SKU: HL.49015218

Composed by Gustav Scheck. This edition: Hardback/Hard Cover. Book. Edition Schott. Ein lebendig geschriebenes Standardwerk, unverzichtbare Literatur fur Padagogen und Studierende. Classical. 264 pages. Schott Music #ED 6364. Published by Schott Music (HL.49015218).

ISBN 9783795727659. German.

In diesem Werk legt der Autor die Summe eines kunstlerischen Lebens, des Umgangs mit Musik und dem Flotenspiel vor. Es ist das Resultat jahrzehntelanger Erfahrungen, Forschungen, Erkenntnisse und einer langen kunstlerisch-padagogische n Tatigkeit.Gustav Scheck, dessen Name seit Jahrzehnten mit den Fragen und Interpretationen der Auffuhrungspraxis Alter Musik verknupft ist und der als Mitbegrunder des Kammermusikkreises Scheck-Wenzinger bekannt ist, zieht hier das Fazit seiner kunstlerischen Tatigkeit. Schon seit 1934 als Lehrer, seit 1942 als Professor an der Berliner Musikhochschule an hervorragender Stelle tatig, entwickelte er nach dem Krieg die Initiative zur Grundung der Musikhochschule Freiburg i.B., die er 18 Jahre lang leitete. Eine entsprechend grosse Zahl bekannter Flotisten zahlen zu seinen Schulern. Aus diesem Wirken heraus sind Zielsetzung, Stil und Methode des Buches entstanden.Es ist aber nicht nur die Alte Musik, um die es Gustav Scheck geht: auch seine intensive Beschaftigung mit den Problemen der Moderne (es sei an der Freundschaft mit Paul Hindemith sowie an die kompositorische Nachkriegssituation und die Zusammenarbeit mit Wolfgang Fortner erinnert) schlagt sich in seinem Buch ausserst fruchtbar nieder und bezeugt den weiten geistig-kunstlerischen Horizont seiner Arbeitsweise und Personlichkeit. Diese schlechthin universale Betrachtungs- und Darstellungsweise des Themas Die Flote und ihre Musik verleiht dem Buch seine einmalige, umfassende Bedeutung.Ein Blick auf die Inhaltsubersicht lasst erkennen, dass hier nahezu alle Aspekte des Instruments und seiner Musik bis ins Detail behandelt, dabei auf knappstem Raum komprimiert sind: die akustischen Phanomene, die Geschichte der Block- und Querfloten, Physiologie der Blastechnik, Tonbildungsmethoden, Artikulationspraktiken, Haltung und Fingertechnik sowie Fragen der Interpretation. Ganz besonderen Wert besitzen die hier vielleicht erst- und einmalig gegebenen Analysen der wichtigsten Flotenkompositionen von Bach bis Berio, die durch Marginalien bedeutender zeitgenossischer Werke komplettiert werden. Die 49 hochinteressanten bildlichen Darstellungen und 196 Notenbeispiele erhohen optimal den Informationswert des Textes, ebenso wie das umfangreiche Auswahlverzeichnis der so uberreich vorhandenen Literatur.Wer heute das Studium der Flote und ihrer Musik betreibt, wird auf dieses lebendig geschriebene Standardwerk nicht verzichten konnen, seien es Solisten, Padagogen, Studierende, Musikologen, Komponisten, Dirigenten o.a., so wie es der Autor formuliert: Die Idee des Buches, das seine kritischen und padagogischen Tendenzen nicht verleugnet, wird deutlich: den Flotenspielern ein umfassendes Werk zu bieten, Monographie des Instruments zugleich und Lehrbuch des Musizierens.

For Composers and Songwriters. Manuscript Paper; Resources. Faber Edition. Other. Faber Music #12-0571540716. Published by Faber Music

Parts. By Dmitri Shostakovich. Arranged by Roman Ledenyov. DSCH. Size 8.5x11.5 inches. 23 pages. Published by DSCH.

