Piano (Piano) SKU: HL.50586611 Piano compositions 1963-2009. Compo...(+)
Piano (Piano)
SKU:
HL.50586611
Piano
compositions
1963-2009. Composed
by Saul Cosentino.
Ricordi Germany. Book
Only. Composed 2011.
Ricordi Berlin #SY2799.
Published by Ricordi
Berlin (HL.50586611).
Piano
compositions by Saul
Cosentino from the years
1963 to 2009. He became
famous as composer and
pianist of the Tango
Nuevo era. However, his
pieces illustrate many
other musical aspects and
very effective modern
romantic piano music.
De Argentijnse
componist en pianist Saul
Cosentino wordt beschouwd
als een van de beste
componisten en
uitvoerders van de
moderne tango.
RetroSpective
bevat 14 composities voor
piano die hij schreef van
1963-2009.
Klavier
kompositionen aus den
Jahren 1963 bis 2009 des
argentinischen
Tango-Komponisten und
Pianisten Saul Cosentino,
der als einer der besten
Komponisten und
Interpreten des modernen
Tango gilt. Die
wirkungsvollen,
mittelschweren Stucke in
diesem Buch zeigen jedoch
noch viel mehr Facetten.
Il volume
raccoglie le composizioni
pianistiche di Saul
Cosentino che vanno dal
1963 al 2009. Cosentino
ha acquisito fama come
compositore e pianista
dell'epoca Tango Nuevo. I
suoi pezzi presentano
anche altre
caratteristiche musicali:
musica pianistica
moderno-romantica di
grande efficacia,
difficolta media.
Brass Band - Grade 4 SKU: HL.44002260 Composed by Eric Clapton. Arranged ...(+)
Brass Band - Grade 4
SKU: HL.44002260
Composed by Eric Clapton.
Arranged by Ron Sebregts.
De Haske Concert Band.
Pop & Rock. Score Only.
Composed 1994. De Haske
Publications #940587.
Published by De Haske
Publications
(HL.44002260).
UPC:
073999624786. 6.75x10.5
inches.
Eric
Clapton's CD
Unplugged is one
of the top-selling albums
of all time. The
collection of hits
inspired Ron Sebregts to
create the medley The
Cream of Clapton. It
consists of Sebregts
favourite songs by this
legendary blues and rock
guitarrist, singer and
songwriter. This medley
is guaranteed to be an
audience and band
favorite for many years
to come!
Das
Album Unplugged
von Eric Clapton ist nach
wie vor einer der meist
verkauften Tontrager der
Rock- und Popgeschichte.
Aus drei legendaren Hits
von diesem Album schuf
Ron Segbregts dieses
Medley fur Brass Band.
Eric Clapton e
uno dei rari virtuosi
della chitarra per i
quali la descrizione di
genio non appare
esagerata. Nel corso
della sua lunga carriera
ha inciso o partecipato a
oltre un centinaio di
album, molti dei quali
sono dei veri capolavori.
Nel 1992, Clapton
pubblica
Unplugged, un
album che vendera oltre
14 milioni di esemplari.
The Cream of
Clapton raccoglie tre
dei piu grandi successi
di questa leggenda della
musica rock e del
blues.
Eloise Fanfare [Conducteur] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-149-120 Composed by Paul Ryan. Arrange...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-149-120
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2006. Anglo
Music Press #AMP 149-120.
Published by Anglo Music
Press (BT.AMP-149-120).
9x12 inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
Performed by Keola Beamer. Guitar. Softcover with CD. With notes and tablature. ...(+)
Performed by Keola
Beamer. Guitar. Softcover
with CD. With notes and
tablature. Size 9x12
inches. 40 pages.
Published by Homespun
Listen And Learn Series.
By Mitch Holder and Patty Roberts. For Guitar (All). Solos. Jazz. Level: Interme...(+)
By Mitch Holder and Patty
Roberts. For Guitar
(All). Solos. Jazz.
Level: Intermediate.
Book. Size 8.75x11.75.
