(0.0.2.2/2.2.0.0,str,Bar solo)

SKU: TM.02218SET

Composed by Felix Bartholdy Mendelssohn. Set Type: A. Set of parts. Lucks Music Library #A2903. Published by Lucks Music Library (TM.02218SET).

More popular aria from opera; voice lines in score. Solo clarinet in Bb (in set). Horns in Bb. Sung by Sextus. Act I No. 9.

(2.2.2.2/2.2.3.0,timp,str )

SKU: TM.06593SET

Composed by Franz Schubert. Set Type: D. Set of parts. Lucks Music Library #A1993. Published by Lucks Music Library (TM.06593SET).

Busoni ending for Concert Version. See #06325 for Popular edition (Andre ending).

(2.2.2.2/4.2.3.0,timp,per c,str)

SKU: TM.07841SC

Composed by Jr. Strauss Johann. Score. Published by Lucks Music Library (TM.07841SC).

See #03666 Du and Du for the popular first part of the Finale (before the Ballet).

(2.1+1.2+1.2/0.0.0.0,timp ,hp,str)

SKU: TM.02223SET

Composed by Modest Petrovich Mussorgsky. Set Type: D. Set of parts. Lucks Music Library #A2914. Published by Lucks Music Library (TM.02223SET).

B is the original/popular key. Please specify key when ordering. Score is in b only.

(2.2.2.2/4.2.3.0,timp,per c,str,solo voice)

SKU: TM.02471SET

Composed by Georges Bizet. Set Type: D. Set of parts. Lucks Music Library #A8853. Published by Lucks Music Library (TM.02471SET).

B is the original/popular key. Please specify key when ordering. Score is in b only.

(1.1.2.2/2.0.0.0,str)

SKU: TM.02892SET

Composed by Robert Schumann. Set Type: B. Set of parts. Published by Lucks Music Library (TM.02892SET).

A is the original/popular key. Please specify which key when ordering. Voice in score only.

(1+1.2.2.2/4.2.3.0,timp,p erc,(hp),str,Mez solo)

SKU: TM.02134SC

Composed by Charles Francois Gounod. Score. Lucks Music Library #A2817. Published by Lucks Music Library (TM.02134SC).

Original key in G, but F is more popular. Score and parts include both F and G versions printed back to back. Vocal Score only available in key of F. Playable with or without harp - Cl II and Bn II to play cues if no harp. Typeset 2017.

(2.2.2.2/2.2.3.0,timp,str )

SKU: TM.06594SC

Composed by Franz Schubert. Score. Lucks Music Library #A1994. Published by Lucks Music Library (TM.06594SC).

Busoni ending for Concert Version. See #06325 for Popular edition (Andre ending).

(2.2.0.2/0.0.0.0,timp,per c,hp,str=8.0.0.2.2.)

SKU: TM.05767SET

Composed by Joseph Sr. Hellmesberger. Set Type: M. Set of parts. Lucks Music Library #A3205. Published by Lucks Music Library (TM.05767SET).

HWV 315. Andante-Allegro-Lentament e, Andante, Allegro, Minuetto Alternativo-Minuetto Alternativo. Matches the popular edition published by Chrysander Vol. 21 of Handel's Complete Works, and reprinted as Balfour 146. See #07044 for the Concerto No. IV in Opera Terza, included in Walsh's Select Harmony 3rd edition in 1734, and reprinted as Balfour 145 No. IV.

(0.0.2.2/2.2.0.0,str,Bar solo)

SKU: TM.02218SC

Composed by Felix Bartholdy Mendelssohn. Score. Lucks Music Library #A2903. Published by Lucks Music Library (TM.02218SC).

More popular aria from opera; voice lines in score. Solo clarinet in Bb (in set). Horns in Bb. Sung by Sextus. Act I No. 9.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703512

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Composed circa 1769. KreD 326. 20 pages. Duration 42 minutes. Carus Verlag #CV 27.035/12. Published by Carus Verlag (CA.2703512).

ISBN 9790007199173. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103005

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Special days. Choral Score. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/05. Published by Carus Verlag (CA.3103005).

ISBN 9790007205386. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710449

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV I.2. 60 pages. Duration 95 minutes. Carus Verlag #CV 37.104/49. Published by Carus Verlag (CA.3710449).

ISBN 9790007091347. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103012

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/12. Published by Carus Verlag (CA.3103012).

ISBN 9790007205416. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703500

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. This edition: Paperbound. German title: Missa solemnis in C. Sacred vocal music, Masses, Latin. Full score. Composed circa 1769. KreD 326. Duration 42 minutes. Carus Verlag #CV 27.035/00. Published by Carus Verlag (CA.2703500).

ISBN 9790007005726. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist).

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103009

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. 1x 31.030/21 flute 1, 1x 31.030/22 flute 2, 1x 31.030/23 oboe 1, 1x 31.030/24 oboe 2. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/09. Published by Carus Verlag (CA.3103009).

