| Fantasia for piano, choir and orchestra Soli, choeur mixte et accompagnement Carus Verlag
Orchestra Soli SSATB, Coro SATB, Pfte, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Tim...(+)
Orchestra Soli SSATB,
Coro SATB, Pfte, 2 Fl, 2
Ob, 2 Clt, 2 Fg, 2 Cor, 2
Tr, Timp, 2 Vl, Va, Vc/Cb
SKU: CA.1039400
Choral Fantasy.
Composed by Ludwig van
Beethoven. Edited by
Ulrich Leisinger.
Arranged by Xaver
Scharwenka, Claus-Dieter
Ludwig. Secular choral
music. Full Score.
Composed 1808/1809. Op.
80. Duration 20 minutes.
Carus Verlag #CV
10.394/00. Published by
Carus Verlag
(CA.1039400). ISBN
M-007-18767-5. Key: C
minor. German/English.
Text: Christoph
Kuffner. In a
mixture of cantata and
concert piece, Beethoven
set a hymn to art in his
Choral Fantasy. The work,
about 20 minutes in
length, is often seen as
a precursor to the Ode to
Joy in the 9th Symphony.
After a piano
introduction, a dialog
between piano and
orchestra develops in the
space of just 400
measures, before the
soloists and chorus enter
for the last 200
measures. (If necessary,
the solo parts can be
sung by members of the
chorus or a semi-chorus.)
In the main section,
headed Finale (beginning
with the double basses
and celli), the theme
from Beethoven's early
song Gegenliebe (WoO 118,
also used in the Ode to
Joy) is presented, varied
and finally used in the
March in F major. The
main source of the Choral
Fantasia for the edition
is the first edition of
the parts, published in
1811 and corrected by
Beethoven; alongside this
an English edition of the
parts published by
Clementi (1810) has been
consulted for comparison.
The edition contains an
English singing version
in a translation by
Natalia Macfarren from
the 19th century. $57.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| BLUEBEARD (BLAUBART): Overture Soli, choeur mixte et accompagnement Lucks Music Library
(1+1.2.2.2/4.2.3.0,timp,p erc,str) SKU: TM.08578SET Composed by Jacques O...(+)
(1+1.2.2.2/4.2.3.0,timp,p
erc,str) SKU:
TM.08578SET Composed
by Jacques Offenbach.
Edited by Hoffman. Set
Type: D. Set of parts.
Lucks Music Library
#A5783. Published by
Lucks Music Library
(TM.08578SET).
P/C in set.
Polka Francaise based on
Themes from Die
Fledermaus. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Swedish Dances, Op. 63 No. 1-7 Soli, choeur mixte et accompagnement Lucks Music Library
(2D1.2+1.2.2/4.2.3.1,timp ,perc,str) SKU: TM.08576SET Composed by Max Bru...(+)
(2D1.2+1.2.2/4.2.3.1,timp
,perc,str) SKU:
TM.08576SET Composed
by Max Bruch. Set Type:
D. Set of parts. Lucks
Music Library #A1359.
Published by Lucks Music
Library (TM.08576SET).
P/C in set.
Polka Francaise based on
Themes from Die
Fledermaus. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantaisie brillante on Themes from Carmen (Chiaramello) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,hp,str,fl sol) SKU: TM.13907SC Composed...(+)
(2+1.2+1.2+1.2/4.3.3.1,ti
mp,perc,hp,str,fl sol)
SKU: TM.13907SC
Composed by Francois
Borne. Arranged by
Chiaramello. Score. Lucks
Music Library #A8217.
Published by Lucks Music
Library (TM.13907SC).
Sol (no pf) in
set. $45.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantaisie brillante on Themes from Carmen (Chiaramello) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2+1.2+1.2/4.3.3.1,ti mp,perc,hp,str,fl sol) SKU: TM.13907SET Compose...(+)
(2+1.2+1.2+1.2/4.3.3.1,ti
mp,perc,hp,str,fl sol)
SKU: TM.13907SET
Composed by Francois
Borne. Arranged by
Chiaramello. Set Type: D.
Set of parts. Lucks Music
Library #A8217. Published
by Lucks Music Library
(TM.13907SET).
Sol (no pf) in
set. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasie Brilliante on Themes from Gounod's Faust, Op. 20 (Faust Fantasy) Soli, choeur mixte et accompagnement Lucks Music Library
(2+1.2.2.2/2.2.3.0,timp,s tr,vn solo) SKU: TM.00557SET Composed by Henri ...(+)
(2+1.2.2.2/2.2.3.0,timp,s
tr,vn solo) SKU:
TM.00557SET Composed
by Henri Wieniawski.
