Palmsonntagmorgen Chorale SSATB SSATB A Cappella - Intermédiaire/avancé Carus Verlag
SSATB chorus a cappella - Level 4 SKU: CA.5292500 Composed by Max Reger. ...(+)
SSATB chorus a cappella -
Level 4
SKU:
CA.5292500
Composed
by Max Reger. Edited by
Alexander Becker,
Christopher Grafschmidt,
Stefan Konig, and
Stefanie Steiner-Grage.
Carus digital: Extra
digital products. Full
Score. Composed 1902. WoO
VI/18. Duration 5
minutes. Carus Verlag
#5292500. Published by
Carus Verlag
(CA.5292500).
ISBN
9790007296032. Key: A
major. German. Text:
Geibel,
Emanuel.
Reger
composed
Palmsonntagmorgen (WoO
VI/18) at the beginning
of 1902 at the request of
the Chemnitz organist and
choral director Georg
Stolz. Stolz may also
have suggested the text
by Emanuel Geibel. The
division of the text into
sections, and the
imitative and chordal
passages in the five-part
unaccompanied setting
already point towards
Reger's later motets.
Arranged for
Pop-Up. Composed by
Manuel Grunden. Carus
digital: Extra digital
products. Full Score.
Duration 4 minutes. Carus
Verlag #744700. Published
by Carus Verlag
(CA.744700).
ISBN
9790007300050. English.
Text: Woodward, George
Ratcliffe.
Manuel
Grunden has created an
impressive modern
interpretation of the
English Christmas carol
Ding, dong merrily on
high, which itself is
based on a 16th century
French dance tune.
Piquant and
well-conceived harmonies
turn the classic carol
into a scintillating
jazz/pop work that is
sure to captivate with
its colorful vocal
writing and creative
accompaniment
patterns.Manuel
Grunden’s
reimagining of this
traditional festive song
with a contemporary sound
has created a piece
suitable for any
Christmas concert
program.
SSATBB choir SKU: CA.964100 Responsory in the Nocturn on Good Friday(+)
SSATBB choir
SKU:
CA.964100
Responsory in the
Nocturn on Good
Friday. Composed by
Ko Matsushita.
Contemporary Choir Music.
Sacred vocal music, Lent
and Passiontide. Full
score. Duration 6
minutes. Carus Verlag #CV
09.641/00. Published by
Carus Verlag (CA.964100).
ISBN 9790007143541.
Text language:
Latin.
The Good
Friday Responsory
Tenebrae factae sunt for
six-part chorus was
commissioned in 2012 for
Peking University Student
Choir and was premiered
at the World Choir Games
in Cincinnati, Ohio, USA
conducted by Hou Xijin.
It is an ambitious work
with a fervent intensity.
Matsushita sets the two
last words of Jesus, Deus
meus, ut quid me
dereliquisti? [My God,
why hast thou forsaken
me] and Pater, in manus
tuas commendo spiritum
meum [Father, into thy
hands I commend my
spirit] as pained
outcries in Stravinskyian
harshness, in chords
characterized by
tritones, as a truly
superhuman work of
redemption whose Easter
message of hope only
appears in the last
conciliatory F major
chord. Although this work
lies slightly beyond the
upper limit of the
musical and vocal
technical demands of the
Carus Contemporary
series, it is well within
the abilities of
ambitious chamber
choirs.