Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

This essentially contemplative work in four movements is based on a plainsong fragment from the Lamentations of Jeremiah traditionally sung on Maundy Thursday in the ceremonies spiralling down to the sacrifice of Christ on GoodFriday.First performed in June 1982 by Richard Hughes to whom the work is dedicated.

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Charles Villiers Stanford was an Irish composer music teacher and conductor. Stanford composed a substantial number of concert works including seven symphonies but his best-remembered pieces are his choral works for church performance chiefly composed in the Anglican tradition. Admitted to Queens College Cambridge with an Organ scholarship Stanford had written a substantial number of compositions including vocal music both sacred and secular and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate Stanford was appointed organist of Trinity College Cambridge.Part of the‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.

Par OGDEN NIGEL. Easy liturgical organ music in an accessible modern style is always welcome, and Nigel Ogden, well-known contributor to Stainer & Bell’s ‘Light Organ’ series and host of ‘the Organist Entertains’ on BBC Radio 2, has composed fifteen new pieces for use within the communion service or other acts of worship. They are suitable both for traditional and electronic keyboard instruments, and may be performed on single or multi-manuals, with the bass played optionally on pedals as desired. There are fanfares and festal voluntaries to accompany the dramatic high-points of the liturgy, as well as tranquil melodies for reposeful moments of meditation and private devotion, pluspreludes on familiar hymns to collect the thoughts of the whole congregation. Flexibility is the watchword of At Your Service, which offers a really practical contribution to the repertoire of useful music for church organists./ Recueil / Orgue

The African Worship Collection draws together for the first time a wealth of songs from the continent of Africa and the nation of South Africa in particular. This collection builds on the success of The Australian The British and The American Worship Collections all of which have quickly become favoured resources in worship groups across the world.We've included songs from churches across the continent includingVineyard South Africa and Rhema Church one of the largest churches in the world. You'll already be familiar with many of the names below - Janine Price Carol Mundy Steve and Velveta Thompson Malcolm Du Plessis - and we'redelighted to be able to introduce to you many other talented songwriters. Styles range from funky up-tempo praise to quiet melodic worship. There are also some traditional African songs with English translationsprovided.This is an essential collection for broadening the repertoire of the church worship group.

Philip Moore's Paean (2010) for Organ. Duration: approx. 2 1/2 minutes. 'Every bar of philip Moore's Paean is beautifully considered.' - Geoffrey Webber of choirandorgan.com 'This cheerful piece by Philip Moore is another work extracted from the Organists’ Charitable Trust Little Organ Book. As ever with one of the UK’s finest composers of ‘traditional modern’ organ music the work is literate idiomatic and pleasing to the ear. Making only moderate technical demands yet being full of colour and character this would be an excellent voluntary or recitalwork for any organist.' Sunday By Sunday  December 2017

Varied accompaniments for popular hymns-Most organists like a choice between the spectacular and the traditional type of hymn arrangement and Restrained Last Verses is intended as a contrast to our highly successful collection Last Verse Extravaganza .Both these books while respecting the integrity of the tune also encourage congregations to sing with purpose and excitement. Restrained Last Verses is conservative in its approach but will quickly become an essential aidto fine hymn singing.

No Organist? No Problem! contains 200 of the most popular hymns worship songs and Christmas carols on 10 CDs. The set features quality organ accompaniment for traditional hymns and music group accompaniment forworship songs.

Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. However during his lifetime Bach wasbest known throughout Europe as an organist Organ consultant and composer of Organ works in both the traditional German free genres?such as preludes fantasias and toccatas?and stricter forms such as chorale preludes andfugues. During his most productive period (1708 14) he composed about a dozen pairs of preludes and fugues five toccatas and fugues and the Little Organ Book an unfinished collection of forty-six short chorale preludes thatdemonstrates compositional techniques in the setting of chorale tunes.Essential Organ Works Of Bach includes Toccata And Fugue In D Minor BWV 565 Passacaglia And Fugue In C Minor BWV 582 Concerto in A minor 'after Vivaldi' BWV 593 Fantasia in G 'Piéce d'Orgue' BWV 572 In dulci jubilo BWV 729 Liebster Jesu wir sind hier BWV 731 Prelude and Fugue in Eb BWV 552 Prelude and Fugue in G BWV 541 Vater unser im Himmelreich BWV 683 and Watchet auf ruft uns die Stimme BWV 645. A must-have collection for any organist!

Volume 2: Repertoire-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.Includes many musicalexamples to illustrate:Using 1 manual and 2 pedal notesUsing 2 manuals and 2 pedal notesInvolving easy manual and coupler changesInvolving slightly more manual and coupler dexterityRequiring easy volume changesUsing the 2 hands on different manualsUsing the swell pedalPieces introducing 3 and 4 pedal notesTwo manuals and three pedalsi) Solo and accompanimentii) ChangingmanualsFour pedalsi) Solo and accompanimentii) Manual and registration changesFour pedals – more advancedFive pedals in two groupsSix pedals in two groupsHymn tunes using two to fourpedals

A collection of 14 traditional wedding songs for organ voice and piano including: Bridal Chorus * Entreat Me Not to Leave Thee * O Promise Me * Panis Angelicus (O Lord Most Holy) * Pavane * Trumpet Air * Wedding Recessional (A Majestic Medley) * and more.

14 last verse harmonizations add warmth and excitement to traditional congregational singing in this collection by Fred Bock. Includes: All Hail the Power of Jesus' Name * Holy Holy Holy * Come Thou Almighty King * and more. Also includes several organ interludes.

Organ. With classic flair Donald Campfield has arranged for organ 10 of the most beloved traditional hymns for use as preludes postludes or hymn introductions. There is a hymn for almost every season including such standards as: Come Christians Join to Sing · Be Thou My Vision · A Mighty Fortress Is Our God · and more.

This book replaces the legacy edition of Voluntary Choice Book 4 (SP457) and is enhanced by the addition of the Mendelssohn and Wagner wedding marches plus the Trumpet Voluntary by Jeremiah Clarke in 'manuals only' arrangements to complement Paul Mottram's full organ work 'Fanfare and Fantasia':- based on well known wedding themes. A book to satisfy traditional tastes yet also offering an extrovert slant on familiar material.