. (BG3)
From the great recording
artist and studio
guitarist comes the first
comprehensive material on
the art of jazz guitar
comping. Contains jazz
voicings and rhythms for
a range of standards and
blues. Bass parts shown
in treble clef. Recording
has Barry on Guitar and
Milt Hinton on Bass with
excellent stereo
separations.
Stories from the Gospel of Luke. Composed by Marty Haugen. This edition: ...(+)
Stories from the
Gospel of Luke.
Composed by Marty Haugen.
This edition:
Guitar/Bass/Percussion
edition. Drama. Sacred.
Guitar, bass and
percussion parts. 71
pages. GIA Publications
#5440G. Published by GIA
Publications
(GI.G-5440G).
By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG5DS) Contains 10 f...(+)
By Barry Galbraith.
Published by Jamey
Aebersold Jazz. (BG5DS)
Contains 10
finger/transcribed solos
based on "standard" chord
changes by the great
Barry Galbraith.
Recording contains Mark
Slifstein playing the
transcribed solos with
Milt Hinton on Bass and
Barry comping behind you.
Turn off the Slifstein
channel and solo with
Barry and Milt comping!
Turn off the other
channel and comp with
Milt behind Mark. You can
also listen to both
channels and simply enjoy
the trio!
Book and CD. Published by Music Sales. (AM973841) Takes you through barre ch...(+)
Book and CD. Published
by Music Sales.
(AM973841)
Takes you through barre
chords, bass runs and
hammer-ons, the swing
rhythm, classical style
and music theory. Learn
well known songs by the
Beatles, Van Morrison,
Bob Dylan, the Kinks and
many others! CD includes
professional quality
play-along backing tracks
to match the songs in the
book.
15 Favorites Flexibly
Scored for Band
Instruments. Composed
by Bruce Pearson and Ryan
Nowlin. Band method.
Tradition of Excellence:
Excellence in Chamber
Music. Method Book. 32
pages. Neil A. Kjos Music
Company #W40EBS.
Published by Neil A. Kjos
Music Company
(KJ.W40EBS).
Guitar SKU: UT.CH-394 Composed by Luciano Chillemi Piero Bonaguri. Classi...(+)
Guitar
SKU:
UT.CH-394
Composed by
Luciano Chillemi Piero
Bonaguri. Classical.
Score. Ut Orpheus #CH
394. Published by Ut
Orpheus (UT.CH-394).
ISBN 9790215328518. 9
x 12 inches.
Questo
breve testo introduttivo
alla pratica del basso
continuo per chitarristi
non ha certo pretese di
esaustività ; esso
nasce sia dal desiderio
di condividere
unâesperienza
pratica maturata sul
campo sia da una
preoccupazione pedagogica
nei confronti dei giovani
studenti di
chitarra. Come scritto
nellâIntroduzione,
una seppur iniziale
conoscenza pratica del
basso continuo realizzato
alla chitarra può
aiutare lo studente a
sviluppare una maggiore
consapevolezza delle
possibilità armoniche
dello strumento e a
colmare quel gap che
troppo spesso si ravvisa
tra le conoscenze
teorico-armoniche
acquisite nei corsi
teorici e la pratica
strumentale. Gli
esempi pratici di
realizzazioni fornite in
questo testo nascono
anche
dallâesperienza
didattica degli autori
maturata
dallâinsegnamento di
questa materia nei
conservatori di Bologna e
Rovigo.
Bassoon; Guitar SKU: HL.49006959 Composed by Friedrich K. Wanek. This edi...(+)
Bassoon; Guitar
SKU:
HL.49006959
Composed
by Friedrich K. Wanek.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1982.
32 pages. Duration 11'.
Schott Music #ED7093.
Published by Schott Music
(HL.49006959).
ISBN
9790001074490. UPC:
884088054915.
9.0x12.0x0.107
inches.
Guitar (Guitar) SKU: HL.14021531 Music Sales America. Swing. Book with CD...(+)
Guitar (Guitar)
SKU:
HL.14021531
Music
Sales America. Swing.
Book with CD. Editions
Musicales Francaises
#EMF100064. Published by
Editions Musicales
Francaises (HL.14021531).
9.0x12.0x0.154 inches.
French.
Les
caracteristiques de la
guitare sont telles qu'il
existe un nombre
quasi-illimite de
possibilites (positions,
doigtes, techniques de
liaison) pour jouer une
meme phrase melodique.
