Par BAUER JOHN. Ce système d'échelle progressive coordonne les concepts de base des échelles élémentaires à avancé en préparation pour le système d'échelle par Carl Flesch. Par certains aspects, il va au-delà de la portée du système Flesch. One-octave échelles sont introduits dans les patrons en mettant l'accent sur les étapes de moitié et rétention de doigt. Les patrons de deux-octave échelle sont non changeante. Trois-octave échelles sont offerts avec doigtés traditionnelles et modernes. L'arrêt double échelles varient en doigtés afin d'enseigner les concepts de base de double-stops. Les harmoniques sont inclus au-delà de la portée du système Flesch, dans une forme de base dont les harmoniques naturelles. / Niveau : Débutant à Intermédiaire / All Styles - Technic / Etude / Violoncelle

En 1826, Weber a écrit des arrangements musicaux de dix mélodies traditionnelles écossaises. Certains des textes de l'édition allemande de suivre les textes originaux en anglais, d'autres sont des textes totalement indépendants. / Violoncelle

Techno Treat. Par NORTON CHRISTOPHER. Pièces solos faciles dans les styles pop avec des accompagnements de CD de pointe. Jouer la pièce solo de droites, ou ajouter les morceaux de soutien et entrez un tout nouveau monde sonore. Chris Norton fait encore une fois avec son mélange unique de la technique traditionnelle avec des styles populaires. Les étudiants apprendront tout à propos de technique - rythmique, la coordination et l'écoute, mais ils vous avoir tellement amusement, ils ne savent qu'ils ne font pas elle ! Big battements est disponible en six saveurs et savoureux. ' Microjazz pour la prochaine génération, plus dramatique, plus interactive. Il examine et sons grand - un autre surefire succès (Piano Magazine, décembre 2001)/ Recueil / Violoncelle

These easy-to-read, progressive exercises by Joanne Martin develop a student's reading skills one stage at a time, with many repetitions at each stage. I Can Read Music is designed as a first note-reading book for students of string instruments who have learned to play using an aural approach such as the Suzuki Method, or for traditionally taught students who need extra note reading practice. Its presentation of new ideas is clear enough that it can be used daily at home by quite young children and their parents, with the teacher checking progress every week or two.

I Can Read Music is a beginning note-reading book for cello students who have learned to play using an aural approach such as the Suzuki Method or for those traditionally taught students who need extra note-reading practise. Rhythm and pitch are taught separately so that the student can work on one thing at a time. When the aspects of reading are established they can be combined successfully at a later date.

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

Par STACY PHILLIPS. Méticuleusement prélevés dans les enregistrements, les danses carrées et contra, concours de violon, jam sessions individuelles violoneux - cet ouvrage est destiné à fournir un aperçu de ce que violoneux américains jouant et ont été écouter dans la dernière partie du XXe siècle. Comme le format d'enregistrement vinyle disparaît du marché, beaucoup de musique de violon enregistrée ne sera plus disponible. Dans ce livre, Stacy Phillips partage des fruits de certains collecte en temps opportun pour tous les violoneux de jouir. Flexions, doigtés et accords de guitare sont fournis pour chaque ligne de la mélodie. / Niveau : Tous Niveaux / All Styles - Solos / Recueil / Violon

The Balkans - where Europe meets Asia...All the cultural diversity of the Balkans is reflected in its varied and colourful music. Hidan Mamudov's selection of pieces from the region, in arrangements for ensemble and separate play-along editions for solo instruments, will provide new experiences for middle-grade players and beyond?The pieces are selected from Turkey, Hungary, Croatia, Bulgaria, Macedonia, Serbia and Bosnia-Herzegovina. Included are fascinating historical notes about the music and descriptions of traditional instruments. Special playing techniques are explained and performance tips will help players achieve an authentic sound. All this, together with the CDs of demonstration performances and play-along tracks is sure to be inspirational. / Violon

The new volume in the \'Pop for Violin\' series contains another attractive selection of current chart hits and classics, thus providing a refreshing change from the classical performance repertoire. The arrangements are specifically designed for the violin, i.e. they are easy to play and sound very nice. All pieces contain an optional second part so that they can also be played as a duet. The enclosed CD contains all titles in both a complete and a play-along version. Thus, practising and playing is actually great fun. / 1 Ou 2 Violon(s)

Meticulously collected from recordings square and contra dances fiddle contests jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in thelatter part of the 20th Century. As the vinyl record format disappears from the marketplace a great deal of recorded fiddle music will no longer be available. In this book Stacy Phillips shares the fruits of some timelycollecting for all fiddlers to enjoy. Bowings fingerings and guitar chords are provided for each melody line.

16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels.16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.

Traditional Tunes For Cello From Scotland And Ireland. Par NEWTON ABBY. This is the second popular book of beautiful Celtic tunes compiled and arranged for the cello by Abby Newton. Most of the tunes in this collection are from her recent recordings, Castles Kirks and Caves and Ferintosh. The book is organized in three parts: Tunes, Sets, and Duos. The first part, Tunes, contains an assortment of twenty-eight tunes culled mostly from the well know Scottish and Irish traditional tune books including collections by Capt. Simon Fraser, Patrick McDonald, Niel Gow and James Oswald. The second part, Sets, consists of several tunes played in succession. Part three, Duos, includes two part scores (with treble and bass lines) that come mainly from James Oswald's Airs for the Seasons and Burke Thumoth's Collection of Scots and Irish Tunes 1745. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Violoncelle