Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457, includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

K. 408-457-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this ninth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The ninth volume comprising Sonatas 408-457 includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506, includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Volume 10 K.458-506-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this tenth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The tenth volume comprising Sonatas 458-506 includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this eighth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The eighth volume comprising Sonatas 358-407 includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Par SCARLATTI / GILBERT. Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103, includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre./ Répertoire / Clavier

Par PERONNE PATRICK. A la question: 'peut-on enseigner le jazz ?', il n'y a pas si longtemps, la réponse était: 'ça ne s'apprend pas, il faut laisser parler l'instinct', etc. Les choses ont heureusement bien changé. Et s'il est toujours vrai qu'on ne peut transformer un musicien débutant en compositeur génial, on peut en tout cas lui indiquer comment faire fonctionner son imagination. C'est ce qui est merveilleusement prouvé avec les volumes que Patrice Galas et Pierre Cammas ont mis des années, d'un travail extraordinaire, à faire prendre forme. Et quelle forme! Tous les accords, des milliers d'idées mélodiques et rythmiques, toutes les sortes d'accompagnements possibles - on peut dire que tout y est et cette véritable encyclopédie des musiques modernes, dont le jazz, devrait être considérée comme indispensable à tous ceux qui, débutants ou pas, cherchent à se familiariser avec ce monde infini de la recherche musicale. Martial Solal Souvent dans une partition, il y a des chiffrages: C7, Am, Ab79, etc... A quoi correspondent-ils? Quand vous avez envie de composer, si vous vous accompagnez au piano, à l'orgue, au synthé, vous vous demandez: quel accord vais-je faire, je n'en connais pas assez! La même chose quand vous utilisez votre ordinateur, votre séquenceur. Voilà pourquoi j'ai écrit ces 5724 accords - ils sont à chaque fois dans tous les tons avec l'accord de base et ses renversements. Les renversements sont des accords différents par rapport à l'accord de base mais construits à partir des mêmes notes de cet accord. Chaque accord renversé a une sonorité qui lui est propre. Donc, vous utiliserez tel ou tel renversement, non seulement en fonction du déplacement de vos doigts, mais aussi de votre choix de sonorité harmonique. En fait ce livre est une boîte de couleurs... harmoniques. / Niveau : Elémentaire / variété - jazz / Etude / Clavier

Arrangeur: Siegfried Petrenz. Par BACH JOHANN SEBASTIAN. The importance of the Art of Fugue, a late work of Bach, is undisputed. The composer died while preparing it to be printed. The work has been given the highest recognition by musicians and music lovers ranging from his contemporaries to the present day. This stands in sharp contrast to the reception of the work. It is scarcely to be found in the piano repertoire or ib concert programs and, above all, it is almost entirely absent from the curriculum in the study of music. One the reasons for this – the technical demands which the fugues and canons present – has been addressed with the present edition of the work. The four-voiced notation of the score from the firstedition has been distributed over two pianos, and each piano part is allotted its own score. This follows the model of Bach, who arranged Contrapunctus 13, the three-voiced mirror fugue, for two harpsichords. Thus each player has two voices to play – somewhat on the level of difficulty of the two-part inventions – and these parts present no extraordinary technical demands. The goal of this edition is to give pianists and music lovers, but above all music students the possibility to get to know this work, one of the greatest work of music literature, by playing it and reaping the rewards of “incredible” musical experiences and knowledge./ Répertoire / 2 Claviers

and Technical Work - Grade 3-This book contains everything needed to prepare for the performance and technical work components of a Trinity Electronic Keyboard Grade 3 exam in 2019-2022. All pieces have been composed or arranged specifically for the keyboard and encompass a wide range of styles ? from classical favourites to TV film or show themes. The ?own interpretation? piece allows the candidate to create a personal arrangement choosing their own voices style keyboard functions and interpretation. Also included are the scales chord knowledge and exercises that form the technical work component of the exam. Demonstration recordings can be downloaded free. Thisseries provides progressive steps in performance and keyboard functions for all electronic keyboard students whether preparing for a Trinity exam or studying on another path.

The Celle court organist Wolfgang Weßnitzer was a paragon of diligence when it came to compiling keyboard pieces. His collection, put together around 1662, is sure to impress the friends of early keyboard music and musicologists alike. It contains over 200 little pieces by Jan Pieterszoon Sweelinck and Heinrich Scheidemann - to name but the most famous composers - and was practically unknown until now. For our first edition, Martin Böcker has selected 32 previously unpublished pieces. The 'Celler Clavierbuch' offers an impressive panorama of the rich and vibrant music that was written for the harpsichord, the spinet, the clavichord, etc. in Northern Germany in the mid 17th century. / Clavier

Par SCARLATTI / GILBERT. The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 features the Sonatas K. 306 to K. 357. Composed by Domenico Scarlatti, this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series./ Répertoire / Clavier

Par SOLDANO JEAN-CLAUDE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Boogie Woogie Star de Soldano J.C. qui a été composé pour Clavier / Niveau : 1er Cycle, 3ème/4ème Année / Répertoire / Synthétiseur

Par SCARLATTI / GILBERT. The third volume of this series of 12 Sonatas, this book contains the Sonatas K. 104 to K. 155. Composed by Domenico Scarlatti, this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series./ Répertoire / Clavier

and Technical Work - Grade 5-This book contains everything needed to prepare for the performance and technical work components of a Trinity Electronic Keyboard Grade 5 exam in 2019-2022. All pieces have been composed or arranged specifically for the keyboard and encompass a wide range of styles ? from classical favourites to TV film or show themes. The ?own interpretation? piece allows the candidate to create a personal arrangement choosing their own voices style keyboard functions and interpretation. Also included are the scales chord knowledge and exercises that form the technical work component of the exam. Demonstration recordings can be downloaded free. Thisseries provides progressive steps in performance and keyboard functions for all electronic keyboard students whether preparing for a Trinity exam or studying on another path.