112 pages. Published by
Mel Bay Publications,
Inc.
Eloise Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-149-010 Composed by Paul Ryan...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.AMP-149-010
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
149-010. Published by
Anglo Music Press
(BT.AMP-149-010).
9x12
inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
By Various. Edited by Jerome Roche. For SATB choir. Madrigal. Renaissance Voices...(+)
By Various. Edited by
Jerome Roche. For SATB
choir. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Concert Band/Harmonie/Fanfare Band - Grade 4 SKU: BT.DHP-0940587-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 4
SKU:
BT.DHP-0940587-015
Composed by Eric Clapton.
Arranged by Ron Sebregts.
De Haske Pop Collection.
Pop and Rock. Set (Score
and Parts). Composed
1994. De Haske
Publications #DHP
0940587-015. Published by
De Haske Publications
(BT.DHP-0940587-015).
Eric
Claptonâ??s CD
Unplugged is one
of the top-selling albums
of all time. The
collection of hits
inspired Ron Sebregts to
create the medley The
Cream of Clapton. It
consists of Sebregts
favourite songs by this
legendary blues and rock
guitarrist, singer and
songwriter. This medley
is guaranteed to be an
audience and band
favorite for many years
to come!
Das
Album Unplugged
von Eric Clapton ist nach
wie vor einer der meist
verkauften Tonträger
der Rock- und
Popgeschichte. Aus drei
legendären Hits von
diesem Album schuf Ron
Segbregts dieses Medley
für Blasorchester.
Eric Clapton è
uno dei rari virtuosi
della chitarra per i
quali la descrizione di
genio non appare
esagerata. Nel corso
della sua lunga carriera
ha inciso o partecipato a
oltre un centinaio di
album, molti dei quali
sono dei veri capolavori.
Nel 1992, Clapton
pubblica
Unplugged, un
album che vender oltre 14
milioni di esemplari.
The Cream of
Clapton raccoglie tre
dei più grandi
successi di questa
leggenda della musica
rock e del blues.
Piano SKU: BR.EB-8990 After R (A Portrait for Piano and Orchestra)...(+)
Piano
SKU:
BR.EB-8990
After R
(A Portrait for Piano and
Orchestra). Composed
by Nicola Campogrande.
Solo instruments;
stapled. Edition
Breitkopf.
He
re you will find the
concerto R (A Portrait
for Piano and
Orchestra).
Solo
concerto; Music
post-1945; New music
(post-2000). Score.
Composed 2015. 36 pages.
Duration 15'. Breitkopf
and Haertel #EB 8990.
Published by Breitkopf
and Haertel (BR.EB-8990).
ISBN 9790004187197. 9
x 12 inches.
A
Musical Portrait In 2012
Nicola Campogrande
received a rather
singular commission when
a total stranger asked
him to compose a musical
portrait of his fiancee.
The man knew exactly what
he wanted: a concerto for
piano and orchestra.
After some reflection,
Campogrande realised that
he would be able to paint
with music. It would
never be possible, of
course, to recognise the
shape of the woman's face
or the colour of her
hair, but the score could
evoke the way in which
she occupied space and
time, and the different
movements of the
composition would be like
the faces on a rotating
prism. Campogrande thus
accepted the commission
and the stranger sent him
a few photos of his
fiancee, spoke to him
about her and, finally,
introduced him to her.
This is how R (A portrait
for piano and orchestra)
was born, first performed
in April 2013 by Lilya
Zilberstein with the
Orchestra Verdi in Milan.
Subsequently, following
other performances and a
TV documentary, a number
of different pianists
asked Campogrande to
write a version for solo
piano. Hence Nudo
emerged, a piece that
would be very similar to
R , were it not for the
fact that, as the title
suggests, the pianist is
naked, without orchestral
clothing. Information on
Nudo on the composer's
website Audio recording
of Nudo (YouTube) Un
portrait musical En 2012,
Nicola Campogrande s'est
vu proposer une
commission fort
singuliere ; un parfait
etranger lui demandait de
composer le portrait
musical de sa compagne.
L'homme savait exactement
ce qu'il voulait : un
concert pour piano et
orchestre. Apres quelques
hesitations, Campogrande
s'est rendu compte qu'il
pouvait se servir de la
musique comme d'un
pinceau. Bien entendu, il
ne serait jamais possible
de reconnaitre la forme
du visage de la femme ou
la couleur de ses
cheveux, mais la
partition pourrait
evoquer la facon dont
elle se deplacait dans
l'espace et dans le
temps, et les differents
mouvements de la piece
seraient comme les
figures d'un prisme en
rotation. Campogrande a
donc accepte la
commission ; l'etranger
lui a envoye des photos
de sa compagne, il lui a
parle d'elle, avant de
les faire se rencontrer
personnellement. Ainsi
est ne R (Un portrait
pour piano et orchestre)
, interprete pour la
premiere fois en avril
2013 par Lilya
Zilberstein et
l'orchestre Verdi de
Milan. D'autres
executions ont suivi,
ainsi qu'un documentaire
televise, apres quoi
plusieurs pianistes ont
prie Campogrande d'ecrire
une version pour piano
seul. C'est ainsi que
Nudo a vu le jour : un <<
nu >> tres semblable au
premier portrait, si ce
n'est que le piano s'y
trouve, comme le suggere
le titre, depouille de
son vetement orchestral.
Ritrarre con la musica
Nel 2012 Nicola
Campogrande ha ricevuto
la piu singolare delle
commissioni, quando un
perfetto sconosciuto gli
ha chiesto di comporre il
ritratto musicale della
sUrauffuhrung fidanzata.
L'uomo sapeva esattemente
cio che voleva: un
concerto per pianoforte e
orchestra. Dopo qualche
esitazione, Campogrande
si e reso conto di poter
dipingere con la musica;
certo, non sarebbe stato
possibile riconoscere la
forma del viso della
donna o il colore dei
suoi capelli, ma la
partitura avrebbe evocato
il modo nel quale lei si
muoveva nello spazio e
nel tempo, e i vari
movimenti del brano
sarebbero stati come le
facce di un prisma in
rotazione. Campogrande ha
dunque accettato la
commissione e lo
sconosciuto gli ha
mandato alcune foto della
sUrauffuhrung fidanzata,
gli ha parlato di lei e,
alla fine, gliela ha
presentata personalmente.
E cosi nato cosi R (Un
ritratto per pianoforte e
orchestra ), eseguito per
la prima volta
nell'aprile 2013 da Lilya
Zilberstein insieme
all'Orchestra Verdi di
Milano.In seguito, dopo
altre esecuzioni e un
documentario tv, diversi
pianisti hanno chiesto a
Campogrande di preparare
una versione per
pianoforte solo. E stato
cosi che ha preso forma
Nudo , un brano del tutto
simile a R tranne per il
fatto che, come
suggerisce il titolo, il
pianista e nudo, senza un
abito orchestrale. 'Nudo'
is a scintillating work
that paints a vivid and
fascinating sequence of
musical portraits of its
subject. And the
Breitkopf score is simply
superb.
(www.pianodao.com).
Piano - Grade 5 SKU: ET.PNO27 Composed by Julien-Francois Zbinden. Contem...(+)
Piano - Grade 5
SKU:
ET.PNO27
Composed by
Julien-Francois Zbinden.
Contemporary. Composed
2000. Duration 13'.
Editions BIM #PNO27.
Published by Editions BIM
(ET.PNO27).
ISBN
9790207024527.
As
the title indicates, I
have based the whole work
on the letters of the
first name of the
dedicatee Marc Pantillon
- german and french
notations mixed - Mi, La,
Re, Do (english
E.A.D.C.). In melodic as
well as in harmonic use.
The musical
discourse is maintained
by a various set of easy
recognisable sequences,
but not bearing any
resemblance to the
traditional variations of
the pianistic
repertoire. Marc
Pantillon has played the
world premiere in March
2001 in Neuchâtel
(Switzerland).
Julien-François
Zbinden.
Piano Quintet SKU: BR.SON-637 Composed by Jean Sibelius. Edited by Anna P...(+)
Piano Quintet
SKU:
BR.SON-637
Composed
by Jean Sibelius. Edited
by Anna Pulkkis. Chamber
music. Complete Works.
Late-romantic; Early
modern. Complete Works.
Breitkopf and Haertel
#SON 637. Published by
Breitkopf and Haertel
(BR.SON-637).
ISBN
9790004803929. 9 x 12
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Voix Soprano, Piano [Partition] - Intermédiaire/avancé Ricordi
(Soprano). By Wolfgang Amadeus Mozart (1756-1791). Edited by Paolo Toscano. For ...(+)
(Soprano). By Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Paolo Toscano. For
soprano voice solo and
piano accompaniment.
Universal JV Classical.
Classical Period.
Difficulty:
medium-difficult.
Collection. Vocal melody,
lyrics, piano reduction
and introductory text.
304 pages. Published by
Ricordi
By Thomas Tallis (1505-1585). Choir Sacred. For with Piano (SATB choir). Book; C...(+)
By Thomas Tallis
(1505-1585). Choir
Sacred. For with Piano
(SATB choir). Book;
Choral (Sacred); Choral
Worship Collection;
Masterworks; Worship
Resources. Faber Edition:
Choral Programme Series.
Masterwork; Renaissance;
Sacred. Published by
Faber Music
Eloise Fanfare [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Fanfare Band - Grade 4 SKU: BT.AMP-149-020 Composed by Paul Ryan. Arrange...(+)
Fanfare Band - Grade 4
SKU:
BT.AMP-149-020
Composed by Paul Ryan.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Set (Score &
Parts). Composed 2006.
Anglo Music Press #AMP
149-020. Published by
Anglo Music Press
(BT.AMP-149-020).
9x12
inches.
English-German-French-Dut
ch.
Paul and Barry
Ryan were identical twin
sons of 1950’s pop
singer Marion Ryan and
were born on 24th October
1948. They were groomed
for stardom and had
started singing as a duo
before their fifteenth
birthday. They were
signed by Decca in 1965
and brilliantly marketed
as clean-cut fashion
icons. Their first single
‘Don’t Bring
Me Your
Heartaches’
reached the UK top twenty
but their success as twin
performers lasted only
three years. In 1968
Barry embarked on a solo
career while Paul
concentrated on writing
and producing. Eloise
with its melodramatic
vocal style and heavily
orchestrated backing was
an early success of this
new collaboration and
went on to be covered by
a variety ofartists,
including punk legends
The Damned.
De
eeneiige tweelingbroers
Paul en Barry Ryan
vormden al een zangduo
voor hun vijftiende
verjaardag. In 1965
tekenden ze een contract
bij Decca en werden ze op
een briljante manier voor
het voetlicht gebracht
als keurige
mode-idolen,maar hun
succes als
tweelingartiesten duurde
slechts drie jaar. In
1968 begon Barry aan een
solocarrière terwijl
Paul zich concentreerde
op het schrijver- en
producerschap.
Eloise, een stevig
georkestreerd,
melodramatischgezongen
nummer, was een vroege en
succesvolle vrucht van
deze samenwerking. De
song werd in de loop der
tijd vertolkt door
diverse
artiesten.
Paul
und Barry Ryan waren die
Zwillingssöhne der
50er-Jahre-Popsängerin
Marion Ryan. Den beiden
Brüdern war eine
Zukunft als Popstars in
die Wiege gelegt. Bereits
vor ihrem 15. Geburtstag
traten sie als Duo auf.
Später verlegte sich
Paul jedoch aufs
Songschreiben und Barry
trat solo auf. Der Hit
Eloise mit seinem
melodramatischen
Gesangsstil und dem stark
orchestrierten
Hintergrund ist ein
Resultat dieser
erfolgreichen
Zusammenarbeit und wurde
in der Folge von
zahlreichen Künstlern
neu interpretiert. Philip
Sparke machte den
Pop-Evergreen nun auch
für Blasorchester
spielbar.
Figli
gemelli di Marion Ryan,
celebre cantante pop
degli anni ’50,
Paul e Barry Ryan si
esibivano insieme gi
prima di aver compiuto
quindici anni.Nel 1965
firmano un contratto con
la casa discografica
Decca e commercializzano
con successo la loro
immagine di icone della
moda. Il primo single
entra nelle top 20
britanniche. Nel 1968,
Barry si lancia nella
carriera di solista,
mentre Paul si concentra
sulla composizione e la
produzione.
Eloise, una
canzone dallo stile
vocale melodrammatico che
si sviluppa su un
importante
accompagnamento
orchestrale, è uno dei
primi successi della
collaborazione tra i due
fratelli.
(BR) SKU: HL.49032943 Leben und Werk. Composed by Charles Steiger....(+)
(BR)
SKU:
HL.49032943
Leben
und Werk. Composed by
Charles Steiger. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Katerina
Vondrovicova konnte sich
in ihrem Buch auf
umfangreiches Material
aus dem Besitz des
Komponisten stutzen,
wodurch der Leser einen
ganz personlichen Zugang
zur Lebens- und
Gedankenwelt dieses
aussergewohnlichen
Kunstlers erhalt. 276
pages. Schott Music #ED
9191. Published by Schott
Music (HL.49032943).
ISBN 9783795703783.
6.75x9.5x0.575 inches.
German.
Petr Eben
(born in 1929) has
achieved international
recognition mainly for
his choral and organ
works, but his output
also contains an opera,
various works for
orchestra, numerous
chamber music pieces and
songs as well as
collections of material
for teaching purposes.
For this book Katerina
Vondrovicova has had
access to a wide
selection of material in
the possession of the
composer, which helps the
reader to gain a very
personal and direct
impression of the ideas,
philosophy and life-style
of this extraordinary
artist. Part I is an
introduction to Petr
Eben's personal history
and development.Part II,
intended more as a quick
overview and for
reference, contains a
comprehensive list of
works with details of
orchestration and
duration plus
adiscography. This
section is a useful
reference tool for
libraries,
concertpromoters and
performers alike.
The Phantom of the Opera Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064037-020 Composed by Andrew Lloyd W...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064037-020
Composed by Andrew Lloyd
Webber. Arranged by
Lorenzo Bocci. De Haske
Pop Collection.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064037-020. Published by
De Haske Publications
(BT.DHP-1064037-020).
9x12 inches.
English-German-French-Dut
ch.
The musical
Phantom of the Opera is
full of many songs that
are instantly recognised
and it has been
fundamental in making the
genre of Musicals
extremely popular with
people of all ages. Peter
Lavender’s
arrangement of this
tender and moving ballad
will sound fantastic with
just about any band.
Der
englische Komponist
Andrew Lloyd Webber
erlangte mit der Musik
für zahlreiche
berühmte Musicals und
deren Verfilmungen
weltweite Anerkennung, so
z.B. Jesus Christ
Superstar, Evita,
Cats und natürlich
Das Phantom der
Oper. Dessen Handlung
rankt sich um ein
entstelltes Musikgenie,
das maskiert in den
Katakomben der Pariser
Oper lebt und sich in
eine junge Sängerin
verliebt hat. Lorenzo
Bocci wählte aus dem
schönen und
dramatischen Musical drei
der beliebtesten Melodien
für seine einfache,
aber wirkungsvolle
Bearbeitung für
Blasorchester.
Jazz Piano Cocktails * Volume 2 with CD composed by Various. Arranged by Bob Kai...(+)
Jazz Piano Cocktails *
Volume 2 with CD composed
by Various. Arranged by
Bob Kail and Craig
Stevens. For jazz piano.
This edition: Paperback.
Collection. Jazz
Standards. Book and CD.
Text Language: English.
48 pages. Published by
Santorella Publications
Saint Francis of Assisi is an opera in 3 acts by Olivier Messiaen. This volume i...(+)
Saint Francis of Assisi
is an opera in 3 acts by
Olivier Messiaen. This
volume is part of the
edition that includes the
books with the full
Orchestra scores, as well
as the explanations,
analysis and comments on
each tableau. It is
focused on the ?Act II,
Tableau 4. L?Ange
voyageur? which describes
the appearance of the
?Traveller Angel? to
Saint Francis. This
tableau is introduced by
each of the themes of
Brothers Leon, Elie and
Bernard and the theme of
Philemon, the bird. It
opens as the Brothers are
confronted to the Angel
but don?t recognise him
straight away except for
Brother Bernard, who
reacts wisely. The Angel
then requests to talk to
Father Francis, and the
tableau finishes,
introducing the following
part: ?Act II, Tableau 5.
L?ange musicien?. Within
this tableau 4, birdsong
can be heard that is
reminiscent of Messiaen's
'Bird Catalogue'
collection. Based on the
life of Saint Francis of
Assisi, this opera is set
in Italy and is composed
as per below: Act I: 1.
La croix 2. Les laudes 3.
Le baiser au lepreux Act
II 4. L?ange voyageur 5.
L?ange musicien 6. Le
preche aux oiseaux Act II
7. Les stigmates 8. La
mort et la nouvelle vie
This opera was played at
the Paris Opera in 1983.
Olivier Messiaen
(1908-1992) was a French
organist and composer
passionate about
Ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the 'Bird Catalogue' in 7
volumes and the 'Treatise
on rhythm, colour and
ornithology' in 7
volumes.
Paris Montmartre Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1053905-010 Arranged by Toshi...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1053905-010
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053905-010. Published by
De Haske Publications
(BT.DHP-1053905-010).
9x12 inches.
English-German-French-Dut
ch.
This is a
beautiful medley of
famous French chansons
arranged for concert band
by Toshio Mashima. It
contains the following
titles: Sous le Ciel de
Paris, Moulin Rouge, La
Vie en Rose, Les Feuilles
Mortes (also known as
Autumn Leaves) and
C’est si Bon. Add
a bit of French
sophistication to any
concert with this great
new publication.
Een prachtige
medley van beroemde
Franse chansons in een
arrangement voor
harmonieorkest van de
hand van Toshio Mashima.
Bevat de volgende titels:
Sous le ciel de Paris,
Moulin Rouge, La vie en
rose, Les feuilles
mortes (ookwel bekend
als Autumn Leaves)
en C’est si
bon.
Der
Japaner Toshio Mashima
ließ sich vom
unwiderstehlichen Genre
des französischen
Chansons bezaubern und zu
diesem entzückenden
Medley inspirieren.
Schwelgen Sie mit!
Collina
sacra e poggio politico
di Enrico IV, Montmartre
ha saputo preservare la
propria identit culturale
ed artistica accogliendo
i più grandi movimenti
dei pittori dei secoli
XIX e XX. Quando si evoca
Montmartre, si pensa ad
un luogo che vive 24 ore
al giorno, si pensa al
sogno, alla
spensieratezza e a
godersi la vita ogni
giorno. Toshio Mashima ha
raccolto cinque melodie
emblematiche di
Montmartre in un
arrangiamento.
(Low Voice Edition With 2 CDs of Piano Accompaniments). Composed by Various. Edi...(+)
(Low Voice Edition With 2
CDs of Piano
Accompaniments). Composed
by Various. Edited by
Maria DiPalma and Richard
Walters. For Low Voice,
Piano Accompaniment.
Vocal Collection.
Softcover with CD. 216
pages. Published by Hal
Leonard
B-flat Tenor Sax. Composed by Bob Mintzer. Instrumental Series. Blues; Jazz; pla...(+)
B-flat Tenor Sax.
Composed by Bob Mintzer.
Instrumental Series.
Blues; Jazz; play along.
Book; CD. 36 pages.
Alfred Music
#00-ELM00030CD. Published
by Alfred Music