| Orgelwerke Band I/1
(BUXTEHUDE DIETERICH) Orgue [Partition]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...(+)
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
42.74 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Orgelwerke Set Band I
(BUXTEHUDE DIETERICH) Orgue [Partition] Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...(+)
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
75.49 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Complete Organ Sonatas
(SCHUMANN CAMILLO) Orgue [Partition] Breitkopf & Härtel
Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camill...(+)
Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that of Brahms and Mendelssohn. For the first time, the present anthology brings together all 6 Organ Sonatas in a modern Urtext edition, with editor Antje Wissemann combining philological source findings with the demands of performance practice. / Date parution : 2021-11-25/ Recueil / Orgue
54.94 EUR - vendu par LMI-partitions Délais: En Stock |
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| Sonate Inglesi per Organo
? Vol. 4 (GLADSTONE
FRANCIS EDWARD) Orgue [Partition] Ut Orpheus
Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (184...(+)
Par GLADSTONE FRANCIS EDWARD. The organ sonatas of Francis Edward Gladstone (1845-1928) are fine examples of the developing English sonata tradition of the late-nineteenth century and early twentieth century. They exemplify a practical approach to the instrument with consistently moderate technical demands while also allowing the player scope for interpretation with the increasing availability of instruments that were conceived with a symphonic tonal palette in mind. As discussed in The Genesis and Development of an English Organ Sonata (2017), the English sonatas had an important pedagogical role jointly inherited from Mendelssohn?s very practical and popular approach to the instrument and the continued European legacy of the lesson-sonata tradition whereby in learning a piece you also learned the instrument and vice versa. / Date parution : 2022-05-31/ Recueil / Orgue
22.96 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Antonio Vivaldi: Gloria
RV 589 (PA): SATB: Vocal
Score Chorale SATB [Vocal Score] Barenreiter
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact ...(+)
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.The compositional fabric the festive character of the outside movements and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices choir and organ. Rather than imitating the orchestral writing Martin Focke?s arrangement offers a self-contained version tailor-made for this combination of instruments thereby making a pinnacleof European church music accessible to the often more modest resources of today?s churches.Standard work of the oratorio repertoireSelf-contained version for solo voices (SSA) choir (SATB) and organHighly supportive easy-to-play organ partIdeal for use in church servicesDuration: c. 30 mins.The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
14.50 GBP - vendu par Musicroom GB |
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| Juan Bautista Cabanilles:
Selected Organ Works.
Volume I: Tientos Ilenos:
Organ: Orgue Barenreiter
Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Altho...(+)
Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an ?insider's tip? it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles the cathedral organist from Valencia now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos diferencias and versos. In the first two volumes the editors Gerhard Doderer and MiguelBernal Ripoll present a total of 22 of his most appealing and most significant tientos.Urtext edition based on the latest research findingsPreface by the editors (in German English and Spanish)
36.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Annuaire De
L'Organiste, 1819. Orgue Anne Fuzeau Productions
Présentation de Jean Saint-Arroman : Registrations pour l'annuaire de l'organis...(+)
Présentation de Jean Saint-Arroman : Registrations pour l'annuaire de l'organiste. Index.Dans un style différent, cette oeuvre est cependant dans la tradition de l'organiste liturgique du XVIIIème siècle. / Orgue / 145 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5
55.80 EUR - vendu par LMI-partitions Délais: En Stock |
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| Organ and Keyboard Music
of the Imperial Court
Chapel Vienna, 1500 -
1700 Orgue [Partition] - Facile Barenreiter
Austria ?s imperial court chapel was active far beyond the confines of Vienna . ...(+)
Austria ?s imperial court chapel was active far beyond the confines of Vienna . It developed a rich musical tradition of its own, with composers of the stature of Heinrich Isaac , Jacob Hassler , Johann Jacob Froberger , and Johann Heinrich Schmelzer .
This volume consists entirely of première publications from the ?uvre of composers working at the imperial court during the fifteenth and sixteenth centuries, including the complete keyboard output of Giovanni Valentini and Johann Heinrich Schmelzer and a Toccata 2 di toni in g ( FbWV 130) by Johann Jacob Froberger.
Altogether it contains twenty-two compositions with a detailed preface, many facsimiles, and a critical commentary. The pieces range from easy to moderately difficult and are equally suitable for use in church services or concert performance.
- Easy to moderately difficult organ music for church or concert use - Previously unpublished music from the heyday of Austria ?s imperial court chapel - Contains the première publication of a piece by Froberger / Classique / Partition /
32.95 EUR - vendu par Note4Piano Délais: En Stock Plus que 1 ex. en stock, commandez vite ! |
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| Symphonie Iniatique Op.