Edited by McAlister. Set
Type: D. Set of parts.
Published by Lucks Music
Library (TM.00557SET).
Score =
Practical Performing
Edition; newly engraved
by McAlister. Parts and
solo/pf not newly
edited. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| An der Moldau, Polka Francaise, Op. 366 Soli, choeur mixte et accompagnement Lucks Music Library
(1+1.1.2.2/4.2.3.0,timp,p erc,str) SKU: TM.07593SET Composed by Johann St...(+)
(1+1.1.2.2/4.2.3.0,timp,p
erc,str) SKU:
TM.07593SET Composed
by Johann Strauss Jr. Set
Type: D. Set of parts.
Lucks Music Library
#A6503. Published by
Lucks Music Library
(TM.07593SET).
P/C in set.
Polka Francaise based on
Themes from Die
Fledermaus. $65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Swedish Dances, Op. 63 No. 1-7 Soli, choeur mixte et accompagnement Lucks Music Library
(2D1.2+1.2.2/4.2.3.1,timp ,perc,str) SKU: TM.08576SC Composed by Max Bruc...(+)
(2D1.2+1.2.2/4.2.3.1,timp
,perc,str) SKU:
TM.08576SC Composed
by Max Bruch. Score.
Lucks Music Library
#A1359. Published by
Lucks Music Library
(TM.08576SC).
P/C in set.
Polka Francaise based on
Themes from Die
Fledermaus. $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La damnation de Faust, op. 24 Holoman 111 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Intermédiaire/avancé Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir,
orchestra (Mezzo Voice
Solo, Tenor Voice Solo,
BarSolo, Bass Voice Solo,
Mixed choir: SSTTBB,
children choir: SS, 3Fl,
2 Ob, 2 clarinet,
clarinet-B, 4bassoon,
4Hn, 2 Trp, 2 Pist,
3trombone, Op, Tb,
timpani, percussion, 8,
10harp, Str) - Level 4
SKU: BA.BA05448
Lègende dramatique
in four parts.
Composed by Hector
Berlioz. Edited by Julian
Rushton. This edition:
complete edition, urtext
edition. Linen. New
Berlioz Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 8a/b. Complete
edition, Score. Opus 24.
453/556 pages. Duration 2
hours. Baerenreiter
Verlag #BA05448_00.
Published by Baerenreiter
Verlag (BA.BA05448).
ISBN 9790006471478.
33.2 x 26.5 cm inches.
Text Language: French.
Text: Berlioz, Hector /
Nerval, Gérard
de. In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$872.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165209
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165209.
Published by Carus Verlag
(CA.5165209). ISBN
9790007313838. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartââ¬â¢s
Requiem.
ââ¬ÅAnother
one?ââ¬Â you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional
Süßmayr
version. Yet such is the
enormous power of
Mozartââ¬â¢s
score that the challenge
and appeal of completing
it remain undiminished.
After two decades of
intensive study, Howard
Armanââ¬â¢s
additions to
Mozartââ¬â¢s
great original show the
requisite care and
respect while
incorporating many new
insights.
ArmanÃ
â¬â¢s approach
is particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartââ¬â¢s
brilliant composing
style: The masterly
compositional technique,
the search for innovative
solutions to every
problem, and even the
terse treatment of the
text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentââ¬â
s unique sound is given
an opportunity to shine.
Armanââ¬â¢s
Lacrimosa achieves a
lively Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather ââ¬â
in the spirit of Mozart
ââ¬â on
creating a sense of drama
and illuminating the
theme in all its possible
facets.
Mozartââ¬â¢s
fragment ends with the
Hostias, and so does
Armanââ¬â¢s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to
Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanââ
¬â¢s version has
already proven its
practical value. The
premiere with the
Bavarian Radio Choir was
enthusiastically received
by audiences and press
alike ââ¬â
and celebrated as
offering a scholarly,
entirely fresh
perspective on
Mozartââ¬â¢s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165205
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Choral
Score. KV 626. Duration
50 minutes. Carus Verlag
#5165205. Published by
Carus Verlag
(CA.5165205). ISBN
9790007314286. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rest thy faith on God the Lord (Gott ist unsre Zuversicht) Soli, choeur mixte et accompagnement Carus Verlag
SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, ...(+)
SAB vocal soli, SATB
choir, 3 trumpets,
timpani, 2 oboes/oboe
d'amore, bassoon, 2
violins, viola, basso
continuo SKU:
CA.3119763 Cantata
for a wedding.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Violin 3. Sacred
vocal music, Cantatas.
Single Part, Violin 3.
