Arr. Dizzy Stratford. Par DVORAK ANTONIN. Dieses Werk kann ad libitum mit einem Triangel-Solisten und Blasorchester als Komödie in Szene gesetzt werden. Die Musik selbst, basierend auf Themen von Antonin Dvoraks 9. Symphonie Aus der Neuen Welt, ist alles andere als komisch. Dizzy Stratford wählte sie bewusst, um durch Kombination von Ernsthaftigkeit und Humor einen größeren Effekt zu erzielen. Die Seriosität der Musik erlaubt übrigens auch eine Aufführung ohne Showelemente bzw. ohne den Charakter eines Solo-Stückes. / Niveau : 3 / Musique légère originale / Répertoire / Fanfare

Violoncelle. Par DVORAK ANTONIN. Fac-similé de l'autographe et la réduction pour piano autographe dans la Narodni Muzeum, Prague. La réduction pour piano est présenté en annexe en noir et blanc | Avec un commentaire de Jan Smaczny | Documenta II Musicologica, 43 ISBN 978-3-7618-1849-7 | BVK 1849 | 122 pages de télécopie 32 et 10 pages introduction anglais / allemand / tchèque) | demi-linge, couverture cartonnée EUR 329,00 Antonín Dvorak écrivit son concerto pour violoncelle dans le 'Nouveau Monde' au cours de sa deuxième visite aux Etats-Unis. C'est un travail qui reflète à la fois ses impressions musicales de ce pays ainsi que son désir pour son pays natal. Conformément à l'engagement à long terme Barenreiter à la musique tchèque, Dvorak Concerto pour violoncelle est maintenant publié dans la série BARENREITER fac-similé en collaboration avec le muzeum Narodni, Prague. Il contient non seulement l'intégralité du manuscrit de la partition, mais aussi la réduction de Dvorak pour piano qui est une source importante. Dans son commentaire, Jan commentaires Smaczny sur l'histoire de la composition de l'oeuvre et sa réception. Il souligne également les pièces particulièrement intéressantes dans le manuscrit et discute les performances traditions qui se sont développées au cours du 20e siècle./ Répertoire / Conducteur Fac-similé

From The New World. Par DVORAK ANTONIN. The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorak?s hand known to have been used in a lecture he held at Columbia University shortly after the premiere given by the New York Philharmonic under the baton of Anton Seidl. Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorak?s vague instructions on the use of mutes in movement 2./ Répertoire / Orchestre

Arr. Dizzy Stratford. Par DVORAK ANTONIN. Antonin’s New World is an excellent piece of musical theatre featuring a comedy act for triangle soloist and band. The music itself does not sound comical, being based on Anton Dvorak’s Symphony in E Minor (‘From the New World’), but the right mix of seriousness and humour brings a surprising effect. With a bit of acting talent from your triangle soloist, this interpretation of the well known classical melody will be a major hit. Whether you choose Antonin’s New World as a “triangle solo” novelty piece or simply as a delightful adaptation of Dvorak’s immensely popular Ninth Symphony, both the band and the audience will love it! / Niveau : 3 / Musique légère originale / Répertoire / Fanfare

Op 45 No. 3. Par DVORAK ANTONIN. Dvorak composed the 'Slavonic Rhapsodies' op. 45 in 1878, launching his so-called 'Slavonic period'. When they were issued by the publisher Simrock the following year, these three self-contained orchestral pieces in D major, G minor and A-flat major were gathered together into a single opus. The 'Slavonic Rhapsodies' are now available in separate scholarly-critical editions and editor Robert Simon has taken the original print as the principal source, which was authorised by the composer. To complement these editions, Barenreiter now publishes study scores to each 'Slavonic Rhapsody'. / Date parution : 2019-06-20/ Répertoire / Orchestre

Description The two symphonies reprinted here are superb compositions in their own right and remain two of Dvorak's most popular works. Symphony No.7 In D Minor is considered by many to be Dvorak's finest achievement in the symphonic form with its strong, concise development, great emotional depths and heroic spirit earning many admirers among critics and public alike. This full score edition has been accurately reproduced from an authoritative German edition. Songlist Symphony No.6 In D Major Symphony No.7 In D Minor

