Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur

Par . We're not sure boy bands ever really went out of style, but their music is certainly here to stay! This fun medley features a mix of older classics as well as newer chartbusters. Includes: Dynamite (BTS), Everybody (Backstreet Boys), I Want It That Way (Backstreet Boys), What Makes You Beautiful (One Direction), and I'll Be There (Jackson 5). / Date parution : 2023-10-31/ Répertoire / Concert Band/Harmonie

Minor: Bordun. Par ORFF CARL / KEETMAN GUNILD. Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of 'Music for Children' by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition 'musik für Kinder', english adaption with additional material by Doreen Hall and Arnold Walter./ Recueil / Voix, Flûte à Bec et Percussion

Par MARSH LIN. Songscape contains twenty-four songs which cover an exciting range of musical styles - from ethnic music, theatre, pop classics and rounds, to Lin Marsh's own wonderful original pieces. All songs are presented for Piano, Voice and Guitar, but there are also opportunities to incorporate other school instruments such as Flute, Violin and Recorder in the performance. All songs have been selected and arranged or composed by Lin Marsh. Ideal for bringing confidence to classroom and concert singing so is a must for recently formed choirs. Every song in the collection has a proven appeal among young people. Suggestions for a variety of instrumental line-ups will bring instrumentalists on board. Full teacher's notes are included for each song. / Niveau : Facile / Date parution : 1999-05-20/ Répertoire / Matériel D'Orchestre

Voici un joli changement de rythme sur cette ballade hit de The Jackson 5. Paul développe une rainure détendue nice et utilise une modulation efficace et l'accumulation du refrain. / Orchestre D'Harmonie

Arr. Klaas Van Der Woude. Einen ihrer größten Erfolge feierten die Four Tops, die 1990 in die Rock’n’ Roll Hall of Fame aufgenommen wurden, mit Reach Out (I’ll Be There), das sich 1966 lange in den Hitparaden mehrerer Länder hielt und seither immer wieder neu aufgelegt wurde. Klaas van der Woude hat sich ebenfalls von diesem Lied begeistern lassen und ein Arrangement geschaffen, das den romantischen Inhalt sehr gut widerspiegelt. Eine stimmungsvolle Bereicherung für jedes Serenadenkonzert. / Niveau : 3 / Pop and rock / Recueil / Brass Band

Arr. Klaas Van Der Woude. Einen ihrer größten Erfolge feierten die Four Tops, die 1990 in die Rock’n’ Roll Hall of Fame aufgenommen wurden, mit Reach Out (I’ll Be There), das sich 1966 lange in den Hitparaden mehrerer Länder hielt und seither immer wieder neu aufgelegt wurde. Klaas van der Woude hat sich ebenfalls von diesem Lied begeistern lassen und ein Arrangement geschaffen, das den romantischen Inhalt sehr gut widerspiegelt. Eine stimmungsvolle Bereicherung für jedes Serenadenkonzert. / Niveau : 3 / Pop and rock / Recueil / Fanfare

Par . Here we present 'Griffenfeldt», a folk-dance in the style of a Norwegian «reinlender». This arrangement can be used as the first item in a concert, or after an interval. The musicians can come on stage as they join in. That is why two of the measures are notated 'repeat till ready', here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted. Be sure to play with a bouncy but singing style, not with short and harsh articulations. Do the trills on the beat, but these can also be omitted if it makes it too difficult. To bring out the folk music style a little extra, you can ask the musicians to play on the 'backbeat', i.e. emphasize the last half of each quarter-note. In addition, the music will really come to life if all 'solo' places are done standing up. The musician Ånon Egeland tells this story: «This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.» / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres

Arr. Klaas Van Der Woude. Love, happiness and romance play the leading role in the song lyrics of The Four Tops. This popular quartet was founded in 1953 and produces songs with both gospel and R and B elements such as Reach Out (I'll Be There). / Niveau : 3 / Pop and rock / Recueil / Brass Band

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre

Versuch eines Requiems. Par HARTMANN KARL AMADEUS. Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. / Date parution : 1965-11-20/ Répertoire / Voix d'Alto et Orchestre

Although I never had any 'official' lessons with him, Heinz Holliger has become and will always remain a lifelong teacher to me. And we have developed a friendship that started 10 years ago, in Davos, where he heard me playing Robert Schumann's Fantasiestücke Op. 73 for the first time. Since then, we have performed together countless times, stood on (and behind) the stage, discussed, philosophized, made jokes. May this exchange never cease! The next occasion will be the World Première of my Oboe concerto which I dedicate to him in sincere friendship. Jörg Widmann / Hautbois Et Orchestre

Arr. Takashi Hoshide. Par JACKSON MICHAEL. Fondé en 1964 à l’initiative de leur père Joe Jackson, le groupe 'The Jackson Brothers' ne comptait alors que 3 frères de la famille : Jackie, Tito et Jermaine. Plus tard, se rajouteront les cadets Marlon et Michael et le groupe optera pour son nom définitif 'The Jackson Five'. L’arrangeur japonais Takashi Hoshide a choisi quatre grands succès du groupe soul : I’ll Be There, I Want You Back, ABC et Never Can Say Goodbye. / Niveau : 4 / Pop and rock / Recueil / Concert Band ou Harmonie

Le titre dit tout ! Le Conseil du Trésor de Motown de chansons a eu un impact incommensurable sur la musique populaire de l'Amérique. John Wasson nous amène cet hommage exceptionnel à Berry Gordy et son incroyable line-up de superstars ! / Orchestre D'Harmonie

Par DUCKETT RICHARD. For everyone who wants to play brass! Team Brass presents a flexible course which can be tailored to suit each student - is ideal for individual, group or class tuition - contains plenty of carefully graded music in a wide variety of styles - encourages ensemble playing with varied repertoire for both Orchestral Brass and Brass Band instruments, and integrates with ensemble music in Team Strings, Team Woodwind, Team Recorder and Team Percussion - develops instrument-related aural skills, improvisation and composition - provides imaginative piano accompaniments to make every student feel like a star performer - offers helpful notes for the teacher, together with clear ensemble scores - includes scales and arpeggios as set by major Examination Boards. / Niveau : Débutant / Répertoire / Brass Ensemble