Cet ouvrage a donc pour
but de donner quelques
exemples de phrases et
d'arrangements des
Standards du Jazz issus
de repertoire Swing et
Be-Bop a l'aide d'un CD
d'accompagnement. Vous
trouverez dans cette
methode deux types de
themes et d'arrangements:
* Les themes Be-Bop: Ils
sont arranges pour deux
guitares, une basse et
une batterie. * Les
themes Swing: Ils sont
arranges pour guitare,
basse et batterie. La
guitare joue les accords
et la melodie
simultanement. The guitar
idioms give an endless
comnbination of
fingerings, neck
positions and legato
techniques to play one
single musical line. The
purpose of this book is
to provide examples of
phrasing and arranging of
swing and be-bop
standards. You will find
two types of tunes *
Be-Bop tunes: These tunes
are arranged for two
guitars, a bass and
drums. * Swing tunes:
These are arranged for
guitar, bass and drums.
The theme and chords are
played by one guitar
only.
Pulso de la vida Guitare Guitare classique [Conducteur] Doberman
Guitar - Advanced SKU: DY.DO-1551 Composed by Yorgos Nousis. Score. Les E...(+)
Guitar - Advanced
SKU:
DY.DO-1551
Composed
by Yorgos Nousis. Score.
Les Editions
Doberman-Yppan #DO 1551.
Published by Les Editions
Doberman-Yppan
(DY.DO-1551).
ISBN
9782897963316.
PULS
O DE LA VIDA was composed
as part of my dear friend
Kostas Tosidis' doctoral
thesis with the title
Bowing technique on the
guitar. The character
of the piece changes from
simple and meditative to
rhythmic and
tension-filled,
reflecting different
stages of our
lives. Using a C, G, D
tuning for the bass
strings, the guitar
utilizes resonance to
create sustained,
cello-sounding melodies
on the fourth string,
complemented by harmonies
on the fifth and sixth
strings. The bowing
technique is introduced
with a continuous tremolo
accompanied by an
extended form of the
first theme. The more
dancelike and rhythmical
part of the piece uses a
19/16 measure that allows
us to experience a sense
of disparity.
Finally, the
simplicity combined with
a sense of completeness,
but also of abandonment
of the beautiful gift of
life, leaves us in a
state of stillness for
any kind of
introspection.
Lakes Road Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4313 Composed by Michel Dalle Ave. ...(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4313
Composed
by Michel Dalle Ave.
Score. Les Productions
d'OZ #DZ 4313. Published
by Les Productions d'OZ
(DZ.DZ-4313).
ISBN
9782898522307.
Lake
s Road is a piece for
solo guitar. Composed
in a style very popular
with many guitarists of
the 70s: Finger-picking.
This is distinguished by
an often joyful melody
built on alternating
bass, thus creating a
sustained and dynamic
rhythm. This
composition is in line
with this
style, reminiscent of
Ragtime, a musical genre
originating from
Louisiana originally
written for
piano.
Guitar SKU: M7.HLS-699373 For Rhythm Guitar. Composed by Troy Stet...(+)
Guitar
SKU:
M7.HLS-699373
For
Rhythm Guitar.
Composed by Troy Stetina.
This edition: Saddle-wire
stitching. Sheet music
with CD. Method. 54
pages. Handelsware #HLS
699373. Published by
Handelsware
(M7.HLS-699373).
ISBN
9780793518340. UPC:
073999993738.
German.
Heavy Metal
for Rhythm Guitar zeigt
Spielweisen von van
Halen, Motley Crue, Kiss,
Judas Priest, Ozzy
Osbourne, Ratt, Twisted
Sisters und anderen.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
RV 93. By Antonio Vivaldi. Chamber Music (Guitar). For guitar, 2 violins, cello ...(+)
RV 93. By Antonio
Vivaldi. Chamber Music
(Guitar). For guitar, 2
violins, cello (bass)
(string orchestra) and
basso continuo. Level:
3-4. Extra contrabass
part. Published by
Doblinger (Austrian
import).
Concerto D-Dur Guitare Guitare classique [Set de Parties séparées] Doblinger
RV 93. By Antonio Vivaldi. Chamber Music (Guitar). For guitar, 2 violins, cello ...(+)
RV 93. By Antonio
Vivaldi. Chamber Music
(Guitar). For guitar, 2
violins, cello (bass)
(string orchestra) and
basso continuo. Level:
3-4. Set of parts (one
each). 12 pages.
Published by Doblinger
(Austrian import).
By William Bay. For Guitar (Fingerpicking). method. Young Beginner. All Styles. ...(+)
By William Bay. For
Guitar (Fingerpicking).
method. Young Beginner.
All Styles. Level:
Beginning. Book/CD Set.
Size 8.75x11.75. 40
pages. Published by Mel
Bay Publications, Inc.