Op 45 No. 2. Par DVORAK ANTONIN. Dvorak composed the 'Slavonic Rhapsodies' op. 45 in 1878, launching his so-called 'Slavonic period'. When they were issued by the publisher Simrock the following year, these three self-contained orchestral pieces in D major, G minor and A-flat major were gathered together into a single opus. The 'Slavonic Rhapsodies' are now available in separate scholarly-critical editions and editor Robert Simon has taken the original print as the principal source, which was authorised by the composer. To complement these editions, Barenreiter now publishes study scores to each 'Slavonic Rhapsody'. / Date parution : 2019-06-20/ Répertoire / Orchestre

Par DVORAK ANTONIN. A great and lasting favourite in the vast symphonic literature, Dvorak's New World Symphony is among the composer's most enduring and appealing works ever since its premiere in 1893. This work appears in full score with original instrumentation and bar numbered movements. Ideal for study purpose./ Répertoire / Partition de Poche

Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition./ Répertoire / Orchestre

Kleine Werke aus aller Welt. Par DE HAAN JAN / ANTONIN DVORAK / FRANZ JOSEPH HAYDN. BLÄSERKLASSE GLOBUS führt junge Musiker vom Proberaum in die weite Welt: Durch alle fuünf Kontinente geht es von Amerika uüber Europa nach Japan und nach Afrika und schließlich zu den Kängurus nach Australien. Als Souvenirs nehmen die Reisenden Eindruücke von den Klangwelten in den verschiedenen Regionen mit. Vertraute Anhaltspunkte sind bekannte Melodien, die hier und da durchklingen, wie zum Beispiel das bekannte Lied von der Bruücke in Avignon. Ebenfalls werden, unter anderem mit einem Variationensatz, einer Suite und einem Medley, diverse Gattungen gestreift. Die Stuücke bringen nicht nur viel Abwechslung ins Spiel, sondern sie sind auch soarrangiert, dass sie genau auf die Lernfortschritte in Band 1 und 2 von Essential Elements, der kompletten Methode fuür den Musikunterricht in Schulen und Blasorchestern, Bezug nehmen. Die entsprechenden Kapitel in Essential Elements sind im Inhaltsverzeichnis der Partitur angegeben. Aber auch unabhängig von Essential Elements bieten die im ansteigenden Schwierigkeitsgrad angeordneten Arrangements abwechslungsreiches Spielmaterial fuür Bläserklassen und Jugendblasorchester. Sind die Stuücke im Unterricht erst einmal einstudiert, kann ein buntes, szenisch ausgestaltetes Konzert unter dem Motto „Weltreise“ vorbereitet werden. So gehen Spielspaß, Lernerfolg, Erfolgserlebnis und daraus resultierende Motivation Hand in Hand! Sehr nützlich für das Kennenlernen und Einstudieren der Arrangements in BLÄSERKLASSE GLOBUS ist die separat erhältliche CD mit vollständigen Orchesteraufnahmen aller Stücke (Bestellnummer DHR 13-860-3). / Niveau : Très Facile à Facile / Date parution : 1905-07-05/ Accessoire / Concert Band

Par DVORAK ANTONIN. This study score is based on the score and complete performance material of Dvorák's famous B minor Cello Concerto (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny. Like every other major 19th-century cello concerto, Dvorák's concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák's autograph were written by the cellist Hanus Wihan but Bärenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together. The editor Jonathan Del Mar has conscientiously examined every available source, including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs, for the first time since its initial publication in 1896, Dvorák's definitive version of the solo part. It differs from previous editions in practically every measure and hundreds of corrections have also been made to the orchestral parts. - Includes Dvorák's final and definitive version of the solo cello part - Incorporates new discoveries regarding the collaboration between Dvorák and Wihan - With Feuermann's and Casals's alternative versions of a passage in the first movement - Detailed Foreword (Eng/Cz/Ger)/ Répertoire / Violoncelle et Orchestre

Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For this performance, Dvorák used a copy of the score which he had personally examined and which later served as the engraver's copy. The Dvorák scholar Klaus Döge succeeded in tracking down its location and evaluating this important source for the first time. It contains the 'Fassung letzter Hand' and, moreover, offers valuable insights into Dvorák's conducting workshop. It served as the principal source for the Breitkopf Urtext edition./ Répertoire / Ensemble à Vent

Symphony. Par DVORAK ANTONIN. Flute-picc, Flute (2), Oboe (2), Clarinet in b-minor (2), Bassoon (2), Bugle (4), Trumpet (2), Trombone (3), Tuba, Timbal, Strings/ Répertoire / Orchestre

Vl Ii. Par DVORAK ANTONIN. Editeur(s) d'origine: Döge, Klaus/ Répertoire / Violoncelle et Orchestre