26 Pieces For Cello Players With Piano Accompaniment. Par COLLEDGE HUGH / COLLEDGE KATHERINE. La collection Easy String Music de Boosey and Hawkes, dirigée et composée par Katherine et Hugh Colledge, compte quatre volumes d'un répertoire pour cordes destiné aux instrumentistes débutants et en cours d'apprentissage. Ces titres sont très appréciés des professeurs comme de leurs étudiants en raison de leurs vertus pédagogiques : ils introduisent des techniques nouvelles et proposent doigtés, notes et rythmes conçus pour acquérir la maîtrise nécessaire et poser des fondations solides en vue de la suite de l'apprentissage. Chaque titre est disponible en deux versions : l'une est fournie avec un CD de démonstration et de pistes audio d'accompagnement - l'autre comprend un livret d'accompagnement au piano et l'accès à des ressources audio téléchargeables. Ce livre Stepping Stones présente les cordes à vide et les notes du premier doigt avec des rythmes simple tandis que sa suite. / Niveau : Très Facile / Recueil / Violoncelle et Piano

Arrangeur: M. Hubicki. Par MAX W. / HUBICKI M.. Everyone wants to play carols at Christmas, and not only on the keyboard. Here are 16 favourite carols in easy, attractive arrangements for Cellists of elementary standard. The simple Piano accompaniments are designed for the parent or teacher of modest Keyboard skills. / Niveau : Facile / Recueil / Violoncelle et Piano

16 Spooky morceaux à jouer et à chanter. Inclut le support CD. Hoojum, Boojum, higgery perruquier, assistants United ! et Trick, traiter ou Tango - quelques-unes des pièces captivante de la magique de nouveaux livres sorcières ' Brew et Potion de l'Assistant. Le mélange novateur de tunes rythmiques, rhymes descriptives et accompagnements jazzy passionnantes sont définies pour capturer l'imagination de tous les débutants. Chaque livre and CD contient: - enseignement points - formation rythmique - suggestions pour la pratique - superbes graphiques - fun et paroles utiles - varié et inspirant tunes. Enfants vont être ensorcelés par la sorcellerie visuel et musical contenue dans les sorcières ' Brew et Potion de l'Assistant livre suivi. Contes de sorcières et des assistants ont enthr MAREN1 les enfants et les adultes pendant des siècles et ont inspiré un travail remarquable des auteurs, des compositeurs et des illustrateurs. / Violoncelle Et Piano

26 pièces pour débutants par Kathy et Hugh Colledge. Introduit les chaînes ouvertes et notes de premier doigt avec des rythmes simples de construire une base solide pour l'avenir d'apprentissage. La ' série de chaîne Easy ' est une collection de pièces faciles par chaîne préférée du monde / Violoncelle Et Piano / Partition

Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion

? l??poque de Joseph Haydn les concertos de soliste ?taient g?n?ralement destin?s ? un musicien bien pr?cis. Dans le cas du c?l?bre concerto pour violoncelle en r? majeur Hob. VII:2 de Haydn il s?agit du premier violoncelle de l?orchestre du prince Esterh?zy Anton Kraft qui devint par la suite l?un des plus grands virtuoses de Vienne. Cette ?uvre de circonstance devint par la suite un chef-d??uvre pour l??ternit? dont est parvenue ? la post?rit? une partition autographe de la main du compositeur dat?e de 1783. Pour la publication de la r?duction pour piano de ce concerto nous avons eu le plaisir de collaborer avec la sp?cialiste de Haydn Sonja Gerlach. Cette derni?reenrichit l??dition urtext d?une pr?face d?taill?e o? elle aborde notamment le sujet de la r?alisation des ornements et celui des cadences reproduites.

The first three movements of Johannes Brahms? E Minor Cello Sonata were composed in 1862 the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms? life however it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It was notably Robert Hausmann?s advocacy of the work which seems to have contributed greatly to its promotion.Of particular value to the editors were the three early performance editions of the Cello Sonata Op.38 by Cornelius van Vliet andEdwin Hughes Hugo Becker and Carl Friedberg as well as Julius Klengel. The cellists? van Vliet Becker and Klengel?s fingering and bowing allows for a better understanding of their performance practice. As such the Bärenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms? contemporaries. We also provide an unmarked urtext part.An important part of this edition is the extensive preface. Firstly it informs about the works? origins early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With an extensive Performance Practice Commentary.-

Par TAYLOR LORNA. Cello part with pull-out piano accompaniment and alternative free backing tracks downloadable from www.cliftonedition.com/C323 The third book in the series, this book is designed to take cellists through the process of learning to read the tenor clef in a step-by-step, structured approach. To read the higher notes it is necessary to use 5th, 6th, 7th and 8th positions all of which are covered. The book thus provides a follow-up to Lorna Taylor's 'Go Fourth' and 'Taylor-Made'. / Date parution : 2023-10-31/ Recueil / Violoncelle et Piano

A fabulous work of chamber music by Swiss composer Ernest Bloch completed in 1924. At its heart Bloch's Jewish music is emotional expressionist and despite a slow sombre mood is coloured by an exotic ambience which reflects his increasingly Jewish voice. For Cello with Piano accompaniment Prayer has an atmosphere of intense sadness and inward feeling and the three pieces here are far less linked with virtuosity than with the power of expression and faith.

All cellists are familiar with Debussy’s sonata which he only composed in 1915 three years before his death. Debussy had however already written two works for Violoncello and Piano in 1882 when hewas only 20 years old. They largely remained hidden from the public eye because the autograph of the “Intermezzo” – the sole source for this work – was inaccessible for decades. Today Henle Publishers arein the fortunate position of being able to present an Urtext edition of the “Intermezzo” also including the “Scherzo” that was posthumously published in 1995. The fingerings and bowings were provided byJeffrey Solow (Violoncello) and Eckart Sellheim (Piano).