Vom Himmel hoch (From heav'n on high) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] Carus Verlag
Weihnachtskantate. By Felix Mendelssohn. Edited by Lehmann, Karen. For Soli SBar...(+)
Weihnachtskantate. By
Felix Mendelssohn. Edited
by Lehmann, Karen. For
Soli SBar, SSATB Choir, 2
Flutes, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets,
Timpani, 2 Violins, 2
Violas, 2 Cellos,
Contrabass. Full score
available separately -
see item CA.4018900.
Cantatas; Stuttgart
Urtext editions; Use
during church year:
Christmas. Study score.
Language: German/English.
Composed 1831. 72 pages.
Duration 16 min.
Published by Carus Verlag
(German import).
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Akhmatova Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Lemoine, Henry
Soli, chorus and orchestra SKU: LM.28815 Composed by Bruno Mantovani. Cla...(+)
Soli, chorus and
orchestra
SKU:
LM.28815
Composed by
Bruno Mantovani.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#28815. Published by
Editions Henry Lemoine
(LM.28815).
Die alte Frau Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Lemoine, Henry
Soli, chorus and orchestra SKU: LM.29106 Composed by Brice Pauset. Classi...(+)
Soli, chorus and
orchestra
SKU:
LM.29106
Composed by
Brice Pauset. Classical:
20th Century
(Contemporary). Score.
Editions Henry Lemoine
#29106. Published by
Editions Henry Lemoine
(LM.29106).
Drei Nornen Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Lemoine, Henry
Soli, chorus and orchestra SKU: LM.29097 Composed by Brice Pauset. Classi...(+)
Soli, chorus and
orchestra
SKU:
LM.29097
Composed by
Brice Pauset. Classical:
20th Century
(Contemporary). Score.
Editions Henry Lemoine
#29097. Published by
Editions Henry Lemoine
(LM.29097).
Berenice Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Lemoine, Henry
Soli, chorus and orchestra SKU: LM.29343 Composed by Michael Jarrell. Cla...(+)
Soli, chorus and
orchestra
SKU:
LM.29343
Composed by
Michael Jarrell.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#29343. Published by
Editions Henry Lemoine
(LM.29343).
Wo soll ich fliehen hin Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Music Distribution Services
SATB soloists, choir and orchestra SKU: M7.DOHR-28665 Cantata for 19th...(+)
SATB soloists, choir and
orchestra
SKU:
M7.DOHR-28665
Cantata for 19th
Sunday of Trinitas.
Composed by Johann
Christoph Bieler. Sheet
music. Full score. MDS
(Music Distribution
Services) #DOHR 28665.
Published by MDS (Music
Distribution Services)
(M7.DOHR-28665).
For
Soli, SATB Chorus &
Orchestra. Composed
by Paul Moravec.
Vocal/Choral, Opera.
Choral Score. Subito
Music Corporation
#91770972. Published by
Subito Music Corporation
(SU.91770972).
An oratorio
based on the writings of
William Still, a
conductor for the
Underground
Railroad.Libretti by Mark
CampbellInstrumentation:
Soli, SATB Chorus &
Orchestra [2,1 222; 4331;
timp, perc, hp; stgs]
Duration: 46'
Composed: 2017
Published by: Subito
Music Publishing Also
available:VOCAL SCORE -
$39.95 (Item
#91770971)STUDY SCORE -
$75.00 (Item
#91770970)Discount
(CHORUS SCORE only)
available to
organizations renting the
orchestra materials. For
more information call
(973) 857-3440 or email
rental@subitomusic.com.
p>
For
Soli, SATB Chorus &
Orchestra. Composed
by Paul Moravec.
Vocal/Choral, Opera.
Study Score. Subito Music
Corporation #91770970.
Published by Subito Music
Corporation
(SU.91770970).
An oratorio
based on the writings of
William Still, a
conductor for the
Underground
Railroad.Libretti by Mark
CampbellInstrumentation:
Soli, SATB Chorus &
Orchestra [2,1 222; 4331;
timp, perc, hp; stgs]
Duration: 46'
Composed: 2017
Published by: Subito
Music Publishing Also
available:VOCAL SCORE -
$39.95 (Item
#91770971)CHORUS SCORE -
$12.95 (Item
#91770972)
Performance materials
available on rental only:
Subito Music Rental
Library.