Irish Dance Tunes for Flatpicking Guitar. Irish Dance tunes, with their evocative modes, engaging ornamentation, and rhythmic variety, make great flatpicking pieces, offering a wealth of exciting material with which to broaden horizons and deepen roots. Pioneer flatpicker Eric Thompson has been fascinated with this repertoire for a long time, and was fortunate to perform with master Irish musicians in the 1970's in both San Francisco and the west of Ireland, including the legendary Joe Cooley. Here Eric teaches several of his favorite jigs, reels and hornpipes, and coaches you in the triplets, grace notes, and nuances that give Irish Celtic music its lilt and feeling. All in standard notation and TAB with three audio CDs included.

Tablatures Guitare The book features a fantastic collection of Radiohead's most popular material now arranged as authentic guitar tablature. It also comes with the original fascinating forward about the band written by music journalist, Stevie Chick. There is also a full discography on the band.
Airbag - Anyone Can Play Guitar - Creep - Everything In It's The Right Place - Fake Plastic Trees - High and Dry - Just - Karma Police - Knives Out - Lucky - My Iron Lung - No Surprises - Optimistic - Pyramid Song - Street Spirit (Fade Out)

Des airs de danse irlandaise, avec leurs modes évocateurs, engageante l'ornementation et variété rythmique, faire des pièces de grande flatpicking, offre une richesse de matériel passionnant avec laquelle d'élargir les horizons et d'approfondir les racines. Pionnier flatpicker Eric Thompson a été fasciné par ce répertoire depuis longtemps et il a eu la chance de jouer avec des musiciens irlandais maîtres dans les années 1970 à San Francisco et de l'ouest de l'Irlande, y compris le légendaire Joe Cooley. Ici, Eric enseigne plusieurs de ses favoris turluttes, les bobines et les hornpipes et vous encadre en triplets, les appoggiatures et les nuances qui donnent la musique celtique irlandaise ses lilt et la sensation. Tous en notation standard et onglet avec trois CD audio incluaient. / Guitare (Flatpick) Et Plectre / 32 pages / niveau : Débutant/Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Dans le vocabulaire du flamenco, le terme compás désigne à la fois un cycle métrico-rythmique et un mode mélodique associé à des harmonisations traditionnelles. Les guitaristes flamencos utilisent pour chaque mode des positions d'accord particulières (posturas) qui déterminent tout autant l'identité musicale de chaque palo (forme) que le strict cadre rythmique. Pour travailler les compases, il est donc également indispensable d'étudier les voicings flamencos. Les apprentis tocaores (guitaristes flamencos), fascinés à juste titre par la richesse des compositions (falsetas) que nous ont léguées depuis plus d'un siècle les grands maîtres du genre, oublient trop souvent que leur premier devoir est d'intérioriser les compases, au sens large, jusqu'à ce qu'ils deviennent une seconde nature. Cet ouvrage a pour objectif de vous aider à maîtriser les compases, et à « jouer » avec eux, de manière naturelle, jusqu'à ne plus avoir à « compter les temps ». Nous apprendrons donc à « hacer compás » (à produire du compás), non seulement en rasgueados, mais aussi en variant rythmiquement et harmoniquement les motifs codifiés qui articulent aussi bien les solos que les dialogues entre chanteurs, danseurs et guitaristes (introductions, paseos, llamadas et remates). Ce sont ces cinq groupes de séquences que nous étudierons dans cet ouvrage, appliquées à un palo emblématique, la soleá. Le CD joint à la méthode propose la totalité des exemples musicaux au format mp3, pour en faciliter la compréhension et donc aussi l'assimilation. / Partitions variété - pop - rock / Musique du monde / / PLAY MUSIC PUBLISHING

Encapsulates the band`s success as Brit-Pop pioneers, with She's So High and There's No Other Way , through their reinvention as an 'art-pop' band with Parklife and Country House , right up to their fascination with American indie-rock and the subsequent hits Beetlebum and Song 2 . Arranged for Guitar Tab. / Guitare

The latest addition to this hugely popular and innovative series of guitar books. Not only does each book contain 15 of the band's most memorable songs but also a fascinating forward by Alex Ogg exploring the history of the bandand looking at the standing and importance of The White Stripes in modern music. Two volumes of this book have been produced one arranged as authentic guitar tablature and the other as chord arrangements with lyrics.

