Although I never had any 'official' lessons with him, Heinz Holliger has become and will always remain a lifelong teacher to me. And we have developed a friendship that started 10 years ago, in Davos, where he heard me playing Robert Schumann's Fantasiestücke Op. 73 for the first time. Since then, we have performed together countless times, stood on (and behind) the stage, discussed, philosophized, made jokes. May this exchange never cease! The next occasion will be the World Première of my Oboe concerto which I dedicate to him in sincere friendship. Jörg Widmann / Hautbois Et Orchestre

The Charm Of Vienna. Play The 1St Oboe With The Philharmonic Wind Orchestra / Niveau : Elémentaire à Difficile / Répertoire / Hautbois et Orchestre

Play The 1St Oboe With The Philharmonic Wind Orchestra / Niveau : Intermédiaire à Avancé / Répertoire / Hautbois et Orchestre

This is a wonderful Concerto for Oboe by inspirational American composer Elliot Carter. The piece was commissioned by the conductor of the Basel Chamber Orchestra Paul Sacher. Sacher commissioned for Swiss oboist and avant-garde composer Heinz Holliger. Holliger premiered it in June 1988 in Zürich Switzerland with the Collegium Musicum.

Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Additional parts are available from the publisher separately quickly and cheaply. A 'Piano Reduction' for Oboe and Piano is available separately. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda[D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was a worthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He

The solo Oboe part for Traces in Spaces for Oboe and Orchestra by Sunleif Rasmussen (2015). Full score: WH32744

for Oboe, Strings and Basso Continuo. Par MARCELLO ALESSANDRO. Editeur(s) d'origine: Hervig, R. / Voxman, H./ Répertoire / Hautbois et Orchestre