Dix grands thèmes de films contemporains arrangés en ligne mélodique par Simon Lesley avec des pistes d'accompagnement spécialement enregistré. Ecoutez les différentes versions d'interprétation de toutes les chansons, la partie instrumentale est alors omis de sorte que vous pouvez jouer avec les accompagnements enregistrés. Inclus les morceaux de Amélie, Mandoline du capitaine Corelli, Chocolat et Gosford Park. / Violoncelle / 32 pages / Partition Cd

Since the 1960's here has been an extraordinary revival of old-time string band music in California and indeed throughout the American West. Despite being born blind Kenny Hall has been a mainstay of many fiddle festivals and ofthe Western fiddle and string band revival in general. Kenny's musical style is passionate and energetic. This book is a helpful guide to his vast repertoire learned through years of careful listening. It is also a wonderfuladdition to the fiddler's bookshelf and a fitting tribute to a man who for many an aspiring fiddler has been a friend guide exemplar and patron. Many of the tunes includes nonsense lyrics that Kenny used to help him rememberthe melody and each tune is accompanied by Kenny's comments. The book is divided into five chapters: fiddle- based tunes (Fiddle Faddle) mandolin-based tunes (Rags Tags and Wags) Waltzes tunes from an origin other than theUnited States or the British Isles (Kenny's Rambles); and vocal-based pieces including lyrics (Songs Ballads Ditties). Some of the transcriptions are written primarily for fiddle or mandolin but most tunes can be performed oneither instrument. This deluxe guide to Kenny Hall's vast repertoire offers fans of old-time music a great way to get to know Kenny and his music.

Par SAINT-SAENS CAMILLE. Saint-Saens' groundbreaking piece for solo Violin or Mandolin, about the appearance of Death each year at midnight on Halloween, summoning the dead with his violin./ Répertoire / Violon

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Par ANDREWS DREW. La première Jam série a été créée pour donner aux enfants et débutants de tous âges un livre de mélodies simples, communs à apprendre. Il s\'agit de standards \' Jam \' tunes dans les styles de musique Bluegrass Old Time. Tous les livres de cette série sont écrites dans les mêmes clés - ils peuvent tous être joués ensemble sans problème. Donc obtenir vos amis ou la famille qui jouent de guitare, violon, mandoline, banjo, ukulélé, dulcimer ou Dobro ensemble, de s\'emparer de ces livres et de commencer de brouillage. Improvisation - une autre idée derrière écrit la série Jam première était de fournir un certain nombre de mélodies qui étaient faciles à apprendre, mais qui sont aussi un grand pour commencer à travailler sur l\'improvisation. Chaque livres offrent la mélodie pour cet instrument particulier mais aussi des accords de back-up pour un autre instrument de vous accompagner. Chaque chanson est représenté en notation avec les symboles de la corde. Le CD qui l\'accompagne a deux pistes pour chaque chanson. Le premier jouant la chanson avec la ligne de la mélodie, la deuxième piste offre seulement la sauvegarde donc vous pouvez jouer la mélodie sur elle ou même impro... / Niveau : Débutant / Bluegrass - Improvisation / Recueil / Violon

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

American folk country and bluegrass composer John Hartford was well-known for his quirky compositions as well as his ability to tap-dance whilst playing the Banjo. He also possessed an encyclopedic knowledge ofold-time fiddle tunes as evidenced by this collection. Included in this book are all 22 fiddle tunes from Hartford's Hamilton Ironworks album. Also featured are many of his variations suggested chords information on each song's origins and insights on how to approach them. This collection of fiddle tunes provides players with an accurate source so as to incorporate these great pieces into their repertoire. The difficultylevel of the pieces ranges from relatively basic fiddling to solos that employ a range of techniques such as slides alternate tunings and playing on up the fingerboard. Each tune is presented in standard notation and inMandolin tab. John Hartford's Old-Time Fiddle Favorites is a must-have for any fan of John Hartford's music and for all old-time musicians.

Partitions arrangées pour violon + un CD audio contenant 2 versions de chaque titre: une démonstration complète puis une version sans le violon qui vous permettra de jouer accompagné. / Violon / Partition + Cd

Par COHEN MARY. Quatorze études originales, imaginatifs pour solo violoncelle, spécialement conçus pour déboucher des études élémentaires pour les plus jeunes joueurs plus avancée matériel par Dotzauer et Popper. Chaque pièce se concentre sur un ou deux aspects de la technique, et l'ensemble couvre un large éventail de compétences de gauche et de droite, y compris les spicatto s'incliner, franchissement des chaîne, moto perpetuo, cantible et les arrêts doubles faciles. Enseignants et les élèves trouveront cette collection inestimable, et pourtant la lumière hearted, agréable et stimulant./ Méthode / Violoncelle