Includes: 2 Vln Vla Cello Bass Continuo And Full Score. Instrumentation (Hmb190a): 2 Hn 2 Vln Vla Continuo And Full Score. Luigi Boccherini(1743-1805) Was The Product Of An Artistic Family (his father was a cellist his brother a dancer andpoet his sistera ballet dancer) and followed in his fathers footsteps as a cellistin his native town of Lucca Italy. His Gloria may have been composedbetween 1764 and 1766 possibly written under the influence of thecomposers roman teacher Costanzi when in service at the palatinechapel of Lucca. However this work may possibly be along with theKyrie part of the opus 59 mass composed in 1800 (now lost). Thecomposition is divided into six movements:1. Gloria In Excelsis - Chorus2. Laudamus - Soprano And Tenor Duet3. Qui Tollis - Chorus4. Qui Sedes E Quoniam - Bass Aria5. Cum Sancto I - Chorus6. Cum Sancto II - Chorus

Uses: Advent Christmas Christmas Eve Epiphany Scripture: Psalm 98 Matthew 1:18-25 Revelation 21:1-5 A popular carol is given a wonderful makeover in this anthem of distinction. Taking Joy to the World as its foundational thought this holiday composition ventures into a wonderland of beautiful lush harmonies and scintillating piano figurations. The closeness of the harmonic vocabulary lends a singular quality to the chorus as the choir gets to divide into luxurious stacks of sonic delight. Truly special!

Uses: Trinity Sunday GeneralScripture: Psalm 150; Psalm 43:4From our Cathedral Series comes an anthem of unbounded jubilation. Mixed meter and exciting syncopations fill the theme while articulatingpassages from the Psalms. The contrasting middle section is filled with expressive harmonies and lush choral writing. The piece ends with antiphonal voices echoing their praise and adoration.

O Most Holy and Mighty Lord-SATBaB unaccompaniedLatin and English texts.Edited by Philip Brett

Sweet Rivers arranged by Reginald Unterseher for SSATB and Piano.Reginald Unterseher has adapted his much-loved lower-Voice arrangement of this well-known hymn by John Adam Granade for mixed-Voice choir. The arching Vocal lines are accompanied by a rhythmic undulating Piano part evocative of the rivers the hymn-writer describes.

This beautiful lullaby with poetry by Christina Rossetti features warm vocal lines over a gently undulating accompaniment. Expressive melodic phrases and unexpected harmonic turns create an atmosphere of charming musical sophistication.

Concert or festival piece for high school or adult choir and organOptional congregational involvement not difficultLatin and English.

Add the percussion to this South Carolina folksong and you will create a magical atmosphere with the gently undulating patterns and layers of the rhythms. Stunning!Available separately: 4-Part Any Combination and ShowTrax CD. Performance Time: Approx. 4:25.

Hola Amigos! Experience authentic music styles of the Afro-Spanish-Caribbean by Puerto Rican-born author and bi-lingual educator Alejandro Jimenez. Connect with educational philosophies and cultural backgrounds of the SpanishCaribbean to understand how they influenced the music of that area. Learn how song dance rhythmic instruments and drama all come together to help build confidence and promote personal expression. Originally developed and used inurban multi-cultural settings here in the United States the works featured in Picante are for all general music classes. Students form their own Latin Music ensembles and explore the highly rhythmic beat of the plena from PuertoRico the regueton which is popular among urban Latino youth the fast two-step beat of the merengue from the Dominican Republic the bomba from Puerto Rican folk music and the son from Cuban dance music. These different stylesinfluenced what we now call Salsa music. The kid-friendly ensembles have been written for Grades 5-9 and are presented from easy to more difficult. A variety of short easily-learned ostinato rhythm patterns are played on Latinpercussion and Orff instruments and added one at a time followed by the Spanish and English lyrics. These voice parts are also made up of short ostinato patterns that when layered in create easily-sung harmonies in an instant!You can perform all or some of the voice parts so do what best fits your situation. A helpful teaching sequence dance steps and objectives linked to the National Standards are provided for each song and all ensemble parts arereproducible! The piano/vocal printed score represents the form of each song as recorded on the companion CD and is only a suggested guide to follow. Encourage your students to be creative and make up their own song form!Available separately: Teacher Edition (with reproducible pages) Performance/Accompaniment CD Classroom Kit (Teacher and P/A CD). Suggested for grades 5-9.

Motet for Compline or Evensong for SATB Choir A Cappella. This edition prepared by Denis Stevens.

Tomas Luis De Victoria's Jesu Dulcis Memoria is a motet for SATB Choir as edited by Frank Damrosch and revised by Nicola A. Montani. An Organ accompaniment is scored for rehearsal use.