(Sleep Peacefully). Composed by Northeast Brazilian Lullaby. Arranged by Ken Lit...(+)
(Sleep Peacefully).
Composed by Northeast
Brazilian Lullaby.
Arranged by Ken Litton.
For Choral, Violin (SATB
W/ VIOLIN). Harold
Flammer. 16 pages.
Published by Shawnee
Press
3-5 octave handbells - Grade 3 SKU: MN.30-125 Composed by Sondra K. Tucke...(+)
3-5 octave handbells -
Grade 3
SKU:
MN.30-125
Composed by
Sondra K. Tucker.
Christmas. Handbell
score. MorningStar Music
Publishers #30-125.
Published by MorningStar
Music Publishers
(MN.30-125).
UPC:
688670301254.
Sondr
a Tucker enhances the
Latin rhythms of a
traditional South
American Christmas Carol
via gentle martellatos
and ornamental lines in
thirds, reminding us of a
bright but quiet trumpet
duet in a Mariachi band.
A lullaby in a minor key
has a joyous shift to
major for the refrain.
This shift is a
characteristic of Spanish
and Cuban folksongs
(guajira.) Fresh,
accessible, and fun to
ring.
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
As We Sleep Orchestre d'harmonie Eighth Note Publications
Composed by Ryan Meeboer. Concert Band; Performance Music Ensemble; Single Title...(+)
Composed by Ryan Meeboer.
Concert Band; Performance
Music Ensemble; Single
Titles. Eighth Note
Publications. Part(s);
Score. Duration 2:40.
Eighth Note Publications
#81-CB14249. Published by
Eighth Note Publications
(AP.81-CB14249).
For
SATB (or Unison Voices)
and Piano/Organ.
Composed by Roxanna
Panufnik. Choral
(Sacred); Choral Octavo;
Worship Resources.
Christmas; Hymn; Living
Composer; Multicultural.
Choral Octavo. 104 pages.
Edition Peters
#98-EP73689. Published by
Edition Peters
(PE.EP73689).
ISBN
9790577023366.
This
gently rocking
traditional carol,
originating in Ukraine,
is arranged by Roxanna
Panufnik as a beautiful
lullaby for SATB choir
with piano or organ with
an English language text.
It is also possible to
perform it as a unison
single-line piece. The
last of the four verses
has an optional solo
descant that can be sung
in either English or the
original Ukrainian.
Duration: 3.5 minutes.
Roxanna
Panufnik hat dieses sanft
schwingende traditionelle
Lied aus der Ukraine als
wunderschönes
Wiegenlied für SATB
und Klavier oder Orgel
arrangiert und mit einem
englischen Text versehen.
Das Stück kann auch
als einstimmiges Lied
aufgeführt werden. Die
letzte der vier Strophen
hat einen optionalen
Solopart für Sopran,
der in Englisch oder im
ukrainischen Original
gesungen werden kann.
Dauer: 3,5 Minuten.
Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. Women...(+)
Composed by Alice Jean
Cleator, music by Donald
Moore. Choir Sacred.
Women's
Choir. Choral Octavo.
Choral
Designs. Christmas;
Sacred;
Winter. 8 pages.
Published
by Alfred Music
Ojibwa Lullaby Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Band concert band - Grade 3.5 SKU: KJ.JB58 Composed by John Lorge. Bandwo...(+)
Band concert band - Grade
3.5
SKU: KJ.JB58
Composed by John Lorge.
Bandworks. Jazz. Score
and set of parts. Neil A.
Kjos Music Company #JB58.
Published by Neil A. Kjos
Music Company (KJ.JB58).
UPC:
8402701189.
Compose
r John Lorge celebrates
his heritage with Ojibwa
Lullaby. Based on
authentic Native American
melodies from the north
central United States,
the themes are
transformed and presented
to sound like a whole
community of parents is
soothing their children
to sleep.
Choir Sacred SKU: AP.41761 Composed by Donald Moore. This edition: SoundT...(+)
Choir Sacred
SKU:
AP.41761
Composed by
Donald Moore. This
edition: SoundTrax CD.
CD. Alfred Choral
Designs. Christmas;
Sacred. CD. Alfred Music
#00-41761. Published by
Alfred Music (AP.41761).
UPC: 038081468419.
English. Words by Alice
Jean Cleator.
This
gentle lullaby is equally
appropriate for school
and church, offering a
nativity text and a light
choral texture. Lush
harmonies reflect a faint
jazz influence, while
ethereal words softly
sing the baby to sleep.
Angels are watching over
thee.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
By Jester Hairston. Arranged by Joel Raney. For Flute, Guitar, Handbells, Percus...(+)
By Jester Hairston.
Arranged by Joel Raney.
For Flute, Guitar,
Handbells, Percussion.
Scripture Reference: Luke
2:8-14. Christmas,
Devotion, Sacred.
Instrumental Parts
Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. 3-Part ...(+)
Composed by Alice Jean
Cleator, music by Donald
Moore. Choir Sacred.
3-Part
Mixed Choir (SAB). Choral
Octavo. Choral Designs.
Christmas; Sacred;
Winter. 8
pages. Published by
Alfred
Music
Sleep My Child Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Serie...(+)
Sleep My Child Judith
Clurman
Rejoice: Honoring the
Jewish
Spirit Choral Series.
Arranged by Ryan Nowlin.
Choral. Lullaby, Concert.
Octavo. 12 pages.
Published
by Hal Leonard
By Jester Hairston. Arranged by Joel Raney. For SAB choir or 3-part choir. Chora...(+)
By Jester Hairston.
Arranged by Joel Raney.
For SAB choir or 3-part
choir. Choral music.
Christmas, Devotion,
Sacred. Choral octavo. 12
pages. Published by Hope
Publishing Company
Ojibwa Lullaby - Score Orchestre d'harmonie [Conducteur] - Intermédiaire Kjos Music Company
Band concert band - Grade 3.5 SKU: KJ.JB58F Composed by John Lorge. Bandw...(+)
Band concert band - Grade
3.5
SKU: KJ.JB58F
Composed by John Lorge.
Bandworks. Jazz. Score.
Neil A. Kjos Music
Company #JB58F. Published
by Neil A. Kjos Music
Company (KJ.JB58F).
Composer John
Lorge celebrates his
heritage with Ojibwa
Lullaby. Based on
authentic Native American
melodies from the north
central United States,
the themes are
transformed and presented
to sound like a whole
community of parents is
soothing their children
to sleep.
Composed by Alice Jean Cleator, music by Donald Moore. Choir Sacred. SATB ...(+)
Composed by Alice Jean
Cleator, music by Donald
Moore. Choir Sacred. SATB
choir. Choral Octavo.
Choral
Designs. Christmas;
Sacred;
Winter. 8 pages.
Published
by Alfred Music