Cello and Piano SKU: HL.50512437 Composed by Kenneth Leighton. Lengnick P...(+)
Cello and Piano
SKU:
HL.50512437
Composed
by Kenneth Leighton.
Lengnick Publishing.
Classical. Book Only.
Alfred Lengnick & Co
#AL0195. Published by
Alfred Lengnick & Co
(HL.50512437).
8.5x11.5x0.058
inches.
The
Elegy for Cello
and Piano was composed in
1949. It was originally
conceived as the slow
movement of a cello
sonata which was never
completed. It is a
beautifully moving piece
in its own rights that
has – quite
deservedly so –
become popular with
cellists.
(25 Transcriptions for Cello and Piano - Volume 2). Composed by Franz Schubert (...(+)
(25 Transcriptions for
Cello and Piano - Volume
2). Composed by Franz
Schubert (1797-1828).
Edited by Wolfgang
Birtel. Arranged by
Friedrich August Kummer.
For Cello, Piano
Accompaniment (Score and
Solo Part). String.
Softcover. 64 pages.
Schott Music #CB255.
Published by Schott Music
26 Pieces for Cello Players Cello and Piano. Composed by Katherine and Hugh Co...(+)
26 Pieces for Cello
Players
Cello and Piano. Composed
by
Katherine and Hugh
Colledge.
Boosey and Hawkes Chamber
Music. Classical.
Softcover
Audio Online. 32 pages.
Boosey and Hawkes
#M060135484.
Published by Boosey and
Hawkes
Cello and piano, basso ad libitum SKU: HL.49044586 Famous Original Pie...(+)
Cello and piano, basso ad
libitum
SKU:
HL.49044586
Famous
Original Pieces for
Violoncello and
Piano. Edited by
Rainer Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
32 pages. Schott Music
#ED22072-01. Published by
Schott Music
(HL.49044586).
ISBN
9783795749330. UPC:
841886023543. German -
English -
French.
13 pieces
of easy to intermediate
standard ideal for
lessons and concerts. As
well as popular Baroque
sonatas by the likes of
Vivaldi and de Fesch,
there are also some
charming, lesser-known
compositions by Lanzetti
and Zocarini. Also
included are Classical
sonatas by J. C. F. Bach,
Stephen Paxton and
Beethoven alongside
pieces from the Romantic
era including
Mendelssohn's Song
Without Words Op. 109,
Faure's Sicilienne Op. 79
as well as two little
pieces by Goltermann.
For Cello and Piano. Composed by Manuel de Falla (1876-1946). Music Sales Americ...(+)
For Cello and Piano.
Composed by Manuel de
Falla (1876-1946). Music
Sales America. Classical,
Spanish. Book Only. 28
pages. Union Musical
Ediciones #MUSUMF1014.
Published by Union
Musical Ediciones
(Arranged for Violoncello and Piano). By Various. Edited by Kate Mitchell. Arran...(+)
(Arranged for Violoncello
and Piano). By Various.
Edited by Kate Mitchell.
Arranged by Wolfgang
Birtel. For Cello, Piano
Accompaniment (Score and
Solo Part). String.
Softcover. 103 pages.
Schott Music #ED21584.
Published by Schott Music
Cello and Piano - easy SKU: BT.EMBZ6312 By Arpad Pejtsik. By Endre Lengye...(+)
Cello and Piano - easy
SKU: BT.EMBZ6312
By Arpad Pejtsik. By
Endre Lengyel. EMB Music
for Beginners.
Educational Tool. Book
Only. Composed 1970. 60
pages. Editio Musica
Budapest #EMBZ6312.
Published by Editio
Musica Budapest
(BT.EMBZ6312).
Hungarian-English-Germ
an-French.
ABRSM
Syllabus title - Grade
2.This is a collection of
popular classics and
European folk tunes
arranged for beginning
cellists.The volumes
'Music for Beginners'
series cover the entire
music literature from the
earliest centuries to our
days. The contents of the
individual volumes,
comprising short, easy
pieces to be played in
the first three-four
years of instrumental
study, has been compiled
by accomplished music
teachers. The majority of
the contemporary works
included in the volumes
have been published in
this series for the first
time.
