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| Consolation: Concert
Band: Score & Parts
Orchestre d'harmonie [Conducteur et Parties séparées]
De Haske Publications
Wer nur den lieben Gott lässt walten-Vers 1641 Georg Neumark compose l?hymne c...(+)
Wer nur den lieben Gott lässt walten-Vers 1641 Georg Neumark compose l?hymne chrétienne Wer nur den lieben Gott lässt walten dont chacune des sept strophes exprime sa foi en Dieu. Il lui donne le soustitre Chant de consolation. Dans cet arrangement de Jan de Haan le choral est exposé à deux reprises : d?abord précédé d?une courte introduction suivie d?une variation entre chaque vers puis dans une trame continue qui fidèle au sous-titre original cherche dans son action la consolation.
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| Consolation: Fanfare
Band: Score & Parts
Fanfare [Conducteur et Parties séparées]
De Haske Publications
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was ...(+)
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.
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| Consolation: Fanfare
Band: Score
Fanfare
De Haske Publications
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was ...(+)
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.
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| Consolation: Brass Band:
Score
Ensemble de cuivres
De Haske Publications
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was ...(+)
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.
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| Consolation: Concert
Band: Score
Orchestre d'harmonie
De Haske Publications
Wer nur den lieben Gott lässt walten-Vers 1641 Georg Neumark compose l?hymne c...(+)
Wer nur den lieben Gott lässt walten-Vers 1641 Georg Neumark compose l?hymne chrétienne Wer nur den lieben Gott lässt walten dont chacune des sept strophes exprime sa foi en Dieu. Il lui donne le soustitre Chant de consolation. Dans cet arrangement de Jan de Haan le choral est exposé à deux reprises : d?abord précédé d?une courte introduction suivie d?une variation entre chaque vers puis dans une trame continue qui fidèle au sous-titre original cherche dans son action la consolation.
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| Consolation: Brass Band:
Score & Parts
Ensemble de cuivres
De Haske Publications
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was ...(+)
Wer nur den lieben Gott lässt walten-Wer nur den lieben Gott lässt walten was composed by Georg Neumark in about 1641 and was subtitled ?Trostlied? literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach?s use of the melody for one of his own chorals. In Jan de Haan?s arrangement the choral is heard twice once alternating with the original motif from the introduction and a second time without interruption reflecting the composer?s original intention - a song of consolation.
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