BWV 197. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.197/63. Published by
Carus Verlag
(CA.3119763). ISBN
9790007210540. Text
language:
German/English. Got
t ist unsre Zuversicht
BWV 197 was probably
written in the second
half of the 1730s for a
wedding, no further
details of which are
known. In the opening
chorus in particular, it
features quite a sizeable
orchestra. The text of
the cantata has one major
theme - trust in God! In
a magnificent lullaby
(movement 3) all cares
are sung to sleep. The
other arias, with their
exceptionally exquisite
combinations of scorings,
make the cantata into a
quite special work,
albeit one which is
associated with a
particular occasion. The
wedding cantata BWV 197
draws on older material
for some of its
movements. Two movements
are parodies on arias
from the incomplete
surviving Christmas
cantata Ehre sei Gott in
der Hohe, BWV 197a,
including the lullaby O
du angenehmes Paar, of
which only the last
quarter survives from the
Christmas cantata - it is
O du angenehmer Schatz
there. By using the later
version, Diethard
Hellmann has been able to
reconstruct the original
version of this dreamlike
beautiful movement;
however, the complete
Christmas cantata cannot
be reconstructed from the
sources. Score and part
available separately -
see item CA.3119700. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Freude der Hirten uber die Geburt Jesu Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
bassoons, 3 horns, 3
trumpets, timpani, 2
violins, viola,
cello/contrabass - Grade
3 SKU: CA.3710509
Christmas
oratorio. Composed by
Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition. 1x
37.105/21 flute 1, 1x
37.105/22 flute 2, 1x
37.105/23 oboe 1, 1x
37.105/24 oboe 2, 2x
37.105/25 2 bassoons, 1x
37.105/31 horn 1, 1x
37.105/32 horn 2, 1x
37.105/33 horn 3, 4x
37.105/34
trumpet/timpani.
Gottfried August Homilius
- Selected Works. Die
Freude Der Hirten Ga 5.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas. Set
of Orchestra Parts. HoWV
I.1. 68 pages. Duration
45 minutes. Carus Verlag
#CV 37.105/09. Published
by Carus Verlag
(CA.3710509). ISBN
9790007214333. Language:
German. Text: Buschmann,
Ernst August. Text: Ernst
August
Buschmann. After
the Passions-Cantate
,,Ein Lammlein geht und
tragt die Schuld of 1775,
the Christmas Oratorio is
the second major vocal
work by Homilius to
appear in print during
his lifetime. With an
unusually large
instrumental contingent,
Homilius set the, at that
time, much beloved
pastoral theme of the
shepherds in a most
sophisticated manner.
Each movement presents a
clearly differentiated,
atmospheric scene,
distinct from all the
other movements. This
applies to the varied
pastoral music, as well
as to the representation
of the mighty God by an
angel, whose entrance is
accompanied by trumpets
and timpani. Score and
parts available
separately - see item
CA.3710500. $74.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Freude der Hirten uber die Geburt Jesu Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
bassoons, 3 horns, 3
trumpets, timpani, 2
violins, viola,
cello/contrabass - Grade
3 SKU: CA.3710514
Christmas
oratorio. Composed by
Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works. Die
Freude Der Hirten Ga 5.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas.
Single Part, Cello/Double
Bass. HoWV I.1. 16 pages.
Duration 45 minutes.
Carus Verlag #CV
37.105/14. Published by
Carus Verlag
(CA.3710514). ISBN
9790007214371. Language:
German. Text: Buschmann,
Ernst August. Text: Ernst
August
Buschmann. After
the Passions-Cantate
,,Ein Lammlein geht und
tragt die Schuld of 1775,
the Christmas Oratorio is
the second major vocal
work by Homilius to
appear in print during
his lifetime. With an
unusually large
instrumental contingent,
Homilius set the, at that
time, much beloved
pastoral theme of the
shepherds in a most
sophisticated manner.
Each movement presents a
clearly differentiated,
atmospheric scene,
distinct from all the
other movements. This
applies to the varied
pastoral music, as well
as to the representation
of the mighty God by an
angel, whose entrance is
accompanied by trumpets
and timpani. Score and
part available separately
- see item
CA.3710500. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie No. 9, Finale. Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flu...(+)
Orchestra SATB vocal
soli, SATB choir, piano
(Orchesterbesetzung:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, contrabass)
SKU: CA.2380192
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/92. Published by
Carus Verlag
(CA.2380192). Text
language: German. Text:
Schiller,
Friedrich. It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 9th Symphony. Finale Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Ludwig van Beethoven (1770-1827). For SATB vocal soli, SATB choir, p...(+)
Composed by Ludwig van
Beethoven (1770-1827).
For SATB vocal soli, SATB
choir, piano (orchestra:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, double
bass). Secular choral
music. Choral score. Text
language: German.
