The Piano Bench Of Easy Classical Music is a tremendous piano collection containing 400 pages of great music literature, specially selected and edited for the developing pianist who loves classical music. Here you will find the world's favorite preludes, minuets, sonata movements, nocturnes, waltzes, gavottes, mazurkas, romantic short pieces, impressionistic works, and light classics- as well as themes from the great symphonies, chamber works, operas, and ballets by the master composers of the past four centuries. / Piano

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Transcriptions et analyses par Armand Reynaud et Jérémy Brun

Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /

The Player's Guide to Authentic Stylings. The Hal Leonard Jazz Piano Method Book 2 is a detailed, easy-to-use guide for anyone interested in furthering their jazz piano skills. There are many harmonic concepts, useful licks, and comping techniques for you to absorb. The accompanying audio includes demonstrations of all the examples in the book. Includes: harmonic exercises, melodic vocabulary, chord progressions and substitutions: melodic minor scale theory, locked-hands style, drop-two voicings, stride, walking bass lines, Latin styles, modern sounds, and much more! This is a powerhouse of a book - a real 'owner's manual' for the jazz piano mind. Mark Davis presents the essential material in easily digestible packets, each buidling on the last, and as a whole building on the concepts from the first book. I'll be referring both beginning and intermediate students to this course. - Geoffrey Keezer, multiple Grammy'-nominated pianist. / Méthode / Méthode / Piano

Walker Sarah (Arranger). Par WALKER SARAH. A brand new series of piano pieces - just for kids! Carefully selected, edited, graded and fingered for Pre-Grade 1 piano by Sarah Walker, broadcaster, pianist and teacher, the music is complemented with stunning cartoon illustrations, puzzles and games which will capture the imagination, and help reinforce learning by making playing the piano great fun. This book features eveyone's favourite Christmas songs including Frosty the Snowman, Away in a Manger and Walking in the Air./ Recueil / Piano

Plus de `Making The Grade 2`, avec `Walking In The Air`, `Tom Traubert's Blues`, `He Ain't Heavy, He's My Brother` et `Fiddler On The Roof`.

If youve learned enough piano to feel comfortable picking up your first songbook and you love country music, this collection is for you! Arranged at an easier level so beginners can play 50 quintessential country classics and sound great. Includes: Always on My Mind • Behind Closed Doors • Could I Have This Dance • Crazy • Dont It Make My Brown Eyes Blue • Folsom Prison Blues • Forever and Ever, Amen • Friends in Low Places • The Gambler • Gentle on My Mind • Green Green Grass of Home • Happy Trails • Help Me Make It Through the Night • Hey, Good Lookin • Jambalaya (On the Bayou) • King of the Road • Mammas Dont Let Your Babies Grow up to Be Cowboys • On the Road Again • Ring of Fire • San Antonio Rose • Stand by Your Man • Wichita Lineman • You Are My Sunshine • Your Cheatin Heart • and more!/ Recueil / Piano

Une superbe collection en trois volumes de plus de 115 morceaux faciles à jouer pour le Piano Solo. Contient des morceaux pop, des musiques de spectacles, de jazz de la collection Tunes You've Always Wanted To Play, rassemblés ici pour une edition spéciale. / Variétés / Coffret Partition /

One of the great testimonials to the musicianship of Danish-born composer and organist Dietrich Buxtehude (1637-1707) is the frequently told story of the young Johann Sebastian Bach walking more than 200 miles to hear the great man play during one of his famous Abendmusiken concerts in Lübeck. It is widely believed that Bach was responsible for helping preserve Buxtehude's organ music, much of which he brought back with him from the north-German city. Today, Buxtehude's talents as a composer are especially evident in his remarkable instrumental music ? pieces that strongly influenced Bach, Bach's contemporaries, and later composers. The present compilation comprises 19 keyboard suites, each consisting of four classic, extremely popular, stylized court dances: the allemande, courante, sarabande, and gigue. Slight variations (such as a pair of sarabandes) are also included. Selected from an authoritative early edition, these expressive, beautifully constructed pieces will appeal to a wide range of keyboard musicians and music lovers.