Composed by Joseph M. Martin. Fred Bock Publications. Reformation, Children, S...(+)
Composed by Joseph M.
Martin. Fred Bock
Publications.
Reformation, Children,
Sacred, Musicals. CD.
Fred Bock Music Company
#BGM1000T. Published by
Fred Bock Music Company
(HL.210367).
Composed by Joseph M. Martin. Fred Bock Publications. Softcover. 68 pages. Fred ...(+)
Composed by Joseph M.
Martin. Fred Bock
Publications. Softcover.
68 pages. Fred Bock Music
Company #BGM1000D.
Published by Fred Bock
Music Company
(HL.210365).
Organ - advanced SKU: HL.49045437 For Organ. Composed by Enjott Sc...(+)
Organ - advanced
SKU:
HL.49045437
For
Organ. Composed by
Enjott Schneider. This
edition: Saddle
stitching. Sheet music.
Organ Large Works.
Classical. Softcover.
Composed 2016. 48 pages.
Duration 24'. Schott
Music #ED 22668.
Published by Schott Music
(HL.49045437).
ISBN
9790001162715. UPC:
841886029088.
9.0x12.0x0.168
inches.
On the
occasion of the
quincentenary of
Reformation Day in 2017,
the composer Enjott
Schneider thoroughly
studied Martin Luther the
individual and all his
contradictions. The
result is a brilliant,
demanding organ symphony
which is perfect for
concerts on the subject
of Reformation and Martin
Luther.The composer
describes the five
movements of the symphony
as follows:'1st
movement:Wir glauben all
an einen Gott with its
quintuplet-like beginning
is very Gregorian in
style, outlining the
range of Lutheran
emotionalism between the
Middle Ages and the
modern era. The
irrationality of faith
ultimately has priority
over any thought and
evidence. At the
beginning of the
movement, sounds of
knocking on wood remind
of the nailing of the
Ninety-Five Theses to the
doors of churches in
Wittenberg. The chorale
melody sometimes hides
with an almost rough
medieval saltarello,
referring to Luther's
robustness and vitality
with which he knew to
carry away even common
people.2nd movement:In
1530, the electoral
prince of Saxony
presented to Luther at
Coburg Castle the golden
signet ring with the
Luther rose which became
the symbol of his
theology of grace. A
white heart with black
cross is fixed on a
five-petalled rose. To
him, white is the colour
of angels and ghosts,
black stands for the pain
of crucification: The
just shall live by faith,
but by faith in the
Crucified. But the fact
that the rose and the
heart are the dominating
symbols shows how
Catholic Marian piety
remained an ingredient of
Luther's spirituality
throughout his life. In
line with the dominant
five-petal structure of
the rose, this movement
was composed, to a large
extent, in accordance
with the floating,
lyrical rhythm in 5/8
time.3rd movement:The
omnipresence of death and
dying - from the plague
and war to the
never-ending dangers of
daily life - was an
essential part of the
world view of that time.
Fears ensued that might
heighten into the
grotesque, e.g. in the
pictures of Hieronymus
Bosch. The Danse macabre
was a popular motif in
those years. Luther's
chorale Mitten wir im
Leben sind / mit dem Tod
umfangen from 1524
(Enchiridion from Erfurt)
is based on the Gregorian
chant Media vita in morte
sumus created in France
around 750 and, with its
idea of transience,
inspired a simplistic
air.4th movement:The
famous confession
delivered at the Diet of
Worms in 1521, I stand
here and can say no more.
God help me. Amen, are
not Luther's words but
the version later used as
text for a pamphlet.
However, it represents
quite plainly the
straightforwardness and
inevitability of his
mission. Musically, it
was made into a perpetuum
mobile, i.e. a dogged,
ostinato and never-ending
musical air.5th
movement:The Mighty
Fortress, on the other
hand, is one of the great
symbols of Martin Luther
which, with its shining C
major key, embodies the
Protestant ideology and
willful nature of the
Reformation unlike any
other song. Heinrich
Heine called it the
Marseille anthem of the
Reformation, Friedrich
Engels the Marseillaise
of the Peasants' Wars.
This disputability is not
thought through to the
end but rather
interrupted: With a
jubilant birdcall version
of the melody, the finale
shows a rather
chamber-music-like side
of the ideals of freedom
of Christians.'.
SKU: HL.49033226 Eine Kultur-, Sozial- und Ideengeschichte in 40 Stati...(+)
SKU: HL.49033226
Eine Kultur-, Sozial-
und Ideengeschichte in 40
Stationen (German
Text). Composed by
Karl Heinrich Ehrenforth.
This edition:
Hardback/Hard Cover.
Book. Edition Schott. Das
Buch stellt die
Geschichte der
musikalischen Bildung
umfassend, anschaulich
und aus verschiedenen
Perspektiven dar - unter
Einbeziehung von Politik,
Philosophie, Theologie,
Sozialwissenschaft und
Padagogik.Ausgezeichnet
mit dem Deutschen
Musikeditions. Classical.
554 pages. Schott Music
#ED 9665. Published by
Schott Music
(HL.49033226).
