Above All features 12 powerful songs that are sure to find a place in any Palm S...(+)
Above All features 12 powerful songs that are sure to find a place in any Palm Sunday Easter or Communion service. This collection is ideal for choirs ensembles and student choirs and the songs can be performedindividually or in four mini-musicals leading up to Easter. As a finale the DVD Accompaniment Trax features powerful visuals for the last three songs. Titles include: O Wondrous Love The Glories of Calvary Lord of Life andLove Above All Behold the Lamb. For All You've Done O Mighty Cross I Will Glory in the Cross All the Earth Will Sing Your Praises God So Loved Saved the Day My Redeemer Lives. Orchestration includes score and parts forFlute Oboe Clarinet Trumpet 1 2 3 Horn Trombone 1 2 3 Percussion 1 2 Violin Viola Cello String Bass Rhythm (Piano/Guitar/Bass). Instrumentation varies. SATB Listening CD CD Accompaniment Trax (Split) DVDAccompaniment Trax Orchestration CD 10-Pack CD Preview Pack also available.
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...(+)
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).
This edition is faithful to Parry's original orchestration with the exception th...(+)
This edition is faithful to Parry's original orchestration with the exception that the Clarinets were in A and the Trumpet parts were originally written in F. Here Bb copies have been provided for both. The work may be played by orchestra alone or with the addition of a solo voice or a choir. We do not publish vocal or choral copies of this work but this orchestral edition is fully compatible with the original vocal and unison choral editions published by Roberton Publications and readily available.Duration: 2½ minutes Orchestration 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons4 Horns in F 2 Trumpets in Bb 3 Trombones TimpaniStrings (Violin 1 Violin 2 Viola Cello Bass)Voice or chorus (optional)
This arrangement comes from the Alive Forever collection arranged by Travis Cott...(+)
This arrangement comes from the Alive Forever collection arranged by Travis Cottrell. He has arranged the new modern hymn by Keith Getty and Stuart Toenend with a more traditional statement of The Solid Rock to makea great declaration that in Christ alone we have the assurance and strength that we need for each day. Choirs and congregations both will enjoy this music. CD Accompaniment Trax available. Orchestration is flexible and includesscore and parts for Rhythm Acoustic Guitar Trumpet 1 & 2 Alto Sax Trumpet 3 Trombone 1 & 2 Tenor Sax 1 & 2 Trombone 3/Tuba Bari Sax Percussion Horn 1 & 2 Flute (Oboe) 1 2 & 3 Clarinet and Strings (Synth). Duration:ca. 5:25
This arrangement has been made from the original orchestration for full orchestr...(+)
This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing but no musical changes have been made and the new edition is fully compaible with the old one.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb 3 Trombones Timpani Percussion (3 players - Cymbals Triangle Bass drum Tenor drum Glockenspiel Tubular bell in C Side drum Large gong) Strings (Violin 1 Violin 2 Viola Cello Bass) Piano duet (optional) (Part included in Pack)
Set of Orchestra parts and conductor's Piano score for chamber orchestra.Parts ...(+)
Set of Orchestra parts and conductor's Piano score for chamber orchestra.Parts included:Piano/conductorFluteClarinet in ATrumpets 1 & 2 in ATromboneTamboursViolin obligato x 1Violin 1 x 3Violin 2 x 3Viola x 3Cello x 3Double Bass x 2
Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concer...(+)
Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. presently in the service of His Majesty the Emperor will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which among other select pieces he will present a grand work for wind-band of a quite special character composed by Herr Mozart.? That this was almost certainly four movements from the present Serenade in B-flat major K.361 is suggested by an account of the occasion published some months later which states ?Today I heard a composition by Herr Mozart in 4 movements for wind ensemble . . . comprising 13 instruments: 4 horns 2oboes 2 bassoons 2 clarinetts 2 basset horns and a contrabass viol. . . .?Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K.361 is striking for its seriousness of artistic content its length (seven movements lasting nearly an hour) and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players not thirteen). If the work was not conceived in the first instance as a concert work its potential as such must have been recognized early on by Mozart or Stadler.- Urtext of the New Mozart Edition- Parts (BA5331-22) and study score format 22.5 x 16.5cm (TP312) available for sale
A delightful and playful Concertino from the Bosworth School Orchestra series.Ar...(+)
A delightful and playful Concertino from the Bosworth School Orchestra series.Arrangement details: Piano Conductor5 x Violin A5 x Violin Principale 15 x Violin Principale II5 x Violin E3 x Viola Principale3 x Viola5 x Cello/BassFluteOboe2 x ClarinetTrumpetTromboneTimpani
Carl Nielsen's Symphony No.4. Parts.Instrumentation:Flute 1-3Oboe 1-3Clarinet 1-...(+)
Carl Nielsen's Symphony No.4. Parts.Instrumentation:Flute 1-3Oboe 1-3Clarinet 1-3Bassoon 1-3Horn 1-4Trumpet 1-3Trombone 1-2Bass tromboneTubaTimpani x 2Violin 1 x 8Violin 2 x 7Viola x 6Cello x 5Double bass x 4WH31116 is the full score to accompany these parts.
