Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre

Edition complète avec commentaire critique, reliure paperback, Reihe I, Band 10. Par HAYDN FRANZ JOSEF. / Répertoire / Orchestre

Jorden Rundt i 80 Dage - En ny stor musical til musikskolen efterskolen og gymnasiet! En spændende og farverig musical med skuespillere sangere og stort orkester. Historien er Jules Vernes frit bearbejdet af komponist og sangskriver Thomas Bo Borchersen i samarbejde med sanger forfatter og instruktør Tine Olsen. I hæsblæsende fart må Phileas Fogg nå Jorden rundt for at vinde et væddemål men der bliver alligevel tid til at dvæle ved de mange oplevelser og personer som støder til selskabet på vejen. Historien er fortalt i 15 sange og kædet sammen af dialog såhele ensemblet kan folde sig ud i denne udødelige klassiker. Materialet består af: Partitur orkesterstemmer sanghæfte (med vedlagt cd) korhæfte og dialoghæfte. Fra forordet: Det musikalske/pædagogiske sigte med musicalen:Hovedformålet med Musicalen er at vise bredden i musikskolen og forsøge at skabe nogle nye unikke muligheder for samarbejde mellem lærer og elevgrupper i det nye musikskolemiljø der er opstået efter musikskolesammenlægningerne. Vi mener at der er et stort og stadigt voksende behov for at samle musikskolen i store fælles projekter dels for at forbedre infrastrukturen i musikskolen men også for at få den helt nødvendige kommunikation til samfundet omkring musikskolen. Vi mener der et et stort behov for at få synliggjort arbejdet med talentmassen på musikskolerne og at store kompetent udførte projekter ofte er en mangelvare på mindre og halvstore musikskoler. - Musicalerne egner sig selvfølgelig til at blive opført på alle musikskoler - store som små men er især tænkt som en særlig oplagt mulighed for at få samarbejde imellem musikskolerne igang på tværs af kommunegrænserne.

Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representation of the sufferings of the German poet Friedrich Hölderlin, in Dr. Autenriedth's mental institution in Tübingen. The last movement is a setting of Hölderlin's poem 'Half of Live'. - Hans Werner Henze/ Répertoire / Orchestre

Constantia. Par MUFFAT GEORG. Aus , , Florilegium I” / Date parution : 1695-01-01/ Répertoire / Orchestre

Uses: Music Appreciation General Festival EasterScripture: I Samuel 16:23; I Corinthians 14:15This classic J. Paul Williams anthem is the first release in our “Legacy” series. Thisedition of the best-selling choral is presented with a newly engraved score complete with updates by the composer a fresh orchestration by Stan Pethel and offered for the first time in SSA and TTB voicings.

Parry wrote 'I was glad' for chorus with an organ accompaniment. There have been various orchestral arrangements but here Peter Lawson has endeavoured to produce an orchestration in the style that Parry himself might have employed. The Organ part is optional and serves to add depth at appropriate moments. Whilst a chorus part is published in this edition this orchestration is compatible with the original choral copy as published by Novello.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) Organ (optional)

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

Haydn?s Symphony in C major Hob. I: 90 dated 1788 in the autograph belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82 87) and the London symphonies (Hob. I: 93 104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791 92 and 1794 95. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works operas and symphonies this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90 Bärenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 aswell as several Sturm und Drang symphonies.Based on the G. Henle Complete Edition of the Works of Joseph HaydnOrchestral parts in a large format (25.5 x 32.5 cm)Full score and parts (BA10981) available for sale

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the ?Paris? symphonies (Hob. I:82-87) and their ?London? counterparts (Hob. I: 93-104) the last ones he wrote before his trips to England in 1791-92 and 1794-95.The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two ?lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.

Tafelmusik I - Full score from the Telemann Selected Musical Works Edition Georg Philipp Telemann (1681–1767)Musical Works Edited by Martin Ruhnke und Wolf Hobohm in cooperation with the Telemann Conservation and Research Centre in Magdeburg This edition is designed to present researchers and performers with a representative selection of the works of Georg Philipp Telemann in reliable scholarly editions. It will contain characteristic works from each genre of the composer's voluminous œuvre including chamber music instrumental concertos orchestral suites pieces for keyboard instruments church cantatas Passion settings motets psalms masses sacred concertos operas oratorios secular cantatas songs and arias. Each volume contains a preface several facsimile reproductions from the source material and a critical report. The suitability of the edition for performance purposes is emphasized by the instrumental parts accompanying the volumes of chamber music.

The Orchestra Parts for George Frideric Handel's 'Chandos Anthem' (No.2) In The Lord Put I My Trust expertly edited by Damien Cranmer. Arranged for Cello Bassoon Double Bass Oboe Violin I Violin II and Basso Continuo.  You can purchase the  Full Score separately here.