ISBN
9783795705022. UPC:
884088072094.
7.0x9.75x1.26 inches.
German.
Zum ersten
Mal wird hier gewagt,
eine Geschichte der
musikalischen Bildung in
einen Zeitrahmen von mehr
als 3.000 Jahren zu
stellen. Damit verbindet
sich der Anspruch, ein
Bild zu zeichnen, das
nicht erst - wie bisher
ublich - um 800 oder gar
erst um 1.800 beginnt.
Denn die
Grundentscheidungen uber
den Bildungsrang der
Musik im europaischen
Abendland sind da langst
gefallen: in den antiken
Hochkulturen und im
Christentum.Musik ist
mehr als Musik - und
Bildung ist mehr als
Padagogik, denn Musik ist
ein unubertroffener
Spiegel der Welt.
Musikalische Weltbilder
haben ganze Nationen,
Geschichtsepochen und
Kulturkreise bis in ihre
politische Gestalt hinein
gepragt: Musik hat
gebildet im
ursprunglichen Sinn des
Wortes. Die Geschichte
der musikalischen Bildung
gibt Antworten auf Fragen
wie:- Welche Rolle
spielen Musik und Bildung
in verschiedenen
Epochen?- Welche Funktion
hat musikalische Bildung
fur den Staat und fur die
Entwicklung der
Personlichkeit?- Wie
geben ein Schamane in
Sibirien, ein Ritter aus
dem hohen Adel und ein
lutherischer Lehrerkantor
musikalisches Wissen
(vermutlich) weiter?- Wie
funktionieren
musikbildende
Institutionen wie die
Schola Cantorum, die
Meistersingerschulen oder
das Thomaskantorat unter
J.S. Bach?- Was denken
Augustinus, Luther,
Comenius, Rousseau,
Goethe, Frobel und Adorno
uber musikalische Bildung
und Praxis?Der Leser wird
zu 40 Stationen unserer
Kultur- und
Bildungsgeschichte
gefuhrt - von der Antike
bis zur
Gegenwart.Ausgezeichnet
mit dem Deutschen
Musikeditionspreis
2006.
Martin Luther - Ein
Singspiel. Composed
by Uli Fuhre. Wenn Einer
Fragt. Martin
Luther-Singspiel. Sacred
vocal music, Musicals for
children, Cantatas and
Singspiele for children,
Reformation day. Choral
Score. 20 pages. Duration
45 minutes. Carus Verlag
#CV 12.569/05. Published
by Carus Verlag
(CA.1256905).
ISBN
9790007171537. Text
language: German. Text:
Wolff, Hellmuth / Fuhre,
Uli.
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-422-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-422-140
Composed by Philip
Sparke. Elite Series.
Score Only. Composed
2015. Anglo Music Press
#AMP 422-140. Published
by Anglo Music Press
(BT.AMP-422-140).
English-German-French-
Dutch.
Three
Washington Statues
was commissioned by the
United States Army Band
â??Pershings Ownâ?,
led by Colonel Thomas H.
Palmatier. Washington
D.C. contains some of the
worldâ??s most iconic
monuments, memorials and
statues. Philip Sparke
has chosenthree of these
as the inspiration for
this piece: â??The
Lincoln Memorialâ?? in
the form of a Greek Doric
temple in which the
composer depicts the
grandeur of this
monument; â??The Martin
Luther King, Jr.
Memorialâ?? on which
steps the iconic speech
â??I havea dreamâ?? was
given - the music is both
reverential as well as
powerful referring to
Martin Luther Kingsâ??
speech; and the
â??Encoreâ?? statue in
memory of the world
famousAfrican-American
composer, pianist and
bandleader Duke
Ellington. In this
finalmovement, Philip
Sparke catches the
virtuosic, energetic and
unique dynamism of
Ellingtonsâ??
music.
Three
Washington Statues is
geschreven in opdracht
van de United States Army
Band â??Pershingâ??s
Ownâ?? en de leider van
dit orkest, kolonel
Thomas H. Palmatier.
Washington D.C. is het
decor van een aantal van
de meest iconische
monumenten,gedenktekens
en standbeelden van de
VS. Componist Philip
Sparke heeft er drie
uitgekozen als inspiratie
voor dit werk: The
Lincoln Memorial, in de
vorm van een Griekse
Dorische tempel, waarin
de grandeur van het
monument wordt verklankt;
het MartinLuther King Jr.
Memorial, het gebouw waar
de iconische toespraak
â??I have a dreamâ??
ooit weerklonk de sfeer
is respectvol en
eerbiedig, maar de muziek
weerspiegelt tevens de
karakteristiekekracht die
ervan uitgaat; en het
beeld â??Encoreâ??
vancomponist, pianist en
bandleider Duke Ellington
in dit laatste deel geeft
Philip Sparke de
virtuoze, energieke,
unieke en dynamische
stijl van Ellingtons
muziek
weer.
Three
Washington Statues
wurde von der United
States Army Band
Pershings Ownâ??, die
von Oberst Thomas H.