A three volume DVD collection taught by Stefan Grossman.In this three lesson DVD series Stefan Grossman explores the world of country blues guitar. It is a fascinating and challenging study that covers blues folk and ragtimearrangements in the keys of A C D E and G. Each tune is discussed and taught phrase by phrase and played split screen so that you can clearly see what each hand is doing.You will learn about the playing styles and techniquesof legendary blues guitarists as Rev. Gary Davis Frank Stokes Blind Blake Blind Boy Fuller Mance Lipscomb Lightnin' Hopkins Mississippi John Hurt Willie Brown Robert Johnson Sam McGee Lonnie Johnson and ElizabethCotten.A detailed 56 page PDF is included with this collection.

Never before have so many riffs been assembled in one publication The Rifftionary is the ultimate reference work for any guitarist.It’s packed with guitar trivia and The Rifftionary also features TAB for over 130 of the most famous riffs of all time.It also reveals the original guitarist’s set up together with how to recreate that sound. Also included are technical tips key lyrics and fascinating facts including the highest chart placing in the UK and US.From Led Zeppelin to The Who from Hendrix to Radiohead The Rifftionary is packed with pure riffing genius.

In this lesson Ernie Hawkins teaches three Rev. Davis arrangements that will challenge your fingers. Rev. Gary Davis's tour de force in concert was his Soldiers March. This is a multipart instrumental played in the Key of F and Cand is a showcase in demonstrating the genius of Rev. Davis's playing and arranging skills. Few country blues guitarists played in the Key of F but Rev. Davis explored this key with religious as well as old pop standards. DarktownStrutters Ball is a fascinating arrangement that captures the atmosphere of the 1920s. Rev. Davis use to tell his students that playing with a bottleneck was ???cheating???. Yet his Whistlin' Blues uses this technique combined with anOpen D6 tuning to create an unusual boogie piano sound. Ernie Hawkins teaches each tune phrase by phrase and carefully shows you the right hand picking as well as the left hand fingerings that were unique to Rev. Davis'sapproach. You will be able to easily follow the instruction with the tab/music booklet. Also featured are split screen segments where each section is played slowly and you can study the movements of each hand. As a bonus we haveincluded various audio performances of Rev. Davis playing each song. Titles include: Soldiers March (United States March) Darktown Strutters Ball and Whistlin' Blues.

Series: Stefan Grossman's Early Masters of American Blues GuitarCategory: Guitar Method or SupplementFormat: Book and CDInstrument: GuitarThe Early Masters of American Blues series provides the unique opportunity to study the true roots of modern blues. Stefan Grossman, noted roots-blues guitarist and musicologist, has compiled this fascinating collection of 26 songs legendary blues guitarist Mississippi John Hurt. In addition to Stefan's expert transcriptions, the book includes a CD containing the John Hurt's original recordings so you can hear the music as it was originally performed.Mississippi John Hurt had a fascinating career, originally recording a handful of songs in the late 1920s, and, after disappearing for nearly 30 years, being rediscovered by a new generation of musicians that included Bob Dylan, Joan Baez, and Stephen Sills. Found in 1963 living in a small town in Mississippi, by an admirer who tracked him down through the lyrics of his 1928 single Avalon Blues, Mississippi John Hurt was persuaded to go to Washington, D.C. and start a new career. He spent the next three years performing and recording for a whole new group of fans. In addition to transcribing all the songs in this collection, Stefan Grossman was also a student of John Hurt.