Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well...(+)
Par BACH JOHANN SEBASTIAN. In this volume with the Toccatas (and Fugues) as well as individual works the Swiss organist Jean-Claude Zehnder has amply proven his mettle as a Bach specialist here. Of particular interest in this book is the Canzona in d BWV 588. Written before 1707, this early work is found in a contemporary copy by Johann Gottlieb Preller with embellishments, fingerings and a closing cadenza - this version is printed in the Appendix. Similarly, the print of the early version of the Passacaglia BWV 582 is likely to meet with great interest.
Online you will find early versions, further ornamented versions, and pieces that can no longer be attributed to Bach as the Kleines harmonisches Labyrinth BWV 591 and the Prelude in G BWV 568./ Recueil / Orgue
Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / ...(+)
Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach'
s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA).
This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach'
s own hand could be incorporated into the musical text of the Schübler Chorales.
For the Orgel-Büchlein, Bach'
s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach'
s most famous collection was played at that time.
Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle'
of how these partitas were handed down.
Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis.
- Complete new engraving
- New detailed Foreword by Christine Blanken (Ger/Eng)
- Links to relevant sources in Bach digital/ Répertoire / Orgue
Bach était considéré comme le maître de musique chorale qui composent plus d...(+)
Bach était considéré comme le maître de musique chorale qui composent plus de 200 cantates. Cet arrangement somptueux de Jesu, Joy de l'homme désirant pour orgue donne aux joueurs la chance de vivre la joie de Bach à son meilleur. / Orgue / 8 pages / Partition
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition BACH POUR JEUNES ET ANCIENS / arr. Gregg Sewell - pour Orgue qui a été écrite pourOrgue. Les éditions De Haske Publications qui ont éditées cette oeuvre l'ont répertoriée sour la référence DHP 0970913-401. / Orgue / 24 pages / Partition
Six oeuvres connues de JS Bach arrangé pour orgue avec des pièces de pédales ...(+)
Six oeuvres connues de JS Bach arrangé pour orgue avec des pièces de pédales faciles. Idéal pour le pianiste qui doivent effectuer sur les organes églises. / Orgue / Partition
Cet ' Air ' vient Suite pour orchestre #3 de Bach en ré majeur. Son titre popul...(+)
Cet ' Air ' vient Suite pour orchestre #3 de Bach en ré majeur. Son titre populaire 'Air sur la chaîne G' est par un arrangement pour violon et piano par le grand violoniste allemande août Wilhelmj qui a joué la plupart de la mélodie des notes sur le 'G' chaîne du violon. Cet arrangement pour orgue sera une pièce idéale pour utilisation au cours des services de mariage. / Orgue / Partition
La musique de Bach a toujours sa place dans le répertoire des organistes. Cette...(+)
La musique de Bach a toujours sa place dans le répertoire des organistes. Cette valeur pour la collecte de fonds réunit une sélection des transcriptions faite par l'érudit de l'orgue Bryan Hesford. / Orgue / 44 pages / Partition
Editée il y a moins de 10 ans par les éditions Henle sous la référence 976, ...(+)
Editée il y a moins de 10 ans par les éditions Henle sous la référence 976, cette partition de musique Prelude and Fugue on BACH for Organ du compositeur Liszt Franz a été composée pour Orgue. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Orgue / Chanson En Séparée
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans
music text faithful to the sources and reflecting the current status of Bach research
developed for musical practice through the cooperation of scholars and performers
contains all of Bach's keyboard works that require an independent pedal manual
contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty
features comprehensive introductions, extensive source descriptions and text-critical notes
features supplementary material illustrated synoptically on CD-ROM (in printable quality)
brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns
'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review)
Subscription Conditions
A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time.
The subscription obliges the subscriber to purchase the entire collection.
The New Edition of Bach's Complete Organ Works
With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext.
Current Urtext status, historically informed, edited with performers in mind:
More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context.
The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore
The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty.
It offers incerta, early, and alternative versions on CD-ROM
In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes.
Edited by a competent team:
With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes.
Werner Breig (* 1932)
studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition).
Pieter Dirksen (* 1961)
studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003.