Palmatier geleitet wird,
in Auftrag gegeben.
Washington D.C. besitzt
einige der
weltberühmtesten
Bauwerke, Denkmäler
und Statuen. PhilipSparke
hat drei von diesen als
Inspiration für dieses
Stück genommen. So
beschreibt er die
Erhabenheit des Lincoln
Memorialâ??, das mit
seinen dorischen
Säulen in Form eines
griechischen Tempels
erbaut wurde. Das Martin
Luther King, Jr.
Memorialâ??erinnert an
die legendäre Rede
Martin Luther Kings I
have a dreamâ?? (Ich
habe einen Traumâ??).
Die ehrfurchtsvolle und
zugleich kraftvolle Musik
ist ein Tribut an diese
Rede. Die
StatueEncoreâ?? erinnert
an den weltbekannten
afroamerikanischenKomponi
sten, Pianisten und
Bandleader Duke
Ellington. In diesem
letzten Satz fängt
Philip Sparke die
virtuose, energiegeladene
und einzigartige Dynamik
von Duke Ellingtons Musik
ein.
Co
mmissionato dalla banda
dellâ??esercito
statunitense, condotta
dal colonnello Thomas H.
Palmatier, Three
Washington Statues
è un brano dedicato ad
alcuni dei più noti e
iconici monumenti
americani mai realizzati.
Philip Sparke ha
scelto,difatti, di
musicare la stentoreit
del Lincoln Memorial,
della statua di Martin
Luther King di West
Potomac Park e di quella
dedicata al gigante della
musica afro-americana
Duke Ellington.
SKU: CA.402305 Composed by Johann Sebastian Bach. Hymns by Martin Luther:...(+)
SKU: CA.402305
Composed by Johann
Sebastian Bach. Hymns by
Martin Luther: Ausgaben
mit mehreren
Luther-Liedern; Choral
collections.
Luther-Lieder (Ab 20 Ex).
Collection. 36 pages.
Carus Verlag #CV
04.023/05. Published by
Carus Verlag (CA.402305).
By Martin Luther (1483-1546). Arranged by Charles Evans. For brass quartet - 2 t...(+)
By Martin Luther
(1483-1546). Arranged by
Charles Evans. For brass
quartet - 2 trumpets (Bb
or C) and 2 trombones (or
horn in F for trombone
1). Reformation Sunday.
Sacred, Chamber Music.
Medum. 8 pages. Published
by GIA Publications
Yonder Come Day Chorale - Facile MorningStar Music Publishers
By Michael Burkhardt. For 3-part treble voices, a cappella. Easter, All Saints, ...(+)
By Michael Burkhardt. For
3-part treble voices, a
cappella. Easter, All
Saints, Martin Luther
King Day. Level: Easy.
Published by MorningStar
Music Publishers.
Composed by Felix Mendelssohn, J. S. Bach, Johann Christoph Bach, Samuel Scheidt...(+)
Composed by Felix
Mendelssohn, J. S. Bach,
Johann Christoph Bach,
Samuel Scheidt, Johann
Pachelbel, Johann Ludwig
, Dietrich Buxtehude,
Michael Burkhardt, Johann
Neinrich Buttstedt,
Johann Eramus Kindermann,
Matthias Weckmann.
Arranged by Michael
Burkhardt. Non
Hymn-Based, Classical
Transcription, Hymn
Setting. Advent,
Christmas, Easter,
Lent, Passion/Palm
Sunday, Pentecost,
Reformation, 21st
Century, Prayer.
Published by MorningStar
Music Publishers
(MN.10-683).
By Martin Luther (1483-1546). Arranged by Rich Heffler. For cello solo with pian...(+)
By Martin Luther
(1483-1546). Arranged by
Rich Heffler. For cello
solo with piano
accompaniment. Sacred.
Score and solo part.
Published by Rich Heffler
Music
Composed by K. Lee Scott. Multi-Movement/Large Choral Work. All Saints/All Souls...(+)
Composed by K. Lee Scott.
Multi-Movement/Large
Choral Work. All
Saints/All Souls, Martin
Luther King Day,
Memorial, 21st Century,
Justice/Peace/Social
Concerns. Choral score.
Published by MorningStar
Music Publishers
(MN.70-850).
Reformationskantate. Composed by Stephan Langenberg. This edition: Paper...(+)
Reformationskantate. Composed by Stephan
Langenberg. This edition:
Paperbound. Hymns by
Martin Luther: Ein feste
Burg ist unser Gott;
Choir and Brass,
Contemporary choral
music.
Reformationskantate.
Sacred vocal music,
Cantatas, Reformation
day. Reduction for organ.
Duration 25 minutes.
Carus Verlag #CV
10.801/03. Published by
Carus Verlag
(CA.1080103).
0.5
By Alice Parker. For SATB soli, SATB choir, orchestra or organ, guitar, percussi...(+)
By Alice Parker. For SATB
soli, SATB choir,
orchestra or organ,
guitar, percussion (Mixed
Voices). General.
Various. Choral. 132
pages. Published by E.C.
Schirmer Publishing