Mendelssohn, âgés de 11 à 14 a produit plus de 100 ouvrages dans une grande variété de genres musicaux, et peut-être la plus impressionnante de ces premiers travaux est les 12 Sinfonias pour orchestre à cordes. Les travaux ont été réalisés - presque dès qu'ils étaient w / Orchestre A Cordes

Cette polka crée un son unique juste pour les amateurs de polka qui sont 'la lumière sur leurs pieds.' Aucun piétine pied! Pas de pirouettes flashy! Juste une mélodie légère dans le style polka fournies par les cordes pincées. Celui-ci est heureux, charmant, et ajouter du piquant à n'importe quel concert! / Orchestre A Cordes

Note by the composer:'Triple Quartet is for string quartet and two pre-recorded quartets, or three live string quartets with no pre-recording. The piece is in three movements, fast-slow-fast, and is organized harmonically on four dominant chords in minor keys a minor third apart: E minor, G minor, Bb minor, C# minor and then returning to E minor to form a cycle.The first movement goes through this harmonic cycle twice with a section about one minute long on each of the four dominat chords. The result is a kind of variation form. Rhythmically the first movement has the second and third quartet playing interlocking chords while the first quartet plays longer melodies in canon between the first violin and viola against the second violin and cello. The slow movement is more completely contrapuntal with a long slow melody in canon eventually in all 12 voices. It stays in E minor throughout. The third movement resumes the original fast tempo, maintains the harmonic chord cycle but modulates back and forth between keys more rapidly. The final section of the movement is in the initial key of E minor and there the piece finally cadences.? Steve Reich, 1999 / Orchestre A Cordes

Adapté d'un air de danse des années 1600, c'est une chanson très dansante, animée. La mélodie est légère et insouciante. Comme avec n'importe quelle musique de danse, le maintien de la vigueur rythmique est cruciale. Gaieté et un sens de l'humour est la nature même de cette pièce, alors amusez-vous! / Orchestre A Cordes

This charming piece is a perfect choice for a first festival experience and will help any group sound more mature. Written by Emil Waldteufel and arranged by Bob Phillips, the melody moves around to all sections in this setting. Written in first position in the keys of G and D, it is a great piece to work on lo and hi 2s in the upper strings as well as stopped bows in the entire string section. All rhythms are very easy, using mostly quarters and paired eighths. (2:40) / Orchestre A Cordes

This lively piece by Susan Day, written in G minor and D minor, reinforces many skills, such as executing slurs at a fast tempo and playing flats and accidentals in tune, to achieve the characteristic flavor of Russian music. Interesting parts for all, with lovely melodies and captivating harmonies throughout, this will be a welcome addition to any concert setting! (3:30) / Orchestre A Cordes

Pour la mère de Loreta, Patricia Fin, qui est un grand fan de la musique de Beethoven. Ce dispositif est conçu pour les ensembles qui sont prêts à aborder les concepts de style dans leurs performances. Lors de l'ouverture de la section 4/4, les étudiants devraient être mis au courant des subtilités de styles s'inclinant, comme une légère séparation des noires et des blanches (noires et Minimes), et 'souffles' courts entre les paires de croches (croches). (3:15) / Orchestre A Cordes

Using only paired eighth notes with the notes on the A, D, and G strings, this accessible piece will help any group sound more mature. This easy, fun tune will delight audiences and students. It includes dancing for a change of pace and to aid in developing a sense of rhythm. The calls to teach the Virginia Reel are in the educational packs. (2:05) / Orchestre A Cordes

A mysterious pizzicato pulse sets the tone in this sly scherzo while shadowy melodies evoke the wood elves. Dynamics ebb and flow throughout before the piece builds to its conclusion. With a technical focus on two-note slurs and G string notes, this piece provides some exciting technical challenges for young players, but students and orchestras will be drawn to the dramatic style and mischievous melodies. (2:00) / Orchestre A Cordes

The word 'steampunk' refers to a genre of science fiction that features steam-powered machinery. Works of fiction in this style are most often set in the 19th century British Victorian era or the American Wild West. Machines and technology found in the works of Jules Verne and H.G. Wells would be good examples of steampunk-style inventions. The piece itself follows no specific narrative, but rather is meant to capture the spirit and mood of this hearty, highly imaginative, industrial-based movement. (5:00) / Orchestre A Cordes

Paying tribute to great artists like Dick Dale, The Ventures, and Jan and Dean, here is an exciting, fast-paced piece in the style of classic 1960s surf rock. Easy eighth and quarter note rhythms and a focus on the first and second finger patterns make it approachable for beginners, and it's a fun way to apply lessons in reading G string notes. The optional drum kit part adds flair to the rock style. (1:45) / Orchestre A Cordes

Par PHILLIPS BOB. A cute, pedagogically-based (get it'), first-year bass section feature, this piece will be fun and is sure to make your beginners sound fabulous. This piece is in first position for all players except basses. Basses shift up to C and D on the G string and only play pizzicato. Continuing Bob Phillips' tradition of bass section features, Dance of the Bowless Basses is sure to become an integral part of your standard repertoire! Correlated to Sound Innovations, Book 1, Level 5. (2:00) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

Students will love the creepy melodies, the dazzling special effects, and the spine-tingling style of such a colorful and expressive selection. This spooky, whirling waltz by Doug Spata is full of approachable chromatic notes, dramatic dynamic changes, simple rhythms, and creepy tremolo bowing---always a favorite effect! A fantastic way to reinforce low 1st finger B-flats, C-naturals, and C-sharps, plus the notes of the G string---all while having fun! (2:10) / Orchestre A Cordes