ISBN 9790007205393. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710400

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. German title: Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Full score (complete edition / selected edition). HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/00. Published by Carus Verlag (CA.3710400).

ISBN 9790007090821. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103013

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Special days. Single Part, Viola. Composed 1738(?). BWV 30. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.030/13. Published by Carus Verlag (CA.3103013).

ISBN 9790007205423. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

Orchestra SATB vocal soli, SATB choir, 4 flutes, 2 oboes, 2 english horns, 4 bassoons, 4 horns, 4 trombones, 4 harps, grand organ, organ accompaniment, 2 violins, viola, cello, contrabass (reduced version: 2 flutes, 2 oboes, 2 english horns, 2 bassoons, 2 horns, tr

SKU: CA.2731700

Composed by Camille Saint-Saens. Edited by Fritz Naf. Sacred vocal music, Requiem. Requiem Op. 54. Sacred vocal music, Requiem. Full score. Composed 1878. Op. 54. 108 pages. Duration 35 minutes. Carus Verlag #CV 27.317/00. Published by Carus Verlag (CA.2731700).

ISBN 9790007167875. Language: Latin.

During his most productive period as an opera composer, Camille Saint-Saens also wrote sacred works, among which his Oratorio de Noel has enjoyed great worldwide popularity. The colorful and opulently orchestrated Messe de Requiem was composed in 1878 in Bern. The composer dedicated it to his patron, Albert Libon. We have published this edition both with its larger orchestral forces and to enable perfomances of the Requiem in slightly reduced scoring (without losing the special characteristics of the work), in a version with a smaller orchestra consisting of 11 winds, two harps, organ and string instruments. The full score reproduces the Urtext of the Requiem with its original scoring, whereas the performance material is presented and conceived so to enable it to be performed either in the original orchestration or the version with reduced forces.

SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 trombones, timpani, violin solo, 2 violins, basso continuo

SKU: CA.2703549

Composed by Karl Ditters von Dittersdorf. Edited by Johannes Kirner. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed circa 1769. KreD 326. 36 pages. Duration 42 minutes. Carus Verlag #CV 27.035/49. Published by Carus Verlag (CA.2703549).

ISBN 9790007023256. Key: C major. Language: Latin.

Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer's lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character (Dittersdorf was a professional violinist). Score and part available separately - see item CA.2703500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710409

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. 1x 37.104/21 flute 1, 1x 37.104/22 flute 2, 1x 37.104/23 oboe 1, 1x 37.104/24 oboe 2, 2x 37.104/25 2 bassoons. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. 96 pages. Duration 95 minutes. Carus Verlag #CV 37.104/09. Published by Carus Verlag (CA.3710409).

ISBN 9790007214289. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103014

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello/double bass. Sacred vocal music, Cantatas, Special days. Single Part, Cello/Double Bass. Composed 1738(?). BWV 30. 16 pages. Duration 40 minutes. Carus Verlag #CV 31.030/14. Published by Carus Verlag (CA.3103014).

ISBN 9790007205430. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and part available separately - see item CA.3103000.

SATB vocal soli, SATB choir, 2 flutes, oboe I/oboe d'amore, oboe II, violin solo, 2 violins, viola, basso continuo

SKU: CA.3103019

Cantata for the Feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. Composed 1738(?). BWV 30. Duration 40 minutes. Carus Verlag #CV 31.030/19. Published by Carus Verlag (CA.3103019).

ISBN 9790007140229. Text language: German/English.

The cantata Freue dich, erloste Schar BWV 30 is one of Bach's last church cantatas. Originally composed as a parody of the cantata Angenehmes Wiederau BWV 30a for the Feast of St. John's Day in 1738, it still enjoys a great popularity today. Its extraordinary length (12 movements) made it possible for Bach to employ four vocal soloists who, together with instrumental soloists, choir and orchestra contribute to the generally festive character of this work. Score and parts available separately - see item CA.3103000.

Orchestra Soli STB, Coro SATB, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2709504

Composed by Charles Francois Gounod. Edited by Frank Hondgen. XL in large print. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Vocal score. CG 56. Duration 45 minutes. Carus Verlag #CV 27.095/04. Published by Carus Verlag (CA.2709504).

ISBN M-007-25274-8. Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score available separately - see item CA.2709500.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710419

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Set of Orchestra Parts. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/19. Published by Carus Verlag (CA.3710419).

ISBN 9790007134310. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and parts available separately - see item CA.3710400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violin, viola, basso continuo

SKU: CA.3710405

Passions-Cantate, nach der Poesie des Herrn Buschmann. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Complete edition. Gottfried August Homilius - Selected Works. Passionskantate I Ein Lammlein Ga 4. Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. HoWV I.2. Duration 95 minutes. Carus Verlag #CV 37.104/05. Published by Carus Verlag (CA.3710405).

ISBN 9790007127442. Language: German.

He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score available separately - see item CA.3710400.