EDITION : VOCAL/PIANO SCORE INSTRUMENTATION : FOR CELLO AND STRING ORCHESTRA EDITOR : SCHÖNBERG, ARNOLD

Edition : piano reduction with solo part
Instrumentation : cello and orchestra
Duration : 30'Number of Pages : 58
Series : Rahter Original Edition

Two fantasies on the thematic fragments from the string quartets.-'- Two fantasies on the thematic fragments from the 9th & 3rd string quartets of Paisiello.Matthias Pintscher was born in Marl in North Rhine-Westphalia Germany in 1971 and studied composition with Giselher Klebe and Manfred Trojahn. Formative influences were his encounters with Hans Werner Henze who invited him to Montepulciano in 1991 and 1992 and with Helmut Lachenmann Pierre Boulez and Peter Eötvös. Awards include first prize in the Hitzacker Composition Competition (1992) the Rolf Liebermann Prize and the Opera Prize from the Körber Foundation Hamburg (1993 and 1996) the Prince Pierre de Monaco Prize (1999) Composition Prize from the Salzburg EasterFestival and the Hindemith Prize from the Schleswig Holstein Music Festival (2000). In 2002 he was awarded the Hans Werner Henze Prize (Westphalian Music Prize). Pintscher first came to international attention with the opera Thomas Chatterton at the Semper Opera Dresden (1998) and later with his second opera L'espace dernier at the Opéra National de Paris (2004). He was composer-in-residence with the Cleveland Orchestra in 2002 the following seasons at the Konzerthaus Dortmund Lucerne Festival with the Radio Symphony Orchestra Saarbrücken at the Philharmonie Cologne and at the RSO Stuttgart . From 2010 onwards Pintscher is ?Artist-in-Association? at the BBC Scottish Symphony Orchestra since 2014 Artist-in-residence at the Danish Radio Orchestra. As a conductor Matthias Pintscher works regularly with leading orchestras and ensembles in Europe and the USA. From 2007 to 2009 he was Professor of Composition at the University of Music and Performing Arts Munich and 2010 to 2011 at the New York University. He is Music Director of the Ensemble intercontemporain and since the 2013 14 season. As of September 2014 he is Professor for composition at the Juilliard School of Music New York.

DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition!

Performed by Michael Metelka, violin Accompaniment: Czech Symphony Chamber Orchestra Conductor: Mario Klemens This revised package features a beautiful solo part and professionally-recorded demo and backing tracks online so you can play with an actual orchestra. Here is the classic which sits atop the Baroque literature for violin and orchestra. Magnificent in every way, and well worth the effort to learn. Master virtuoso Michael Metelka performs this perennial classic, then he steps aside and you take your place as soloist with the magnificent Czech Symphony Chamber Orchestra under Maestro Mario Klemens. A joy to perform, as well as to listen to, it will delight you for alifetime! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Partitions classique / Cordes / Violon / HAL LEONARD

Cet ouvrage permet de travailler les grandes ?uvres du vaste répertoire de la musique classique au Violon. Il a ainsi pour triple objectif d?enrichir votre culture musicale d?améliorer votre technique de jeu mais aussi plus simplement de vous faire plaisir en jouant des airs connus au Violon. Tous les grands compositeurs y sont à l'honneur au travers d?une ou plusieurs ?uvres. Vous y trouverez ainsi des concerts des symphonies des sonates des lieder des airs et ouvertures des danses de la Renaissance des pièces orchestrales des valses des ballets mais aussi des pièces instrumentalestelles que des préludes des nocturnes des études des marches des gymnopédies etc. Et pour que le plaisir soit vraiment complet chaque partition est accompagnée de 2 enregistrements audios sur le CD MP3 joint à la méthode. Le premier présente la partie de Violon jouée sur son accompagnement musical alors que le second propose le seul playback (accompagnement musical) afin de vous permettre de jouer à votre tour la partition avec votre Violon. Soit au total 174 enregistrements et plus de 6 heures de musique à votre disposition !

Par DUNCAN CRAIG. Cette collection de pièces de violon de Handel est dérivée de ses sonates, oeuvres orchestrales et pièces accessoires. Avec quelques altérations, les sélections sont faciles à jouer en première position. Les pièces de piano double fréquemment le violon pour aider à la performance. Le livre commence avec les arrangements et les progresse dans le niveau de difficulté facile. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Violon

for Violin and Orchestra-Nous sommes heureux de pouvoir vous présenter avec ce recueil une nouveauté mondiale dans le domaine de la pédagogie instrumentale pour violon : la première édition d?un recueil d?études connues pour violon de Charles Dancla Heinrich Ernst Kayser Hans Sitt et Franz Wohlfahrt avec accompagnement d?orchestre. Nous souhaitons donner avec cette édition pratique une impulsion et une motivation nouvelles à tous les violonistes pour l?exercice quotidien des études. Avec de nouveaux arrangements pouraccompagnement d?orchestre les études connues ressemblent à des concertos pour violon en miniature. Ainsi le travail des études deviendra une expérience dun type nouveau qui apportera aussi beaucoup de plaisir aux débutants.1-4 Charles Dancla (1817-1907): Etüde in G-Dur4-8 Charles Dancla (1817-1907): Etüde in A-Dur9-12 Heinrich Ernst Kayser (1815-1888): Etüde in C-Dur13-16 Heinrich Ernst Kayser (1815-1888): Etüde in A-Dur17-20 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 4 in G-Dur21-24 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 14 in D-Dur25-28 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 17 in D-Dur29-32 Hans Sitt (1850-1922): Etüde op. 32 Nr. 1 in C-Dur33-36 Hans Sitt (1850-1922): Etüde op. 32 Nr. 2 in G-Dur37-40 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 3 in G-Dur

Violin solo part. Par BYSTROM BRITTA. Im Freien (2020) composed by Britta Byström, for violin solo and string orchestra, commissioned by Ostrobothnian Chamber Orchestra and to Malin Broman / Date parution : 2021-11-03/ Répertoire / Violon

Performed by Mario Hossen, violin Accompaniment: Plovdiv Chamber Orchestra Conductor: Nayden Todorov Mozart's third violin concerto, KV216, sometimes called the 'Strassburg' for a 'Strassburger' tune in its Rondo, is scored for a rather simple, chamber-sized orchestra. The Adagio of this concerto must be the most sublime movement in any of his violin concerti and one of the most beautiful and quintessentially Mozartian in his entire oeuvre. Perhaps the most memorable of his five violin concerti, it is quintessential Mozart and an indispensable addition to any serious violinist's repertoire. Includes a printed music score with informative liner note, and demonstration and backing tracks line. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Violon / Hal Leonard

This collection of nine 'classic' Rock tunes spans five decades of rock history. The arrangements in Rock Philharmonic contain complete versions and lead sheets of original hit songs by top groups and artists: Jerry Lee Lewis, Bobby Day, Sonny and Cher, The Rolling Stones, The Eagles, Journey, and Green Day. Each piece includes a flexible arrangement that allows the melody, harmony, and bass parts to be played by all sections in the string orchestra, like or mixed instrument groups, quartets, or trios---allowing players to learn the component parts of rock and roll, play the classic arrangement, create their own arrangements, or perform the tunes solo. In addition to string orchestra, the arrangements are also set for electric strings with optional guitar/electric guitar, piano, and drumset. The student book contains a full-length, two-page play thru version of the melody, which follows closely the original recording and includes clearly labeled Intro, Verse, Chorus, Bridge, and Outro sections. The bass and harmony component parts are then presented in a lead sheet format, along with a flow chart that matches the order of the Melody Line Play Thru. The teacher's book contains a full score and reproducible piano and percussion parts. Guitar chords appear in all parts. For easy practice, the accompanying CD has two tracks for each piece---a complete track and a backing track---and TNT 2 software to mix the level of each instrument, change pitch, change tempo, and create loops. The CD can also serve as an aid to learning by ear. / Violon

Jouer avec ces 12 chefs-d'oeuvre romantique ! Thèmes des plus grands compositeurs de l'époque romantique sont présentés ici dans les arrangements authentiques.Vous pouvez recréer le son de l'époque romantique en utilisant le CD qui l'accompagne, qui comprend plein orchestrale soutenant les morceaux à jouer avec. Il contient également des pistes de la performance de toutes les pièces, joués par des musiciens - et accompagnements piano sont disponibles en fichiers PDF sur le CD, prêtes pour la sortie imprimée. / Violon

Allerheiligentag V. Par LINJAMA JYRKI. The material for Jyrki Linjama's Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba (2018) and Sonata for violin solo (2019). The composer tells: 'The choice of topic and material was originally influenced by the place where the string trio would be premiered ? the old church on the island of Seili (Själö) in the Turku archipelago. The bleak history of the mental hospital on the island invited images of suffering and death. I got so attached to the fine, bleak melody that this series of works began to emerge.' Lasting 17 minutes, the sonata for solo violin has three movements, all of them embracing the folk choral material and Béla Bartók?s influence in different ways. It was premiered by Kaija Saarikettu at the Kaustinen Chamber Music Festival in 2020. / Date parution : 2022-05-31/ Répertoire / Violon

Arrangeur: Cho-Liang Lin. Over the wonderfully enjoyably years of conducting, there have been so many fine encounters with the Mozart Violin Concertos - mostly with very gifted players like Menuhin, Oistrakh, Stern and, more recently, Cho-Liang (Jimmy) Lin. There have, however, been instances (only a few, I'm pleased to say) when I've come, in the performances, to dread the onslaught of those cadenzas, which sound like a send up of Paganini, or belong to the wrong century with a plethora of double-stopping lasting too long, venturing into tonalities Mozart would not have recognized. After several performances with Jimmy came a request from him for suitable cadenzas that showed off the solo violin while commenting on Mozart's music he had just played. They worked, and Sony asked us to record them all and, with the welcome inclusion of Jaime Laredo, all the rest of Mozart's violin and orchestra repertoire. This led to in an invitation from Schott to have the cadenzas published, and this is the result. / Classique / Recueil / Violon

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violon