Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart Mozart's Kyrie in F for SATB. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart. / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Tonalité : F-Dur - Kraus, Eberhard (Arr.) - Kv 33. Par MOZART WOLFGANG AMADEUS. the first 18 bars come from a joint autograph of Leopold and Wolfgang Amadeus Mozart / Messe / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. Mozart's Missa in C for SATB. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In March 1785 Mozart arranged Kyrie and Gloria, supplemented by a tenor and a soprano aria, for the Italian oratorio 'Davide penitente'. In his arrangement of the Mass in c minor, Richard Maunder added Creed wind and brass instruments to the Credo sketches. / Messe / Répertoire / Solistes SATB, Choeur SATB/SATB, Flûte Traversière

Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xaver Sussmayr, in its traditional form. Mozart's final work, the Requiem K. 626, was left incomplete and it is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22. 5 x 16. 5cm (TP152) available for sale - Facsimile edition BVK2346/ Répertoire / Orchestre

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

KV 339. Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext / Hymnes et chorals / Répertoire / Solistes (SATB), Choeur Mixte (SATB), Orchestre et

Par MOZART WOLFGANG AMADEUS. Ausgaben Für Die Praxis Nach Der Neuen Mozart-Ausgabe. Urtext/ Répertoire / Choeur Mixte (SATB), Orchestre et Orgue

Dramma giocoso in zwei Akten. Par MOZART WOLFGANG AMADEUS. In the space of a few months, in the autumn and winter of 1789, Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas, Così fan tutte, which has held listeners spellbound with its blend of bitterness and comedy to the present day. Edited by Faye Ferguson and Wolfgang Rehm for the “New Mozart Edition” (NMA II/5/18) incorporating the latest scholarly findings from the critical commentary published by Henning Bey and Faye Ferguson in 2003. Incorporates latest scholarly findings from the critical commentary of 2003 Studyscore (TP314), full score (BA4606-01) and vocal score (BA4606-90) available for sale Performance material (BA4606-72) for hire/ Répertoire / Partition de Poche

Par MOZART WOLFGANG AMADEUS. Neue Ausgabe Sämtlicher Werke. Urtext Bestellung Zur Fortsetzung Zu Einem Um 10 % Ermäßigten Serienpreis Möglich/ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

Par MOZART WOLFGANG AMADEUS. Credo and Sanctus, reconstructed and completed by Helmut Eder. Mozart began work on this ambitious setting of the Mass text in 1782 and there has been much speculation as to the reasons why it was abandoned unfinished. This edition based on the Urtext New Mozart Edition has the Credo and Sanctus, reconstructed and completed by Helmut Eder. - Vocal score for sale (BA4846-90) - Study score for sale (TP255) - Performance material for hire (BA4846-72) - Full score, hardback, containing Mozart 's incomplete score (BA4592-01)/ Répertoire / Partition de Poche

Tonalité : F-Dur - Berger, Hans Ludwig (Arr.) -. Par MOZART WOLFGANG AMADEUS. Gattungen: Weltliche Chorsätze - Langue : Allemand/ Répertoire / Choeur SATB

Motette. Par MOZART WOLFGANG AMADEUS. Tonalité : F-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - KV 273 / Hymnes et chorals / Date parution : 2006-03-01/ Répertoire / Choeur SATB et Orgue

Offertorium. Par MOZART WOLFGANG AMADEUS. Since the two verifiable autographs of the offertory Misericordias Domini have been lost, for the present new critical edition Robert Münster was able to rely for the first time on the manuscript parts from the music of the Court of Munich which he discovered. These can be traced back to the material used for the first performance of the work in Munich in 1775 and hence they can also be traced back to the Munich autograph. / Psaumes / Répertoire / Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C