18 Orgue Schott
Jean Guillou gehört zu den bedeutendsten Orgelvirtuosen und -komponisten der Ge...(+)
Jean Guillou gehört zu den bedeutendsten Orgelvirtuosen und -komponisten der Gegenwart. Als Schüler von Dupré, Duruflé und Messiaen verkörpert er die lebendige Tradition der französischen Orgelmusik. / Orgue
33.85 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach:
Organ Works - Volume 11:
Organ: Instrumental Album Orgue [Conducteur] Barenreiter
Freely Composed Organ Works-This performing Urtext edition contains ?free? Organ...(+)
Freely Composed Organ Works-This performing Urtext edition contains ?free? Organ pieces (i.e. not based on a chorale) and chorale partitas from various source traditions. Owing to doubts about their authenticity they did not appear in the New Bach Edition until the end of 2003 (NBA IV/11). Today however scholars view Bach?s authorship of these pieces either as certain (e.g. the valuable Fantasy in C minor BWV 1121) or at least worthy of serious consideration.Bärenreiter therefore decided to issue them in this separate performance edition. This volume comes in addition to the nine volume edition of Bach?s Organ music (BA 5179).
30.00 GBP - vendu par Musicroom GB |
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| Près Des Fleuves
De Babylone Pour Violon
Et Orgue
En Français Violon, Orgue Delatour France
 edition dirigée par Yannick MerlinCette composition instrumentale est inspirÃ...(+)
 edition dirigée par Yannick MerlinCette composition instrumentale est inspirée du texte du Psaume 136, Il évoque l'exil à Babylone, La musique exprime à la fois la nostalgie, l'amertume et la tristesse du peuple, tout en laissant une bonne part à la danse, Le style musical employé est une synthèse personnelle entre le dynamisme de la musique minimaliste (utilisé toujours chez moi avec parcimonie, sans excès), et une tradition française des harmonies colorées et des modulations, L'oeuvre a connu un très grand succès dès sa première, avec au violon Beata Halska en 2011, / Violon Et Orgue
18.66 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Richard Wagner:
Pilgerchor: Organ:
Instrumental Work Orgue [Partition] - Intermédiaire Schott
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt develop...(+)
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.
10.50 GBP - vendu par Musicroom GB |
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| Juan Bautista Cabanilles:
Selected Works for Organ:
Organ: Instrumental Album Orgue Barenreiter
Volume II-Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA...(+)
Volume II-Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an ?insider's tip? it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles the cathedral organist from Valencia now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos diferencias and versos. In the first two volumes the editors Gerhard Doderer and MiguelBernal Ripoll present a total of 22 of his most appealing and most significant tientos.Urtext edition based on the latest research findingsPreface by the editors (in German English and Spanish)
36.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Louis Vierne: Vierne:
Sämtliche Orgelwerke:
Score Orgue Carus Verlag
Paket Mit 13 Partituren-The six Symphonies represent the most important group of...(+)
Paket Mit 13 Partituren-The six Symphonies represent the most important group of Vierne's organ compositions. With these works he carried on the splendid French tradition of this genre bringing it to its peak. Vierne's compositional models are clearly discernible: primarly Franck and Widor but also Mendelssohn and Schumann. Along with the beautiful melodic ideas in his slow movements and the occasion ally bizarre ideas in his scherzi and intermezzi it is above all his chromaticism that characterizes Vierne's style. The complete edition of his organ works provides a musical text as accurate and authentic as possible: It corrects obvious misprints from the first editions provides commentary onquestionable passages and offers alternative solutions. It is based on the first editions the composer???s manuscripts and lists of corrections from colleagues pupils and present-day interpreters closely concerned with Vierne???s music. All works are also available in separate editions.
256.70 GBP - vendu par Musicroom GB |
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| Historical Performance
Practice in Organ Playing Orgue [Partition] Carus Verlag
Modern and Contemporary Music. Par . Now finally in English too: The third part ...(+)
Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue
107.10 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Bach J.s. - Complete
Organ Works Vol.1 -
Preludes And Fugues I +
Cd-rom Orgue [Partition + CD-ROM] Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by ...(+)
Bach: Complete Organ Works Vol. 1
Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg
As close as possible to Bach
In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
31.10 EUR - vendu par Woodbrass Délais: Sur commande |
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| Jan
Pieterszoon-Sweelinck:
Works For Organ &
Keyboard: Piano:
Instrumental Album Orgue, Piano (duo) Dover Publications
Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth cen...(+)
Jan Sweelinck (1562-1621) was among the most famous organists of seventeenth century Europe and an influential composer in the Dutch and North German tradition. Bridging both Renaissance and Baroque styles the Dutch composer is best remembered for the inventive sparkling music he wrote for organ and other keyboard instruments. This remarkable treasury includes nearly all of Sweelinck's brilliant keyboard works most of which have survived only in widely scattered seventeenth century manuscripts. In Sweelinck's day these were some of Europe's most popular pieces for organ and keyboard. Nowadays they retain every bit of their original intensity and vigour. Reproduced inthis authoritative complete-resource edition they will be welcomed by serious keyboard artists who will find them as praiseworthy today as they were when first known and played in Europe over three hundred years ago.