Reinmar Emans (* 1953)
studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...(+)
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition' This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia”...(+)
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres po...(+)
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres pour orgue par Carl Philipp Emanuel Bach dans l'édition Wiener Urtext contient toutes les oeuvres écrites par le compositeur à l'exception des sonates plusieurs mouvements pour orgue: préludes, fugues, trio, choral arrangements et des pièces pour horloge musicale. Les fugues, en particulier, prouver que C. Ph. E. Bach était un élève attentif de son père. La musique théoricien Friedrich Wilhelm Marpurg apprécié ces fugues tant qu'il a inclus certains d'entre eux à titre d'exemples dans ses écrits théoriques. Les pièces pour horloge musicale sont une sélection variée de pièces dans le style galant qui ont été initialement écrits pour instruments mécaniques et qui sont les meilleurs pour être exécutée sur l'orgue. En collaboration avec les Sonates pour orgue publiés dans le vol. 1, c'est probablement la collection la plus complète des oeuvres de Bach, fils aîné de seconde qui peut être effectué sur l'orgue. / Orgue
Composée à partir d'un célèbre thème de J,S, Bach extrait de la cantate 'Wa...(+)
Composée à partir d'un célèbre thème de J,S, Bach extrait de la cantate 'Wachet auf, ruft uns die Stimme?, 'Turning Bach? est une des très rares pièces de jazz écrites pour l'orgue, Son interprétation, bien qu'idéale à l'orgue de jazz (orgue Hammond B3 avec cabine Leslie), est néanmoins parfaitement réalisable sur l'orgue à tuyaux, donnant ainsi aux organistes de musique classique l'opportunité de jouer du jazz sur leur instrument, / Orgue
21 Chorals du Dogme, Prélude et Fugue en Mib. Par BACH JOHANN SEBASTIAN / DUPRE...(+)
21 Chorals du Dogme, Prélude et Fugue en Mib. Par BACH JOHANN SEBASTIAN / DUPRE. As one of the most famous contributors to classical music ever to have lived, Johann Sebastian Bach 's (1685-1750) catalogue is extensive. Moreover, being an organist himself, his Organ works are significant and remain ever-popular to this day. When French organist, Marcel Dupre (1886-1971) compiled the series of Bach 's Complete Organ Works, it was well-received, and to this day remains popular with all organists. The eighth volume includes a favoured selection of Bach 's works, including 21 chorales, and his Prelude and Fugue in E flat. In addition, Dupre 's annotations in CompleteOrgan Works comprise fingerings, rules on technique and instructions on ornamentation, among other aspects. This compilation of J. S. Bach 's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument./ Répertoire / Orgue
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des p...(+)
Le ' petit livre d'orgue ', peut-être la plus célèbre collection jamais des préludes chorals, doit son titre à l'application de J.S. Bach pour le poste de Cantor à l'église Saint-Thomas de Leipzig. N'ayant pas un diplôme universitaire, Bach voulait démontrer ses qualités comme enseignant à travers ses compositions - y compris ses Inventions, Sinfonias et le ' bien tempérée Klavier '. Cela aussi amené à ajouter un titre trompeur au projet plus ambitieux de son temps à Weimar : il a appelé de cette collection de pièces de chorale preludes - initialement destinés à numéro 164 pièces - pour un ' organiste aspirant '. En fait les 44 terminé les compositions de la ' petit livre d'orgue 'exigent des chefs-d'oeuvre qui donnent un impressionnant étalage de la gamme complète de la soi-disant court chorale prelude. Cette nouvelle édition critique renvoie au format des principales sources datant de l'époque de Bach, pour la première fois que la plupart des pièces est reproduite sur les deux systèmes, plutôt que de trois. / Orgue / Partition
La partition Bach'Orama Fantaisie Sur Des Themes De J.S Bach Orgue a été compo...(+)
La partition Bach'Orama Fantaisie Sur Des Themes De J.S Bach Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closel...(+)
In 1739 Bach's Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach's artistry.This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work's genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.Bach's autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.-With altered readings integrated into the musical text taking into account new musicological evidence-With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff-With links to the relevant sources in Bach digital via http://links.baerenreiter.com-Newly engraved and with improved page turns-Format: 24cm x 30.5cm / Orgue
Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 470...(+)
Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition.
Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach'
s broad compositional spectrum.
This newly published volume is an updated edition of Series IV/9 of the '
New Bach Edition” (NBA), edited by Christoph Wolff and based on this source.
In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on '
Bach digital”, shedding light on the manuscript for the very first time.
Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database '
Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis.
Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike.
Now all of Bärenreiter'
s new performing editions of Bach'
s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to '
Bach digital”.