Eine
Sammlung von beliebten
Klassikern und
Volksmelodien aus Europa
für
Celloanfänger.
Cello and Piano SKU: BT.EMBZ12943 Popular Concert Pieces 1. Compos...(+)
Cello and Piano
SKU:
BT.EMBZ12943
Popular Concert Pieces
1. Composed by David
Popper. Educational Tool.
Book Only. Composed 1986.
40 pages. Editio Musica
Budapest #EMBZ12943.
Published by Editio
Musica Budapest
(BT.EMBZ12943).
English-German-Hungari
an.
The score
contains the original
directions of
instrumental technique of
the composer, on the
other hand, the cello
part includes the
editorial suggestions.
Die Partitur
enthält die
Originalanmerkungen des
Komponisten zur
Spieltechnik sowie im
Celloteil einige
abweichende Vorschläge
des Herausgebers.
Abu Ghraib Violoncelle, Piano [Partition] Associated
(Cello and Piano). By John Harbison (1938-). String. 20 pages. Associated Mu...(+)
(Cello and Piano). By
John
Harbison (1938-). String.
20
pages. Associated Music
Publishers, Inc #AMP
8257.
Published by Associated
Music
Publishers, Inc
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Cello and Piano (Cello Part And Piano Score) SKU: HL.14043860 Composed by...(+)
Cello and Piano (Cello
Part And Piano Score)
SKU: HL.14043860
Composed by Howard Blake.
Music Sales America.
TV-Film-Musical-Show.
Softcover. Composed 2010.
Chester Music #CH77099.
Published by Chester
Music (HL.14043860).
ISBN
9781849386036.
R
aymond Briggs' charming
Christmas story about the
adventures of a boy and
the snowman that comes to
life is a modern
children's classic. The
tales popularity has been
further enhanced by
frequent television
broadcasts of
theaward-winning cartoon
film The
Snowman.
In
this suite for Cello and
Piano, composer Howard
Blake recreated the story
in music based on the
scenes from the film. The
music includes the hit
song Walking In
TheAir
Cello and piano (Cello Part And Piano Score) - intermediate SKU: HL.49019221<...(+)
Cello and piano (Cello
Part And Piano Score) -
intermediate
SKU:
HL.49019221
Composed
by George Goltermann.
Edited by Fritz Zumkley.
This edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Op. 92/2. 12 pages.
Schott Music #CB246.
Published by Schott Music
(HL.49019221).
ISBN
9790001180672. UPC:
841886018136.
9.0x12.0x0.092
inches.
Georg
Goltermann (1824-1898)
left a plethora of works
for his instrument,
including seven cello
concertos which still
play an important role in
the cello literature of
today. In addition, he
composed a large number
of character pieces,
including romances,
reveries, nocturnes and
serenades. Rooted
entirely in the romantic
spirit of their time with
regard to style, they are
relatively short pieces
of medium difficulty. It
is not least due to its
melodic and harmonic
catchiness that the
rather easy Reverie in G
minor Op. 92/2 enjoys
great popularity both in
lessons and in concerts.
The expression marking
'Allegro appassionato'
refers to the fundamental
character of the piece
which demands, in
particular, an expressive
vibrato rich in
modulation.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.50566000 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.50566000
For
Cello and Piano.
Composed by Camille
Saint-Saens. Editions
Durand. Classical.
Softcover. 28 pages.
Editions Durand
#DF1668901. Published by
Editions Durand
(HL.50566000).
ISBN
9781705150009. UPC:
196288016724.
9.0x12.0x0.115
inches.
“Musi
que françaiseâ€
is a series designed for
students and teachers as
well as professionals.
These editions offer
masterworks in French
music, with performance
suggestions and
historical and stylistic
commentary by noted
scholars. The second half
of the 19th century saw
the growth in popularity
of instrumental Romances.
