Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre

Ger./eng./fr. la version révisée par le gustav Mahler Gesellschaft, partition complète de Vienne / Partition D'Orchestre

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre

Par BEETHOVEN LUDWIG VAN. Les éditions G. Henle réunissent l'intégrale des oeuvres vocales avec orchestre de Beethoven en un seul paquet qui va faire battre plus vite les coeurs des chanteurs et des chanteuses: des deux messes et de son seul oratorio, en passant par sa célèbre Fantaisie chorale et sa mise en musique du texte de Goethe «Meeres Stille und Glückliche Fahrt», jusqu'à son «Ah perfido!» et autres airs solistes, ce coffret offre l'opportunité d'étudier toute la diversité de l'art vocal de Beethoven – et, bien sûr, au plus haut niveau de la qualité: toutes les éditions d'étude se basent sur l'édition complète des oeuvres de Beethoven, les notes de bas de page renvoient à d'intéressants questionnements concernant l'édition et l'interprétation. Dans leurs préfaces concises, les éditeurs permettent de jeter un regard sur l'état actuel de la recherche en matière de genèse et d'interprétation des oeuvres./ Répertoire / Chant et Orchestre

Originally recorded by Mariah Carey in 1994 this upbeat tune has become a holiday favorite year after year. John Berry brings us a great-sounding version in a straight-ahead medium swing style with the melody traded around from section to section. No solos are required.

Par MAHLER GUSTAV. 'The songs are conceived as a whole, as if a wayfarer, with his destiny, is now looking out into the world and is wandering from place to place. … The most painful experiences were bound to come…' (Gustav Mahler, 1885) Mahler's famous set of four songs for voice and orchestra is newly available in the handsome UE Study Scores format. Gustav Mahler's 'Lieder eines fahrenden Gesellen' ('Songs of a Wayfarer') occupy a special position in his song oeuvre. Subsequent to the 'Frühe Lieder und Gesänge' ('Songs and Airs') which - with the exception of the 'Serenade' and 'Phantasie' from Don Juan - were composed between 1880 and 1882 as songs for piano and voice, the 'Gesellenlieder' ('Wayfarer Songs') were the first works to be presented in the dual versions (songs for piano and voice / orchestral songs) that were so significant for Mahler's song compositions. The 'Gesellenlieder' were initially written as songs for piano and voice between late 1884 / early 1885 and 1890, and Mahler's orchestration only followed in the years between 1890 and 1893. Another unique feature is that they were explicitly conceived as a song cycle and together with the 'Kindertotenlieder' ('Songs on the Death of Children') and possibly also the 'Lied von der Erde' ('Song of the Earth') - although the latter is far more akin to a symphony - these are the only song cycles in Mahler's song oeuvre. The 'Gesellenlieder' ultimately express the subjective experience of suffering in a particularly remarkable way./ Répertoire / Voix et Orchestre

Orchestre a Cordes + Partie Opt. De Violon Iii. Par VERES ZOLTAN. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Ah ! vous dirai-je, maman (pour orchestre à cordes + partie opt. de violon III) de Veres Zoltàn qui a été composé pour Ensemble Instrumental et Petit Orchestre / Niveau : 1er Cycle / Répertoire / Ensemble à Cordes

Présentation de Frohmut DANGEL-HOFMANN : Vie et oeuvres de Platti - Rudolf Franz Erwein, la collection de partitions et G.B. Platti - Aperçu du catalogue des oeuvres de Platti - Le texte original. - Deux cahiers de six sonates chacun, manuscrits en partition. - - / Violoncelle Et Basse Continue / 80 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5

A Biblical Tone Poem for Symphonic Band / Poema Bíblico Sinfónico-La Bible contient un récit faisant mention d?un sacri_x001C_fice humain non consumé lorsque peu de temps après la naissance de son fils Isaac Abraham reçu l?ordre de Dieu de lui offrir son fils en holocauste sur le Mont Moriah. Ce poème symphonique qui brosse le portrait de la vie du patriarche est une oeuvre de contrastes très marqués. La douceur de l?existence humaine et divine est en opposition permanente avec l?inquiétude la peur et le sacrifice.

Par MAHLER GUSTAV. An unabridged republication of this work, orginally published by C. F. Kahnt Nachfolger in 1906. The symphony dates from the composer's prolific period of 1903-4. The work incorporates 'portraits' of Alma in the first movement and of children playing in a diabolical Scherzo- some say, a musical prediction of the tragedy that was to strike the Mahler family within three years./ Répertoire / Partition de Poche

Het passende en logische vervolg op Cry of the Celts. Alle werelddelen met haar specifieke muziek komen in dit wel zeer bijzondere werk aan de orde. De muzikale reis voert via het 1e deel Amazonia (feest in Latijns-Amerika) het 2e deel Rainforest (sfeervolle klanken uit het tropisch regenwoud met hoornsolo) het 3e deel The Rising Sun (Japan met bugelsolo) het 4e deel Drums of Thunder (drums uit de Sahara) het 5e deel Celtic Dream (Keltische volksmuziek met sopraansax- en euphoniumsolo) naar uiteindelijk de Verenigde Staten in het 6e deel Earth Walk (met trombone- altsax (trompet)- en drumsolo). Maar liefst 20 minuten multiculturele en vaakspectaculaire muziek in dit topwerk van Peter Graham.

Par AHO KALEVI. Kalevi Aho (b. 1949) composed ER-OS in 2015 as a wedding gift for conductor-clarinetist Osmo Vänskä and violinist Erin Keefe and named the work with the initials of their names. The virtuosic work is divided in three parts, the overall duration c. 11 minutes. The package includes two copies of playing score (page size B4)./ Répertoire / Violon et Clarinette

For flute, alto saxophone, guitar and percussion. Par AHO KALEVI. Kalevi Aho composed Quartet for flute, alto saxophone, guitar & percussion in 1982 for Cluster ensemble, which is the reason for the particular combination of instruments. The work was premiered in Amsterdam. Dramatic and tragic evolution of the three-movement work culminates in the wild percussion cadenza, which is followed by a quiet epilogue. Duration: 22'. Percussion instruments needed: vibraphone, xylophone, crotales,glockenspiel, snare drum, field drum, 2 tom-toms (low&very low), chinese cymbal, tam-tam. A bow is also needed. This product includes a study score (A4) and a set of parts (B4). / Date parution : 2023-06-01/ Répertoire / Flûte, Saxophone Alto, Guitare et Percussion

for Piano Violin and Horn (Viola / Violoncello)-This Trio’s unusual scoring for horn violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms’s biographer Max Kalbeck saw in it a lament for thecomposer’s mother recently deceased to whom he had supposedly played folk songs on the horn in his childhood. There is no doubt that Brahms loved the sound of the natural horn and bestowed several of his most inspiredmelodies on the instrument. Horn players justifiably adore this Trio op. 40 and this Henle Urtext edition now offers an optimal basis for studying and performing this masterpiece. This edition follows the musical text of the NewBrahms Complete Edition and thus guarantees the greatest fidelity to the sources and reflects the current state of research. The pianist Klaus Schilde has added helpful fingerings to the piano part. Extra parts are also providedfor the alternative scoring authorised by Brahms (with viola or cello instead of horn).