G MAJOR - STIMMENSATZ - EACH 3 VIOLINS I II, 2 VIOLAS, 3 CELLOS/DOUBLE BASSES - 2 VIOLAS, STRINGS AND BASSO CONTINUO EDITOR: LEBERMANN, WALTER COMPOSER: TELEMANN, GEORG PHILIPP SÉRIE: CONCERTINO DIFFICULTÉ: INTERMEDIATE PAGES: 48

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.4 In G BWV 1049.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form. These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.

Antonio Vivaldi's Concerto In G RV545 Piano reduction with two solo Cello parts arranged and edited by Julian Lloyd Webber from the original concerto for Oboe Bassoon and Strings.

String Quartet no. 2 op. 15-Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter's radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky's letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.

Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G BWV 1048.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.

Riduzione Per Pianoforte-The Adagio In G Minor for Strings and Organ composed by Giazotto from two thematic drafts and a Figured Bass by Albinoni. This arrangement for Piano solo may also serve as a short-score representation of the original.

String Quartet no. 2 op. 15-Alexander Zemlinsky's music was long unjustly overshadowed by what was regarded as the more progressive' Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter's radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky's letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.