These, which one could
categorise as morceaux de
salon, continued the
characteristics of the
vocal Romance, which was
born in the middle of the
Age of Enlightenment and
which, at the beginning
of the Romantic period,
had achieved great
success among composers,
performers and audience
alike.
Cello and Piano SKU: HL.14016246 Composed by Ludwig van Beethoven. Arrang...(+)
Cello and Piano
SKU:
HL.14016246
Composed
by Ludwig van Beethoven.
Arranged by Hugo Cole.
Music Sales America.
Classical. Book
[Softcover]. Music Sales
#NOV120308. Published by
Music Sales
(HL.14016246).
8.25x11.75x0.054
inches.
It is a
surprising fact of
Beethoven's life that of
all the categories of
pieces he composed, there
are more settings of
Irish songs than of any
other type of music.
Scottish poet Robert
Burns convinced a
Scottish music publisher
to commission Beethoven
to set his own words to
Irish airs. The death of
Burns in 1796 ended the
project, but Beethoven
went on to harmonise and
arrange the songs in 1814
through 1816, mainly, and
they were published,
though never achieved as
great a popularity as a
rival set by Thomas
Moore.This simplified
version for easy Cello
and Piano was arranged by
composer Hugo Cole, an
accomplished cellist who
was for many years a
music critic for
theGuardian
newspaper.
Cello; Piano Accompaniment - intermediate SKU: HL.49019267 Violoncello...(+)
Cello; Piano
Accompaniment -
intermediate
SKU:
HL.49019267
Violoncello and
Piano. Composed by
George Goltermann. Edited
by Fritz Zumkley. This
edition: Saddle
stitching. Sheet music.
String. Stilistisch ganz
dem romantischen Geist
ihrer Zeit verhaftet,
handelt es sich um
relativ kurze Stucke.
Nicht zuletzt aufgrund
ihrer melodischen und
harmonischen
Eingangigkeit erfreuen
sie sich nachhaltiger
Beliebtheit sowohl im
Unterricht wie im
hausliche. Classical.
Softcover. Op. 54/3. 8
pages. Schott Music
#CB247. Published by
Schott Music
(HL.49019267).
ISBN
9790001180689. UPC:
841886018143.
9.0x12.0x0.074 inches.
Edited with fingerings
and bowings by Fritz
Zumkley.
Goltermann
(1824-1898) left a
plethora of works for his
instrument, including
seven cello concertos
which sometimes go to the
limitsof what was
considered to be
technically playable in
his time. Even today,
these works have
maintained their
importance throughout the
methodological progress
in literature. Apart from
the concertos, Goltermann
also composed a large
number of character
pieces, including
romances, reveries,
nocturnes and serenades.
Stylistically wholly
rooted in the Romantic
spirit of their time, the
pieces are relatively
short and of medium
difficulty as regards the
technical demands. It is
not least due to their
melodic and harmonic
catchiness that they
enjoy a lasting
popularity both in music
lessons and in domestic
concerts.
Soprano voice, flute, clarinet, saxophone, violin, cello and piano (Score & Part...(+)
Soprano voice, flute,
clarinet, saxophone,
violin, cello and piano
(Score & Parts)
SKU:
HL.49045225
Soprano, flute,
clarinet, saxophone,
violin, cello and
piano. Composed by
Thierry Pé and cou.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2015. 44 pages.
Duration 9'. Schott Music
#ED22340. Published by
Schott Music
(HL.49045225).
ISBN
9790001129602.
9.0x12.0x0.122 inches.
French.
If a
chanson is combined with
a birthday celebration
(in this case, that of
the Ensemble Utopik who
commissioned this new
work), this inevitably
brings back scenes of
childhood. For me, Adieu
Madras conjures up
memories of the homeland
of my family, and in
particular Henri and
Jacqueline Salvador whose
wonderful TV programmes I
watched during the 1970s.
It is without doubt
thanks to Henri Salvadors
wonderful interpretation
that this old chanson
from Martinique, dating
from the late eighteenth
century and almost a
national anthem both in
Martinique and
Guadeloupe, has also
gained such popularity in
France. Thierry
Pecou.