Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9563

Great and Fiery Force. Composed by Michael John Trotta. Hidegard Von Bingen transcribed by Michael John Trotta. Mjts. With Standard notation. 24 pages. Duration 4 minutes, 41 seconds. Carl Fischer Music #CM9563. Published by Carl Fischer Music (CF.CM9563).

ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta.

Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.
This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2].

Flute

SKU: HL.48183569

Composed by Daniele Zanettovich. Leduc. Classical. Alphonse Leduc #AL25730. Published by Alphonse Leduc (HL.48183569).

UPC: 888680869403. 10.5x13.5x0.05 inches.

for flute (concertante), bows and snare drum.

Grade 1.5

SKU: CL.030-2204-01

Composed by A. Clark. Jazz Ensemble. Extra full score. Composed 1989. C.L. Barnhouse #030-2204-01. Published by C.L. Barnhouse (CL.030-2204-01).

Your kids are gonna love this one! A very easy rock tune that’s playable with limited instrumentations, even the youngest bands will sound great on this very appealing number. This arrangement can even work well with bands that are lacking a bass player as the very rhythmic bass pattern is also covered in the Trombones, Bari Sax, and Piano parts. No solos except for a few very easy drum fills.

(1.1.2.1/2.2.1.0,timp,Ind ian drum,str,vn obligato)

SKU: TM.05428SET

Composed by Alexander Glazounow. Arranged by Otto Langey. Set Type: C. Set of parts. Published by Lucks Music Library (TM.05428SET).

P/C in set.

(8 Holiday Favorites). Arranged by Mark Taylor. For Bb, Eb, and C instruments. Hal Leonard Jazz Play Along. Christmas, TV and Play Along. Songbook (leadsheet notation) and accompaniment CD. Leadsheet notation and chord names. 63 pages

Jazz Ensemble Jazz Ensemble - Grade 3

SKU: FJ.JE4051

Composed by Ken Mattis. Arranged by Ken Mattis. Jazz Ensemble. FJH Intermediate Jazz Ensemble. Swing. Score and Part(s). Duration 5:05. The FJH Music Company Inc #98-JE4051. Published by The FJH Music Company Inc (FJ.JE4051).

UPC: 674398208708. English.

This original shuffle is solidly scored with a Benny Golson/Quincy Jones flavor. The saxes are featured on the head with the solo in the first tenor part. The bridge features a two sax/two trumpet ensemble with a tasty pyramid background that is fun to play. Ken has gone to great lengths to write extensive rhythm section parts, assuring that even the most inexperienced players can make this one sound smooth.

About FJH Intermediate Jazz Ensemble

A ppropriate for high school jazz ensembles. Lead trumpet ranges are modest and occasionally include optional notes for more accomplished players. Written solos are provided along with suggested parts for rhythm section and drum set. Guitar chord guide included. Grades 3 - 3.5

Arranged by Kathy Armstrong. Vocal score for SSA choir (A Cappella) and percussion (optional). With vocal score notation, drum notation and introductory text. Series: Doreen Rao's Choral Music Experience. 7 pages. Published by Boosey & Hawkes.

By Cathy Moklebust. For handbells 3-5 octaves, finger cymbals, tambourine, hand drum. Advent. Level 2. Handbell sheet

Composed by Sally K. Albrecht. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Secular; Winter. Choral Octavo. 12 pages. Alfred Music #00-45418. Published by Alfred Music (AP.45418).

By Claude Bolling, Jean-Pierre Rampal. Transcribed Score (Authentic transcriptions of all instruments). Softcover with CD. Published by Hal Leonard.

Jazz ensemble - Grade 3

SKU: CL.032-4177-01

Composed by Neeck. Jazz Ensemble. Audio recording available separately (item CL.991-2013-01). Extra full score. Composed 2013. Duration 3 minutes, 43 seconds. C.L. Barnhouse #032-4177-01. Published by C.L. Barnhouse (CL.032-4177-01).