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...(+)
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
The Mouvements Perpetuels is a short three-movement suite originally composed fo...(+)
The Mouvements Perpetuels is a short three-movement suite originally composed for solo Piano by the French composer Francis Poulenc premiered in Paris in December 1918 when Poulenc was only19. The suite was an immediate success with public and performers and it remains one of the composer's most popular works.Each of the three pieces in the suite ends inconclusively leaving the music unresolved to lingerin our ears and minds. The suite takes about five minutes in performance. The light-hearted miniature is adapted here for an ensemble of 9 instruments Flute Oboe Clarinet Bassoon Horn Violin Viola Cello C Bass whichgives it more dimension and makes it even more interesting.Francis Poulenc was a French composer and pianist. In his early works Poulenc became known for his high spirits and irreverence. During the 1930sa much more serious side to his nature emerged particularly in the religious music he composed from 1936 onwards which he alternated with his more light-hearted works.
Søren Nils Eichberg's Night Machine for nine instruments (2006). Parts are fo...(+)
Søren Nils Eichberg's Night Machine for nine instruments (2006). Parts are for hire: hire@ewh.dk Ensemble: Flute Clarinet in B Baritone Saxophone in E(alternatively Bass Cl. in B or Bassoon) Percussion Piano 2 Violin Viola Violoncello.
(Christmas Cantata)-It was into the shadows and winter of this world that Christ...(+)
(Christmas Cantata)-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light and washes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretive movement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols of Adoration Let the Earth Resound With Praise! A Silent Holy Night and more. Score and Parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Percusson 1&2 Harp Piano Timpani Trumpet 1 2&3 Trombone 1&2 Bass Trombone Tuba Violin 1 Violin 2 Viola Cello Double Bass.
Study Score German Language edition of the 1971 Concerto For Clarinet And Chambe...(+)
Study Score German Language edition of the 1971 Concerto For Clarinet And Chamber Orchestra from twentieth century cosmopolitan composer Boris Blacher.
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...(+)
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
Chamber Concerto No 1 was written in the winter of 1961-62. It is scored for obo...(+)
Chamber Concerto No 1 was written in the winter of 1961-62. It is scored for oboe clarinet bassoon horn trumpet trombone violin viola and cello. It is dedicated to Robin and Margaret Orr and was commissioned by theUniversity of Glasgow.
ScEne lyrique. Vocal Score based on the Urtext of the New Berlioz Edition (Frenc...(+)
ScEne lyrique. Vocal Score based on the Urtext of the New Berlioz Edition (French). By Hector Berlioz. Edited by David Gilbert. Arranged by Martin Schelhaas. Text: Pierre-Ange Vieillard. For Soprano solo Flute (2) Oboe (2) Clarinet (b flat) (2) Bassoon (2) Horn (4) Trumpet (2) Kettledrum Drums Strings. Piano Reduction/Vocal Score (paperbound). Hol 29. Published by Baerenreiter-Ausgaben (German import). (BA5789 90) ISBN M006505326.
For Flute Clarinet Percussion Piano Strings Tape. Published 2007.commission...(+)
For Flute Clarinet Percussion Piano Strings Tape. Published 2007.commissioned by Glyndebourne Opera Photoworks and De La Warr Pavillion.for the film Auditorium by Sophie RickettFirst performance: 17 November2007 Glyndebourne Opera House Sussex Downs Youth Orchestra cond. Malcolm Warnes.
Commissioned for a premiere performance at the Texas Music Educators' Associatio...(+)
Commissioned for a premiere performance at the Texas Music Educators' Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyful text. Optional percussion and piccolo accompaniment included at the back of the octavo enhance the medieval dance quality of this exciting piece. Score and parts for flute 1&2 (fl 2 dbl piccolo) oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1&2 tuba timpani percussion 1-3 harp piano violin 1&2 viola cello double bass.
