Flute, piano SKU: BR.EB-6723 Composed by Johann Joachim Quantz. Edited by...(+)
Flute, piano
SKU:
BR.EB-6723
Composed
by Johann Joachim Quantz.
Edited by F. Nagel and W
Radeke. Solo instruments;
Softcover. Edition
Breitkopf. Variations;
Baroque. Score. 52 pages.
Breitkopf and Haertel #EB
6723. Published by
Breitkopf and Haertel
(BR.EB-6723).
ISBN
9790004169254. 9 x 12
inches.
This
edition of the 28
variations on the aria
Ich schlief, da traumte
mir for flute and bassa
continuo by Johann
Joachim Quantz, published
here for the first time,
is based on a manuscript
in the Preussischen
Staatsbibliothek in
Berlin, whose title
reads: Solo Traverso cole
Basso Achtundzwantzig
Variation es uber die
Arie Ich schlief da
traumte mir del Sigr:
Qvanz The high degree
which the art of flute
playing had reached at
that time is very clearly
displayed in this set of
variations, a form
unusual in Quantz's
output. For this reason,
this work is very
suitable as a study as
weil as for performance.
The realization of the
figured bass and the
indications of phrasing
merely represent one of
many possibilities, and
are only intended as
suggestions. The source
is in places full of
errors, and these have
been tacitly corrected.
Frank Nagel, Basel, June
1974.
(for Flute). By Joachim Andersen, Ernesto Kohler, Benoit Tranquil Berbiguier. Ar...(+)
(for Flute). By Joachim
Andersen, Ernesto Kohler,
Benoit Tranquil
Berbiguier. Arranged by
Mary Karen Clardy. For
Flute. This edition: The
optional second flute
part is available as free
download from the
publisher's website. 65
pages. Published by
Universal Edition
Orchestra SKU: BA.BA08833 Composed by Ludwig van Beethoven. Edited by Hel...(+)
Orchestra
SKU:
BA.BA08833
Composed
by Ludwig van Beethoven.
Edited by Helga
Lühning. This edition:
urtext edition. Stapled.
Score. Composed 1806. No.
3. Baerenreiter Verlag
#BA08833_00. Published by
Baerenreiter Verlag
(BA.BA08833).
ISBN
9790006566594. 31 x 24.3
cm inches. Preface:
Luhning, Helga.
Of
the four overtures that
Beethoven composed for
his only opera, the
“Leonore
Overture†No. 3 is
the most popular. The
first reviewer found
fault with it for its
“incessant
dissonances and overblown
fluttering of the
violins†(Wiener
Theater-Zeitung, 1806),
but it soon became famous
as “one of the most
imposing, difficult, yet
richest and strangest of
compositionsâ€
(Allgemeine Musikalische
Zeitung, 1810). This
version of the
“Leonore
Overture†quickly
established itself
independently of the
stage in the concert hall
and has found a lasting
place in the symphonic
repertoire.
The
editor has devoted
herself to the complex
genesis of the various
“Leonore
Overture†versions,
in particular the
question whether the
trumpet call in measures
272–277 and
294–299 should be
played by one or two
instruments. The edition
is based on the Complete
Edition of the
“Works of Ludwig
van Beethovenâ€
issued by the G. Henle
publishing
company.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Fanfare Band - Grade 2 SKU: BT.CMP-0423-00-120 Composed by Douglas Court....(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0423-00-120
Composed by Douglas
Court. Passport Plus
Series. Original Light
Music. Score Only.
Composed 2000. Curnow
Music #CMP 0423-00-120.
Published by Curnow Music
(BT.CMP-0423-00-120).
You'll be
a-wearin' the green with
CELTIC DANCE by Douglas
Court. The unmistakable
Galway Piper opens the
piece, and through artful
variation, playfully
comes a-visitin' now and
again, while original
thematic material leads
us on a tour of a lovely
emerald musical
countryside. The
energetic joy of Irish
dance and the
internationally appealing
flavor of Irish folk
music come together in
CELTIC DANCE to form a
jewel of young band
literature. Court's
unerring sense of young
player's abilities makes
this one a pot o'
gold!
Celtic
Dance is een fris,
jeugdig stuk dat de
levendigheid van de dans
verbindt met de sfeer van
de Ierse volksmuziek. De
compositie begint met de
volksliedklanken van de
Galway Piper, die
vervolgens worden
gecombineerdmet origineel
muzikaal materiaal. Met
dit stuk worden beelden
van het groene Ierse
landschap
opgeroepen.
Ein
frisches, jugendliches
Stück für junge
Musiker! Celtic
Dance verbindet die
kraftvolle
Ausgelassenheit des
Tanzes mit dem
unverwechselbaren Flair
irischer Volksmusik. Der
berühmte 'Galway
Piper' - Klang
eröffnet die
Komposition und wird in
deren Verlauf mit
originalem musikalischen
Material kombiniert. Die
grüne irische
Landschaft und ihr Zauber
sind förmlich zu
spüren!
Celtic Dance Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 2 SKU: BT.CMP-0423-00-010 Composed by Dougl...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.CMP-0423-00-010
Composed by Douglas
Court. Passport Series.
Set (Score & Parts).
Composed 2000. Curnow
Music #CMP 0423-00-010.
Published by Curnow Music
(BT.CMP-0423-00-010).
You'll be
a-wearin' the green with
CELTIC DANCE by Douglas
Court. The unmistakable
Galway Piper opens the
piece, and through artful
variation, playfully
comes a-visitin' now and
again, while original
thematic material leads
us on a tour of a lovely
emerald musical
countryside. The
energetic joy of Irish
dance and the
internationally appealing
flavor of Irish folk
music come together in
CELTIC DANCE to form a
jewel of young band
literature. Court's
unerring sense of young
player's abilities makes
this one a pot o'
gold!
Celtic
Dance is een fris,
jeugdig stuk dat de
levendigheid van de dans
verbindt met de sfeer van
de Ierse volksmuziek. De
compositie begint met de
volksliedklanken van de
Galway Piper, die
vervolgens worden
gecombineerdmet origineel
muzikaal materiaal. Met
dit stuk worden beelden
van het groene Ierse
landschap
opgeroepen.
Ein
frisches, jugendliches
Stück für junge
Musiker! Celtic
Dance verbindet die
kraftvolle
Ausgelassenheit des
Tanzes mit dem
unverwechselbaren Flair
irischer Volksmusik. Der
berühmte 'Galway
Piper' - Klang
eröffnet die
Komposition und wird in
deren Verlauf mit
originalem musikalischen
Material kombiniert. Die
grüne irische
Landschaft und ihr Zauber
sind förmlich zu
spüren!
Fanfare Band - Grade 2 SKU: BT.CMP-0423-00-020 Composed by Douglas Court....(+)
Fanfare Band - Grade 2
SKU:
BT.CMP-0423-00-020
Composed by Douglas
Court. Passport Plus
Series. Original Light
Music. Set (Score &
Parts). Composed 2000.
Curnow Music #CMP
0423-00-020. Published by
Curnow Music
(BT.CMP-0423-00-020).
You'll be
a-wearin' the green with
CELTIC DANCE by Douglas
Court. The unmistakable
Galway Piper opens the
piece, and through artful
variation, playfully
comes a-visitin' now and
again, while original
thematic material leads
us on a tour of a lovely
emerald musical
countryside. The
energetic joy of Irish
dance and the
internationally appealing
flavor of Irish folk
music come together in
CELTIC DANCE to form a
jewel of young band
literature. Court's
unerring sense of young
player's abilities makes
this one a pot o'
gold!
Celtic
Dance is een fris,
jeugdig stuk dat de
levendigheid van de dans
verbindt met de sfeer van
de Ierse volksmuziek. De
compositie begint met de
volksliedklanken van de
Galway Piper, die
vervolgens worden
gecombineerdmet origineel
muzikaal materiaal. Met
dit stuk worden beelden
van het groene Ierse
landschap
opgeroepen.
Ein
frisches, jugendliches
Stück für junge
Musiker! Celtic
Dance verbindet die
kraftvolle
Ausgelassenheit des
Tanzes mit dem
unverwechselbaren Flair
irischer Volksmusik. Der
berühmte 'Galway
Piper' - Klang
eröffnet die
Komposition und wird in
deren Verlauf mit
originalem musikalischen
Material kombiniert. Die
grüne irische
Landschaft und ihr Zauber
sind förmlich zu
spüren!
Celtic Dance Orchestre d'harmonie - Facile Curnow Music
Concert Band - Grade 2 SKU: BT.CMP-0423-00-040 Composed by Douglas Court....(+)
Concert Band - Grade 2
SKU:
BT.CMP-0423-00-040
Composed by Douglas
Court. Passport Series.
Original Light Music. Set
(Score and Parts).
Composed 2000. Curnow
Music #CMP 0423-00-040.
Published by Curnow Music
(BT.CMP-0423-00-040).
You'll be
a-wearin' the green with
CELTIC DANCE by Douglas
Court. The unmistakable
Galway Piper opens the
piece, and through artful
variation, playfully
comes a-visitin' now and
again, while original
thematic material leads
us on a tour of a lovely
emerald musical
countryside. The
energetic joy of Irish
dance and the
internationally appealing
flavor of Irish folk
music come together in
CELTIC DANCE to form a
jewel of young band
literature. Court's
unerring sense of young
player's abilities makes
this one a pot o'
gold!
Celtic
Dance is een fris,
jeugdig stuk dat de
levendigheid van de dans
verbindt met de sfeer van
de Ierse volksmuziek. De
compositie begint met de
volksliedklanken van de
Galway Piper, die
vervolgens worden
gecombineerdmet origineel
muzikaal materiaal. Met
dit stuk worden beelden
van het groene Ierse
landschap
opgeroepen.
Ein
frisches, jugendliches
Stück für junge
Musiker! Celtic
Dance verbindet die
kraftvolle
Ausgelassenheit des
Tanzes mit dem
unverwechselbaren Flair
irischer Volksmusik. Der
berühmte 'Galway
Piper' - Klang
eröffnet die
Komposition und wird in
deren Verlauf mit
originalem musikalischen
Material kombiniert. Die
grüne irische
Landschaft und ihr Zauber
sind förmlich zu
spüren!
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Joy to the World Orgue - Intermédiaire Lorenz Publishing Company
Christmas Carols for Organ. Composed by Daniel E. Gawthrop. Sacred, Advent, C...(+)
Christmas Carols for
Organ.
Composed by Daniel E.
Gawthrop. Sacred, Advent,
Christmas. Lorenz
Publishing
Company #70/2106L.
Published
by Lorenz Publishing
Company
Pacific Dreams Chorale SATB - Intermédiaire De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English.
Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Pacific Dreams Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0991451-030
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991451-030. Published by
De Haske Publications
(BT.DHP-0991451-030).
Pacific Dreams
describes the experience
of Miguel, a traveling
composer from Spain who,
feeling somewhat
alienated from his
homeland, is wandering
through an area of Sydney
known as The Rocks. At a
small outdoor market in a
typical street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren....
Chamber Music viola SKU: CF.BF119 29 Duets That Can Be Played by Any C...(+)
Chamber Music viola
SKU: CF.BF119
29 Duets That Can Be
Played by Any Combination
of String
Instruments. Composed
by Adolphe-Charles Adam,
Chauncey Olcott, Claude
Rouget de Lisle, George
Frideric Handel, Giuseppe
Concone, Giuseppe
Gariboldi, Henri Kling,
Hughie Cannon, Larry
Clark, Richard Shuebruk,
Scottish Folk Song,
Traditional, Wilhelm
Wurm, Wolfgang Amadeus
Mozart, and etc. Arranged
by Doris Gazda Larry
Clark. SWS. Collection.
With Standard notation.
48 pages. Carl Fischer
Music #BF119. Published
by Carl Fischer Music
(CF.BF119).
ISBN
9781491149829. UPC:
680160907328. 9 x 12
inches.
Continuing
on the success of the
popular Compatible
series,Compatible Duets
for Strings, Volume II
contains 29 duets in
avariety of styles
(classical, folk music,
new original pieces)
thatcan be played with
any combination of two
string
instruments.Students can
develop their chamber
ensemble skills
whileplaying with their
friends, no matter what
string instrumentthey
play. Ranging from grade
levels 2–3,
Compatible Duetsfor
Strings, Volume II is
perfect for orchestra
directors to buyfor use
in the classroom, and its
flexibility makes it a
musthavefor any string
player. Having
students play in small
chamber music groups is a
very beneficial exercise
to improvethe
student’s overall
musicianship. The
simplest form of chamber
music is the duet. It is
anopportunity for the
student to play with a
teacher or to play with
another student of
similarabilities. Aspects
of playing such as tone
quality, intonation,
technique and ensemble
skillscan be developed
during the process of
studying duets.These
duets are different in
that they have many
different performance
options since all ofthe
books in this series are
compatible. As former
long time music educators
we alwayshad student that
wanted to come to the
music room during lunch
or after school and
theyjust wanted to play
with their friends. That
was not possible since
there is very little
duetmaterial available
that is compatible with
all of the string
instruments. This book
and thefirst volume in
the series takes care of
that. A student can now
grab their friend no
matterwhat instrument
they play and have hours
of fun playing duets
together. Most
importantthey will learn
something in the
process.The duets have
been generally placed in
the book in order of
difficulty and cover a
rangeof keys that are
appropriate for this
ability level. Special
care was given to making
surethat both of the duet
parts were on a similar
ability level and that
each line was givenan
opportunity to play a
lead role at some point
during the arrangement.
Also, most ofthe musical
markings are attached to
both systems and the
point size of the music
wasconsidered for ease of
reading.It is our hope
that this collection will
help to stimulate and
enhance the musicianship
of theperformers. It was
a pleasure for me to have
the opportunity to put
together this
collection.We hope it is
a useful tool for you for
years to come.
Piano Accompaniment; Violin (Violin/Piano) - easy SKU: HL.49046262 Vio...(+)
Piano Accompaniment;
Violin (Violin/Piano) -
easy
SKU:
HL.49046262
Violin
and Piano. Edited by
Peter Mohrs. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Softcover. Op. 15. 20
pages. Schott Music
#SE1042. Published by
Schott Music
(HL.49046262).
ISBN
9783795716660. UPC:
888680954178.
9.0x12.0x0.067 inches.
German - English -
French.
Ferdinand
Küchler is regarded as
one of the great violin
teachers of the 20th
century. Apart from his
Violin Method, it is,
above all, his
concertinos that are an
absolute must for the
development of any violin
pupil, especially his
famous Concertino in G
major Op. 11 (Schott SE
1001) as well as his
Concertino in D major Op.
15 which both enjoy great
popularity. Composed
“in the style of
Antonio Vivaldiâ€,
the work has, without
doubt, been one of the
most frequently played
works in student violin
literature for decades.
It is the perfect
educational link to
Vivaldi's somewhat more
difficult “student
concertosâ€. The
completely baroque-style
movements appeal to every
pupil. The fast outer
movements contain
rewarding, always
seemingly violinistic
runs and idiomatic
figurations. The appeal
of the slow middle
movement lies in its
simple, yet tonally
demanding Siciliano
theme. The works requires
knowledge of the 2nd and
3rd positions and is here
presented in a new modern
edition. Bowing,
articulation and
fingerings are based on
today's experience of
interpreting Vivaldi's
music, providing creative
space and possibilities
for personal ideas in
modern violin lessons.
This edition is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty,from 1
(easy) to 5 (difficult),
for instrumental lessons.
For more information see
www.schott-student-editio
n.com.
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115250-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1115250-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2012.
De Haske Publications
#DHP 1115250-010.
Published by De Haske
Publications
(BT.DHP-1115250-010).
9x12 inches.
English-German-French-Dut
ch.
The
Soldier's Wife is a
short and simple piece
commissioned by the
Singapore Ministry of
Education. It was
originally intended as a
compulsory piece for the
2012 Singapore Youth
Festival. Because many
school bands in Singapore
areincomplete, the
composer was specifically
asked to create a work
that could equally be
played by a limited
ensemble - which explains
various doubled and
optional parts.
The
Soldier’s Wife
is een kort en eenvoudig
werkje dat is geschreven
in opdracht van het
Singaporese ministerie
van Onderwijs. Het was
aanvankelijk bedoeld als
verplicht werk voor het
Singapore Youth Festival
2012. Omdat
veelschoolorkesten in
Singapore een onvolledige
bezetting hebben, kreeg
de componist het
nadrukkelijke verzoek om
het werk zo vorm te geven
dat het ook met een
beperkt ensemble
uitgevoerd kan worden:
dat verklaart een aantal
verdubbelingenen
instrumenten ad
libitum.Een warme,
melodische passage opent
dit korte werkje: de
vrouw van het - houten -
soldaatje zingt als het
ware een wiegeliedje.
Nadat dit lyrische deel
is afgerond, volgt een
energieker gedeeltedat
qua melodisch materiaal
op dezelfde bouwstenen is
gebaseerd. De hier en
daar gesyncopeerde
ritmiek verleent dit deel
een bijzondere energie,
en ook harmonisch zijn er
een paar verrassende
wendingen - waarbij
rekening is gehoudenmet
de beperkingen die
verbonden zijn aan werken
voor dit muzikale niveau.
Begon het werkje zacht en
liefelijk, aan het slot
is er heel wat meer
‘girl power’
voelbaar!
Sieh an
hier haben wir die Frau
des hölzernen
Soldaten! Zu Beginn singt
sie ein sanftes
Wiegenlied, doch dann
folgt ein kraftvollerer
Abschnitt mit
synkopierten Rhythmen und
überraschenden
harmonischen Wendungen.
Ist dieses Werk, das auch
vonunvollständig
besetzten Blasorchestern
gespielt werden kann, zu
Beginn noch leise und
lieblich, klingt zum
Schluss doch schon
wesentlich mehr weibliche
Energie“
durch...!
â€
Guarda, è la moglie
del soldato di
legnoâ€!
All’inizio, canta
una dolce ninnananna, che
precede una sezione
più potente dai ritmi
sincopati e con
sorprendenti cambiamenti
di armonie. The
Soldier’s Wife
inizia in modo calmo e
dolce per poi trovare
un’energia
tipicamente femminile
verso il finale. The
Soldier’s Wife
è un brano breve e
semplice, perfetto anche
per formazioni a organico
ridotto grazie alle parti
raddoppiate e
opzionali.