with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exciting new series providing aspiring jazz vocalists and pianists with staples of the jazz repertoire. The singer's portion, matching the original sheet music, is paired with fresh, unique accompaniments arranged in an authentic jazz style and designed to enable the singer to sound like they're being backed by an accomplished jazz pianist. The accompaniments can be performed as written but include chord labels for pianists who are comfortable playing their own chord voicings. This book also includes access to recordings of the series arranger, Brent Edstrom, playing the piano accompaniments for use in rehearsal or performance. This edition features 25 must-know pop standards, including: Alfie · Blackbird · Bridge over Troubled Water · Dream a Little Dream of Me · Every Breath You Take · Fire and Rain · Goodbye Yellow Brick Road · Isn't She Lovely · Rolling in the Deep · (Sittin' On) The Dock of the Bay · Three Times a Lady · What the World Needs Now Is Love · Yesterday · and more.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ' A un dottor della mia sorte (Il Barbiere di Siviglia) ' Cornelius: Mein Sohn (Der Barbier von Bagdad) ' Smetana: Kezal's Aria (The Bartered Bride) ' Puccini: Vecchia zimarra (La Boheme) ' Mussorgsky: I have attained to power (Boris Godunov) ' Varlaam's Song (Boris Godunov) ' Pimen's Tale (Boris Godunov) ' Verdi: Dormiro sol nel manto mio regal (Don Carlo) ' Infelice! e tuo credevi (Ernani) ' Infin che un brando vindice (Ernani) ' Come dal ciel precipita (Macbeth) ' Il lacerato spirito (Simon Boccanegra) ' Di due figli vivea, padre beato (Il Trovatore) ' Mozart: Madamina! il catalogo e questo (Don Giovanni) ' Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ' Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ' Se vuol ballare, signor Contino (Le Nozze di Figaro) ' Non piu andrai (Le Nozze di Figaro) ' In diesen heil'gen Hallen (Die Zauberflöte) ' O Isis und Osiris (Die Zauberflöte) ' Donizetti: Ah, un foco insolito (Don Pasquale) ' A tanto amor (La Favorita) ' Dalle stanze, ove Lucia (Lucia di Lammermoor) ' Tchaikovsky: Gremin's Aria (Eugene Onegin) ' Gounod: Vous qui faites l'endormie (Faust) ' Le veau d'or (Faust) ' Beethoven: Hat man nicht auch Gold daneben (Fidelio) ' Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ' Mein Herr und Gott (Lohengrin) ' Nun hort und versteht (Pogner's Address) (Die Meistersinger) ' Tatest du's wirklich' (Tristan und Isolde) ' Ponchielli: Ombre die mia prosapia (La Gioconda) ' Meyerbeer: Piff, Paff (Les Heugenots) ' Gluck: De noirs pressentiments (Iphigenie en Tauride) ' Halvey: Si la rigueur (La Juive) ' Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ' Massenet: Epouse quelque brave fille (Manon) ' Flotow: Lasst mich euch fragen (Porter Song) (Martha) ' Thomas: De son coeur j'ai calme la fievre (Mignon) ' Dargomyzhsky: The Miller's Song (Rusalka).

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

This useful inventive collection of sacred solos is a valuable resource for classical singers looking for church service material or the songs are also appropriate for a traditional recital.The collection includes art-song type settings of traditional songs plus more conventional classical material. Contents: Ah Holy Jesus â?¢ Amazing Grace â?¢ Ave Maria â?¢ Balm in Gilead â?¢ Brother James' Air â?¢ The Call â?¢ Deep River â?¢ How Can I Keep from Singing â?¢ Jesu Joy of Man's Desiring â?¢ Just a Closer Walk with Thee â?¢ Sheep May Safely Graze â?¢ Wayfaring Stranger â?¢ Wondrous Love â?¢ We Are Climbing Jacob's Ladder

Comprend la première publication et l'enregistrement de deux premières chansons: 'Maman, je ne peux pas l'esprit ma roue', et 'Hey Nonny pas!' Ces chansons ont été choisies comme étant particulièrement utile pour les chanteurs des étudiants. Comprend également le 'Slumber Song de la Madone' peu connus et 'Strings dans la terre et l'air', tous deux publiés en salon de coiffure: Ten Early Songs (50482014). The lovely recorded performances will help teachers and students to become familiar with these songs. Other songs: Bessie Bobtail - The Crucifixion - The Daisies - The Secrets of the Old - Sure on this shining night - With rue my heart is laden. / Chant Et Piano

Drame, passion, une bonne dose d'humour et, d'abord et avant tout, des mélodies immortelles sont les ingrédients des grands chefs-d'oeuvre de l'histoire de l'opéra italien. Cette collection d'airs contient les plus belles et les plus populaires des pièces en solo de théâtre musical dans un volume chacun. Une coupe transversale de l'art de chanter plus de trois siècles. / Basse Et Piano

Basso - Bass - A cura di - Edited by Ilaria Narici-A selection of 38 arias for voice and piano with plot synopses and translations in Italian and English.