Chaque exercice de cette précieuse ressource est conçu pour renforcer les concepts fondamentaux vocales pour choristes et solo de n'importe quel âge. Organisé en 11 catégories ciblées, le but de chaque échauffement est évident, et clairement indiqué directions d'optimiser la croissance. Soutien accompagnements de piano, y compris les modulations progressives, sont légèrement orchestrées sur l'enregistrement clos --- parfait pour les répétitions d'ensemble, des leçons de studio, ou la pratique à la maison. Comme un bonus supplémentaire, les fichiers PDF sur le CD améliorés fournissent des extraits lignes vocales sur les pages chanteur reproductibles. Un livre pédagogique que vous utiliserez encore et encore! Sujets abordés commençant warm-up, la posture, les voyelles, le soutien de la respiration, de la qualité de ton, la diction, la dynamique, les articulations, les diphtongues, mélange, gammes, intervalles, l'harmonie, et plus encore. / Choeur

Smoke Gets In Your Eyes-Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by brimming with the swing and swagger of the Barbershop style.Arranged for a quartet of Alto Tenor Baritone and Bass voices each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing.The close-harmony style not onlypresents a uniquely satisfying and playful challenge to the singers but will also delight and amuse audiences everywhere no matter what the occasion!

?I asked my friend the poet Einar Askestad if he could write a poem for me about love between father and son brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece various aspects of these relationships are conveyed?. - Mårten JanssonBiography:My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led people todescribe my music as both ?so sad that it sounds like birds who have lost their wings? and ?the happiest classical music we ever heard?. I have also always preferred beautiful music to atonal music and that is surely the reason why the most part of my music is more on the sad side but what a dream it would be to be able to create beautiful music that?s bubbling over with joy! My compositions consist of almost only sacral music. This is to express my own faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries.In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until we decided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs the knowledge that what I write during the night will be tested the next evening is a driving force that not so many are lucky enough to have.I work as a voice music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and a MFA in Music Education and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm.- Choral works a cappella.- Sample pages for download: www.baerenreiter.com.