-
Links to relevant sources in '
Bach digital”
-
Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng)
-
Complete new engraving/ Répertoire / Orgue
'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites ap...(+)
'Au-delà de Bach - Une aventure musicale' se concentre sur les oeuvres dites apocryphes de Jean-Sébastien Bach. Le terme se réfère à des oeuvres ayant fait partie de la bibliothèque du compositeur. Qu'il les ait lui-meme interprétées ou exécutées est avéré- elles ont trouvé place dans le catalogue BWV alors que Bach n'en était probablement ou meme certainement pas l'auteur. La série débute avec la cantate 'Mein Odem ist schwach' (BWV 222) sans aucun doute une oeuvre de Johann Ernst Bach, le fils d'un cousin de J.-S. Bach. / Orgue
Jubilatoire, tel est le caractère de cette transcription d'Olivier Trachier du ...(+)
Jubilatoire, tel est le caractère de cette transcription d'Olivier Trachier du concerto en Ré Majeur de J.S Bach à partir des numéros BWV 1042 et 1054. Transcris pour un orgue à deux claviers et pédalier, les trois mouvements - Allegro, Adagio e piano sempre, Allegro - s'enchaînent en privilégiant la clarté de l'écriture violonistique d'origine. Cette transcription d'une oeuvre maîtresse de Bach, pleine de joie et d'un caractère dansant, vient enrichir le répertoire des organistes pour les instruments d'esthétique baroque. / Orgue
La référence AL25353 de l'éditeur Leduc dont l'auteur célèbre est Bach Joha...(+)
La référence AL25353 de l'éditeur Leduc dont l'auteur célèbre est Bach Johann Sebastian/Spiers P., qui a pour titre Dear Johann Sebastian Volume 2 Orgue Electronique, a été écrite et composée pour Orgue et plus particulièrement pour Orgue Electronique. Cette partition musicale appartient à la catégorie Classique. / Orgue Electronique / Partition
La référence AL25337 de l'éditeur Leduc dont l'auteur célèbre est Bach Joha...(+)
La référence AL25337 de l'éditeur Leduc dont l'auteur célèbre est Bach Johann Sebastian/Spiers P., qui a pour titre Dear Johann Sebastian Volume 1 Orgue Electronique, a été écrite et composée pour Orgue et plus particulièrement pour Orgue Electronique. Cette partition musicale appartient à la catégorie Classique. / Orgue Electronique / Partition
Par BACH JOHANN SEBASTIAN. Bach's towering musical achievement was to present in...(+)
Par BACH JOHANN SEBASTIAN. Bach's towering musical achievement was to present in its final shape, the 'fabric of polyhony' (Grove Dictionary). This is no more axiomatic than in his Preludes and Fugues for Organ. Regarded as the world's greatest composer for organ, Bach coupled mastery of the instrument with his genius for composition to produce some of the richest and most beautiful music of all time. This comprehensive volume - reproduced directly from the authoritave Bach-Gesellschaft edition - reprints 25 sets of preludes and fugues, i. e compositions written as fugues. Individual Preludes and Fugues composed over the years are not included./ Répertoire / Orgue
Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discov...(+)
Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discovery was published by Zoltán Göncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he “programmed” the later permutational stretti, then applied the expositions as “programs”, “algorithms”. However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very firststage of composition because the possibility of overlapping the four subjects [1+2+3+4] is the sine qua non of writing a quadruple fugue. The discovery of the permutational matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach./ Répertoire / Orgue
On sait peu sur la genèse de 'Lobe den Herrn, meine Seele' BWV 143.Une transcri...(+)
On sait peu sur la genèse de 'Lobe den Herrn, meine Seele' BWV 143.Une transcription à partir du 19e siècle a été pendant longtemps considérée comme la seule source, le texte musical de la 'Nouvelle édition Bach' a été basé sur ce matériel. Récemment, toutefois, une copie de la partition de 1762 sont devenues disponibles. Il propose un texte plus fiable musicale, ce qui rend une révision complète de la cantate nécessaire.Sur la base de cette nouvelle source, le travail est présenté ici dans le cadre de la 'Nouvelle édition Bach - Révision' dans ce qui est sans doute sa forme originale en ut majeur avec trois trompettes. Cette orchestration est plus typique de l'écriture de Bach que la version à trois cornes en survivant bémol version majeure.- Révisée édition Urtext de la Cantate Weimar- Basé sur le menu 'Edition New Bach - Révisé'- Réduction pour piano idiomatique / Orgue
La partition Fantaisie Et Fugue Sur Le Nom De Bach Orgue a été composée pour ...(+)
La partition Fantaisie Et Fugue Sur Le Nom De Bach Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition