By Mark John Sternal. Edited by Jeanne Corlew. For Guitar, Piano, Bass Guitar. There are only 12 notes in the musical alphabet, when you have mastered them you have mastered music. Music theory. Level: beginner through intermediate. Workbook. 24 pages. Published by MJS Music Publications

( Pin-Drop Quiet Classes and Rehearsals). By David Newell. Textbook. 244 pages. Published by Neil A. Kjos Music Company

Composed by Vanessa Christian. Classroom Music. Reproducible collection. Heritage Music Press #75/1051H. Published by Heritage Music Press (LO.75-1051H).

By Ryan Nowlin and Bruce Pearson. Band. Band method. Excellence in Theory Series. Book C,3. Method book. Published by Neil A. Kjos Music Company

By Jane Smisor Bastien. Bastien Piano. Bastien Teacher Aids. Teacher Aids. Published by Neil A. Kjos Music Company.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, bassoon, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107513

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Die Elenden sollen essen. Sacred vocal music, Cantatas, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Viola. Composed 1723. BWV 75. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.075/13. Published by Carus Verlag (CA.3107513).

ISBN 9790007044879. Key: E minor / g minor. Language: German/English.

Sco re available separately - see item CA.3107500.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, bassoon, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107512

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Die Elenden sollen essen. Sacred vocal music, Cantatas, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Violin 2. Composed 1723. BWV 75. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.075/12. Published by Carus Verlag (CA.3107512).

ISBN 9790007044862. Key: E minor / g minor. Language: German/English.

Sco re available separately - see item CA.3107500.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, bassoon, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107511

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Die Elenden sollen essen. Sacred vocal music, Cantatas, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Violin 1. Composed 1723. BWV 75. 12 pages. Duration 40 minutes. Carus Verlag #CV 31.075/11. Published by Carus Verlag (CA.3107511).

ISBN 9790007044855. Key: E minor / g minor. Language: German/English.

Sco re available separately - see item CA.3107500.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, bassoon, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107505

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Die Elenden sollen essen. Sacred vocal music, Cantatas, Easter and Eastertide, Trinity, Praise and thanks. Choral Score. Composed 1723. BWV 75. 16 pages. Duration 40 minutes. Carus Verlag #CV 31.075/05. Published by Carus Verlag (CA.3107505).

ISBN 9790007044824. Key: E minor / g minor. Language: German/English.

Sco re available separately - see item CA.3107500.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, bassoon, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107514

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Die Elenden sollen essen. Sacred vocal music, Cantatas, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Cello/Double Bass. Composed 1723. BWV 75. 20 pages. Duration 40 minutes. Carus Verlag #CV 31.075/14. Published by Carus Verlag (CA.3107514).

ISBN 9790007044886. Key: E minor / g minor. Language: German/English.

Sco re available separately - see item CA.3107500.

Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Joachim Linckelmann. Gattungen vokal: Sacred vocal music. Full Score. MWV A 25, Op. 70. Duration 130 minutes. Published by Carus Verlag

Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass Voice Solo, Mixed choir: SSTTBB, children choir: SS, 3Fl, 2 Ob, 2 clarinet, clarinet-B, 4bassoon, 4Hn, 2 Trp, 2 Pist, 3trombone, Op, Tb, timpani, percussion, 8, 10harp, Str) - Level 4

SKU: BA.BA05448

Lègende dramatique in four parts. Composed by Hector Berlioz. Edited by Julian Rushton. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 8a/b. Complete edition, Score. Opus 24. 453/556 pages. Duration 2 hours. Baerenreiter Verlag #BA05448_00. Published by Baerenreiter Verlag (BA.BA05448).

ISBN 9790006471478. 33.2 x 26.5 cm inches. Text Language: French. Text: Berlioz, Hector / Nerval, Gérard de.

In 1828 Berlioz wrote the Huit scènes de Faust. The work was soon withdrawn but almost twenty years later each of the eight scenes found a place in the Lgende dramatique La damnation de Faust dedicated to Franz Liszt. The first part of the Damnation exposes the figure of Faust and has an introductory nature. From the second part onwards, the course of action is largely based on Goethe’s drama.

Contrasting characters and dramatic effect are of central importance in understanding Berlioz’s musical thought and his compositional process. Magic and fairy tale, incantations and ghosts, have been the ever-recurring themes of opera since the Baroque. It is precisely this fantasy in Berlioz's Faust, the “Opra de Concert en Quatre acts”, which comes very close to the spirit of Goethe's presentation.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060309

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. 1x 40.603/21 English horn 1, 1x 40.603/22 English horn 2, 1x 40.603/31 horn 1, 1x 40.603/32 horn 2, 1x 40.603/33 clarino 1, 1x 40.603/34 clarino 2, 1x 40.603/41 timpani. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Hob. XXII:4. 64 pages. Duration 40 minutes. Carus Verlag #CV 40.603/09. Published by Carus Verlag (CA.4060309).

ISBN 9790007219338. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and parts available separately - see item CA.4060300.

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060349

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1766. Hob. XXII:4. Duration 40 minutes. Carus Verlag #CV 40.603/49. Published by Carus Verlag (CA.4060349).

ISBN 9790007219376. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and part available separately - see item CA.4060300.

SATB vocal soli, SATB choir, 2 english horn, 2 horns, 2 violins, cello/contrabass, organ solo, [2 clarinos/trumpets, timpani]

SKU: CA.4060319

Missa in honorem Beatissimae Virginis Mariae. Composed by Franz Joseph Haydn. Edited by Christoph Grosspietsch. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. HAYDN: GROssE ORGELSOLOMESSE IN ES XXII:4. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Hob. XXII:4. Duration 40 minutes. Carus Verlag #CV 40.603/19. Published by Carus Verlag (CA.4060319).

ISBN 9790007133207. Key: E flat major. Language: Latin.

Haydn's so-called Great Organ Solo Mass in E flat major is among those works by Joseph Haydn which early in its history enjoyed widespread dissemination. The E flat major Mass, with an unusual scoring including two English horns in the orchestra, was composed around 1770 during the first years of Haydn's tenure as Music Director for the Court of Esterhazy. Despite the readily playable, effective part for organ, employed prominently as a solo instrument in the piece, the Missa in honorem Beatissimae Virginis Mariae, which was composed for a Feast to the Blessed Virgin Mary, is seldom performed today. The new critical edition hopes to stimulate new interest in this work. Score and parts available separately - see item CA.4060300.

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB vocal soli, SATB choir, orchestra (flute [2], oboe [2], B-flat clarinet [2], bassoon [2], horn [2], trumpet [2], timpani, violin [2], viola, cello, double bass, organ). This edition: urtext edition. Paperback. Score. Opus 86. Published by Baerenreiter Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. Arranged by Andrea Campora. For SATB vocal soli, SATB choir, orchestra. This edition: urtext edition. Paperback. Vocal score. Opus 86. Published by Baerenreiter Verlag

Solo voices, choir, orchestra (Tenor Voice Solo, TTBB choir, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 4Hn, timpani, percussion, harp, Str)

SKU: BA.BA06844

Kantate für Männerchor und Orchester (tschechisch/deutsch/engl isch) mit Supplement: Erste Fassung 1911, (tschechisch). Composed by Leos Janacek. Edited by Jan Hanus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek B/3. Complete edition, Score. Composed 1920. Duration 7 minutes. Baerenreiter Verlag #BA06844_00. Published by Baerenreiter Verlag (BA.BA06844).

ISBN 9790006483266. 34.3 x 27 cm inches. Text Language: Czech, German, English. Translation: Kurt Honolka / Bernard Keeffe. Text: Martin (Pseudonym fur Maximilian Kunert) Kurt.

Kantate fur Mannerchor und Orchester (tschechisch/deutsch/engl isch) mit Supplement: Erste Fassung 1911, (tschechisch).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Dramma per musica. Klavierauszug nach dem Urtext der Haydn- Gesamtausgabe (italienisch/deutsch). By Franz Joseph Haydn. Arranged by Barthel, Ernst R. For 3 Soprano solo, Tenor solo, 2 Bass solo, Mixed Choir-SATB, 2 Flute, 2 Oboe, 2 Eh, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, Kettledrum, Harp, Strings, Basso continuo. Piano Reduction/Vocal Score (paperbound). Hob. XXVIII:13. Published by Baerenreiter-Ausgaben (German import).

Orchestra SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3100519

Cantata for the 19th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Wo soll ich fliehen hin. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 5. Duration 23 minutes. Carus Verlag #CV 31.005/19. Published by Carus Verlag (CA.3100519).

ISBN 9790007135928. Key: G minor. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.

Score and parts available separately - see item CA.3100500.

Orchestra SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3100503

Cantata for the 19th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. This edition: Paperbound. German title: Wo soll ich fliehen hin. Sacred vocal music, Cantatas. Vocal score. Composed 1724. BWV 5. 32 pages. Duration 23 minutes. Carus Verlag #CV 31.005/03. Published by Carus Verlag (CA.3100503).

ISBN 9790007041595. Key: G minor. Language: German/English. Text: Heermann, Johann. Text: Johann Heermann.

Score available separately - see item CA.3100500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116513

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/13. Published by Carus Verlag (CA.3116513).

ISBN 9790007209100. Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.3116521

Cantata for the Trinity Sunday. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Stuttgart Urtext Edition: Bach vocal. O Heiliges Geist- Und Wasserbad. Sacred vocal music, Cantatas, Trinity. Single Part, Bassoon. Composed 1715(?). BWV 165. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.165/21. Published by Carus Verlag (CA.3116521).

Text language: German/English. Text: Franck, Salomo.

The cantata O heilges Geist- und Wasserbad (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Trinity Sunday in 1715. With a simple instrumentation of only strings and basso continuo (including bassoon), the cantata offers an alternative to the later Leipzig cantatas for the Feast of the Holy Trinity, also with regard to the vivid interpretation of the text in the librettos by Salomon Franck. In the two expressive recitatives and the three distinctively different arias, Bach repeatedly emphasizes the central words of the text, which focuses on the meaning of the rebirth of the spirit through baptism. Score and part available separately - see item CA.3116500.