20.30 GBP - vendu par Musicroom GB Délais: En Stock |
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| Complete Organ Works
(PRAETORIUS MICHAEL) Orgue Schott
3 Chorale Fantasias, Chorale Variation, 6 Hymn Settings. Par PRAETORIUS MICHAEL....(+)
3 Chorale Fantasias, Chorale Variation, 6 Hymn Settings. Par PRAETORIUS MICHAEL. Michael Praetorius (1571-1621) a seulement atteint l'âge de 50 ans, mais a laissé une remarquable richesse des compositions et des traités. D'un point de vue musicologique, il prend une fonction centrale comme médiateur entre la tradition allemande bien établie de la musique d'église protestante et le nouveau monodique, style concertante de composition italienne au début du XVIIe siècle. Après sa formation musicale apparemment self-instructed, il a conclu son premier emploi comme organiste à St. Mary à Francfort/Oder en 1587 et plus tard à la Cour de l'évêque amoureux de la musique de prince Henry Jules de Brunswick-Wolfenbüttel. Après la mort de ce dernier suivi instables et énergie-sapement ans. Musique d'orgue des Praetorius couvre exclusivement cantus firmus : trois fantaisies choral qui fascinent par leur variété de style, une paire de variations avec une technique de figuration riche et les modalités de leur composition novatrice hymn six. Vis-à -vis du style, son oeuvre est enracinée dans le traditionnel allemand org.../ Répertoire / Orgue
32.75 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Traditional : Chorale
Prelude on 'Morning Has
Broken' Orgue [Partition] Fentone Music 6.10 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Traditional : The Masters
Made Practical Orgue De Haske Publications 18.75 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Traditional :
Greensleeves Orgue [Partition] Fentone Music 6.10 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| The Traditional Wedding:
Organ: Instrumental Album
Orgue [Partition] - Intermédiaire Shawnee Press
A compilation of the most requested tunes for the Wedding ceremony all presente...(+)
A compilation of the most requested tunes for the Wedding ceremony all presented in this fabulous book. These classics have been arranged for Organ by James D. Kimball.
9.99 GBP - vendu par Musicroom GB |
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| Traditional : Interlude
on 'Amazing Grace' Orgue [Partition] Fentone Music 6.10 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Selected Works For
Keyboard, Vol.IV Clavecin [Partition] Barenreiter
La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la...(+)
La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la cour de la Reine Isabelle de Toledo à l'âge de 16 ans, a été considéré à juste titre par ses contemporains comme l'organiste espagnole leader et claviériste du 16 ème siècle. Ses hymnes et des versets sont basées sur courte, harmonisations décorée des tonalités psaume. Dans le tientos, la transformation du style motet vocal à un style d'écriture approprié pour les instruments à clavier est parfaitement exécuté.Cette édition Urtext contient une sélection des meilleurs Cabezon de travaux connus et se composera de quatre volumes. Il a été préparé par deux rédacteurs en chef travaillant dans les universités portugaises et espagnoles qui sont tous deux grands spécialistes des oeuvres de Cabezón et reflète les derniers résultats de recherche.- Première édition critique universitaire, des oeuvres sélectionnées par l'organiste leader espagnol- Reflète les derniers résultats de la recherche- Chaque volume avec une préface (Ger / Eng) avec des conseils sur la technique de rédaction, le commentaire critique (Ger / Eng) et l'indice de sources'Les éditeurs ont fait un excellent choix parmi le grand nombre de pièces disponibles et ont probablement fait le meilleur choix en gardant le intabulations en deux volumes distincts de la tientos et pièces liturgiques. Cette édition fortement recommandée va un long chemin à offrir un tel choix représentatif, et sera peut-être mener les amateurs d'oeuvres sélectionnées, et restera l'anthologie standard pour de nombreuses années. '(Le Diapason Août 2011) / Orgue, Piano, Clavecin
44.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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