This tasty, minor-mode Latin-rock chart provides a solid groove for your young ensemble. Easy, repeating chord changes in the optional solo section, with written suggested solos, provide a solid foundation for your young improvisers. A tasty, in-time drum break leads to hip unison licks for the entire band, which then builds to the exciting finish. An accessible introduction to the Latin-rock style, For Your Ears Only will make a spicy addition to your next concert or contest.

Composed by Tom Morgan. Percussion Ensemble. For Percussion Ensemble (bells, xylophone, vibraphone, marimba 1*, marimba 2*, timpani, electric bass (optional marimba 3), drum set, *marimba 1 and 2, may be performed on the same 4-1/3 octave instrument). Percussion Music. Edge Series. Medium. Score and parts. Duration 4:30. Published by C. Alan Publications

Piano - Easy

SKU: FP.FFL22

Composed by Leslie Fly. Published by Forsyths Publications (FP.FFL22).

ISBN 979-0-57050-100-7.

A great resource of piano duets featuring twelve traditional airs for piano. Suggested grade 2.

Orchestra 2 Bassoons, 2 Trombones, 3 Clarinets (3rd double Bass Clarinet), 3 Flutes (3rd double Piccolo), 3 Oboes (3rd double English Horn), 3 Percussion, 3 Trumpets in Bb, 4 Horns in F, Bass Trombone, Contrabassoon, Glockenspie, I: Burmese Hand Gong, Timpani, Tuba

SKU: PR.416414850

For Orchestra. Composed by Narong Prangcharoen. Contemporary. Full score. With Standard notation. Composed 2010. 29 pages. Duration 8 minutes, 15 seconds. Theodore Presser Company #416-41485. Published by Theodore Presser Company (PR.416414850).

UPC: 680160616237.

3 Flutes (3rd double Piccolo), 3 Oboes (3rd double English Horn), 3 Clarinets (3rd double Bass Clarinet), 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Tuba, Timpani, 3 Percussion, I: Burmese Hand Gong, Glockenspiel, Sus. Cymbal, Xylophone, Chimes, II: Tam-tam, Large Sus. Cymbal, 4 Tom-toms, 4 Wood Blocks, III: Large Triangle, Bass Drum, Strings.

Composed by William Walton (1902-1983). Edited by David Lloyd-Jones. For full orchestra and narrator (flute (+piccolo), clarinet (+bass clarinet), alto saxophone, trumpet in C, percussion[snare drum, cymbal, triangle, Chinese block, casaba, tambourine, jingles], cello [1-2 players]). William Walton Edition. Level D (difficult). Study score. 144 pages. Duration 16 minutes. Published by Oxford University Press

By Maurice Ravel (1875-1937). Arranged by Marco Tamanini. For Concert Band. Grade 5. Full score and set of parts. Duration 14 minutes. Published by Baton Music

Woodwinds. By Jay Bocook, Gino Cipriani. Performance/Easy Limited Edition. 28 pages. Published by Hal Leonard.

By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin Symphonic Band. Level: Medium (grade IV). Conductor Score and Parts. 318 pages. Duration 6:59. Published by Alfred Publishing.

Jazz Ensemble Jazz Ensemble - Grade 1.5

SKU: FJ.JE4055S

Score Only. Composed by Harry Miedema. Arranged by Harry Miedema. Jazz Ensemble. FJH Beginning Jazz Ensemble. Latin. Score. Duration 2:20. The FJH Music Company Inc #98-JE4055S. Published by The FJH Music Company Inc (FJ.JE4055S).

English.

For your developing group, here's a very easy bossa nova chart to fit any group's playing level. No solos are needed to play this one, and rhythmic reading consists of mostly whole notes and half notes. Harry Miedema's great changes flow over the Brazilian bossa beat in the rhythm section. An excellent change-of-pace tune for your beginning jazzers.

About FJH Beginning Jazz Ensemble

A ppropriate for first-year jazz ensembles. Playable with as few as 3 saxes, 2 trumpets, 1 trombone, and rhythm section. Pieces consist mostly of ensemble writing. Written solos are provided along with suggested parts for rhythm section and drum set. Guitar chord guide included. Grades 1 - 1.5

Arranged by Victor Lopez. For Tuba. Marching Band Collection. Book. 16 pages. Published by Alfred Publishing.