Duration 22 minutes.
Carus Verlag #CV
23.801/05. Published by
Carus Verlag
$6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Freude der Hirten uber die Geburt Jesu Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
bassoons, 3 horns, 3
trumpets, timpani, 2
violins, viola,
cello/contrabass - Grade
3 SKU: CA.3710512
Christmas
oratorio. Composed by
Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works. Die
Freude Der Hirten Ga 5.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas.
Single Part, Violin 2.
HoWV I.1. 16 pages.
Duration 45 minutes.
Carus Verlag #CV
37.105/12. Published by
Carus Verlag
(CA.3710512). ISBN
9790007214357. Language:
German. Text: Buschmann,
Ernst August. Text: Ernst
August
Buschmann. After
the Passions-Cantate
,,Ein Lammlein geht und
tragt die Schuld of 1775,
the Christmas Oratorio is
the second major vocal
work by Homilius to
appear in print during
his lifetime. With an
unusually large
instrumental contingent,
Homilius set the, at that
time, much beloved
pastoral theme of the
shepherds in a most
sophisticated manner.
Each movement presents a
clearly differentiated,
atmospheric scene,
distinct from all the
other movements. This
applies to the varied
pastoral music, as well
as to the representation
of the mighty God by an
angel, whose entrance is
accompanied by trumpets
and timpani. Score and
part available separately
- see item
CA.3710500. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Freude der Hirten uber die Geburt Jesu Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
bassoons, 3 horns, 3
trumpets, timpani, 2
violins, viola,
cello/contrabass - Grade
3 SKU: CA.3710513
Christmas
oratorio. Composed by
Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works. Die
Freude Der Hirten Ga 5.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas.
Single Part, Viola. HoWV
I.1. 12 pages. Duration
45 minutes. Carus Verlag
#CV 37.105/13. Published
by Carus Verlag
(CA.3710513). ISBN
9790007214364. Language:
German. Text: Buschmann,
Ernst August. Text: Ernst
August
Buschmann. After
the Passions-Cantate
,,Ein Lammlein geht und
tragt die Schuld of 1775,
the Christmas Oratorio is
the second major vocal
work by Homilius to
appear in print during
his lifetime. With an
unusually large
instrumental contingent,
Homilius set the, at that
time, much beloved
pastoral theme of the
shepherds in a most
sophisticated manner.
Each movement presents a
clearly differentiated,
atmospheric scene,
distinct from all the
other movements. This
applies to the varied
pastoral music, as well
as to the representation
of the mighty God by an
angel, whose entrance is
accompanied by trumpets
and timpani. Score and
part available separately
- see item
CA.3710500. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphonie No. 9, Finale. Carus Choir Coach Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, piano (Orchesterbesetzung: piccolo, 2 flu...(+)
Orchestra SATB vocal
soli, SATB choir, piano
(Orchesterbesetzung:
piccolo, 2 flutes, 2
oboes, 2 clarinets, 2
bassoons, contrabassoon,
4 horns, 2 trumpets, 3
trombones, timpani,
percussion, 2 violins,
viola, cello, contrabass)
SKU: CA.2380193
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/93. Published by
Carus Verlag
(CA.2380193). Text
language: German. Text:
Schiller,
Friedrich. It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Freude der Hirten uber die Geburt Jesu Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 3 horns, 3...(+)
Orchestra SATB vocal
soli, SATB choir, 2
flutes, 2 oboes, 2
bassoons, 3 horns, 3
trumpets, timpani, 2
violins, viola,
cello/contrabass - Grade
3 SKU: CA.3710519
Christmas
oratorio. Composed by
Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works. Die
Freude Der Hirten Ga 5.
Innovative practice aids,
Sacred vocal music,
Oratorios, Christmas. Set
of Orchestra Parts. HoWV
I.1. Duration 45 minutes.
Carus Verlag #CV
37.105/19. Published by
Carus Verlag
(CA.3710519). ISBN
9790007134327. Language:
German. Text: Buschmann,
Ernst August. Text: Ernst
August
Buschmann. After
the Passions-Cantate
,,Ein Lammlein geht und
tragt die Schuld of 1775,
the Christmas Oratorio is
the second major vocal
work by Homilius to
appear in print during
his lifetime. With an
unusually large
instrumental contingent,
Homilius set the, at that
time, much beloved
pastoral theme of the
shepherds in a most
sophisticated manner.
Each movement presents a
clearly differentiated,
atmospheric scene,
distinct from all the
other movements. This
applies to the varied
pastoral music, as well
as to the representation
of the mighty God by an
angel, whose entrance is
accompanied by trumpets
and timpani. Score and
parts available
separately - see item
CA.3710500. $224.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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