Score. By Dmitri Shostakovich. Arranged by Roman Ledenyov. DSCH. Size 8.5x11.25 inches. 30 pages. Published by DSCH.

Estudio de Estilo. Composed by Jose Fuente. Carisch - Music Sales. Folk Music. Book with CD. 100 pages. Carisch Edition #CARML3470. Published by Carisch Edition

Estudio de Estilo. Composed by Jose Fuente. Carisch - Music Sales. Folk Music. Book with CD. 85 pages. Play Music Spain #CARML3360. Published by Play Music Spain

Cello and Orchestra

SKU: BT.EMBZ14893

Composed by László Dubrovay. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2016. 68 pages. Editio Musica Budapest #EMBZ14893. Published by Editio Musica Budapest (BT.EMBZ14893).

The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements.

Guitar

SKU: HL.50603687

For Guitar. Composed by Darius Milhaud. Edited by Frederic Zigante. Guitar. Classical. Softcover. 8 pages. Alphonse Leduc #AL30876. Published by Alphonse Leduc (HL.50603687).

ISBN 9781705128282. UPC: 840126953848. 9.0x12.0x0.05 inches.

The vast musical production by Darius Milhaud (Marseille, 4 September 1892-Geneva, 22 June 1974) is made up of more than 450 titles, including theatrical works, ballets, stage and choral music, vocal and instrumental compositions, as well as chamber and piano music. The guitar, on the other hand, occupies only a marginal place, with one short composition, written in 1957, entitled Segoviana. The Andalusian guitarist Andrés Segovia (1893-1987) was not only its dedicatee but its protagonist, seeing that the piece was conceived in his image. The present edition, edited by Frédéric Zigante, differs from the first one of 1959 for a layout that makes reading easier and the addition of fingering indications.

(Chopin National Edition 27B, Vol. III). Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier. For Voice, Piano Accompaniment. PWM. Polskie Wydawnictwo Muzyczne #51600021. Published by Polskie Wydawnictwo Muzyczne

SATB chorus, piano (opt. guitar) - intermediate

SKU: BP.DF1022

Composed by Dan Forrest. Choral, School, Church, Community, Collegiate. Justice. Octavo. The Music of Dan Forrest #DF1022. Published by The Music of Dan Forrest (BP.DF1022).

6.88 x 10.5 inches.

From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.

The Manchester Carols. (A Re-Telling of the Christmas Story). By Carol Ann Duffy and Sasha Johnson Manning. For Orchestra / Piano. Choral Extended Work. Faber Edition. Christmas; Sacred; Winter. Published by Faber Music

SSAA chorus, piano (opt. guitar) - intermediate

SKU: BP.DF1023

Composed by Dan Forrest. Choral, School, Church, Community, Collegiate, Revoicing. Justice. Octavo. The Music of Dan Forrest #DF1023. Published by The Music of Dan Forrest (BP.DF1023).

6.88 x 10.5 inches.

From the composer: Written as a statement of support for, and allyship with, our Black brothers and sisters (as well as all people of color). Too often, in any aspect of life, we explain away other people’s experiences instead of seeking to understand experiences that differ from our own; we’re so busy talking about our own viewpoints that we fail to listen to the voices we most need to hear. I asked Tony Silvestri to write a text that could function as a personal statement from me to people I need to listen to—especially to my friends of color. This the text that resulted—words that speak powerfully for any situation where we need to listen to those who have been marginalized or mistreated, not heard or believed. For SATB or SSAA choir with piano and optional guitar.

Piano - Grade 3

SKU: BT.PB258

Composed by Ennio Morricone. TV-Film-Musical-Show. Book Only. 38 pages. Paul Beuscher #PB258. Published by Paul Beuscher (BT.PB258).

French.

A l'aube du 5e jour - Chi Mai - Il était une fois dans l'ouest - Il était une fois la révolution - La Califa - Le Marginal - Le Vent, le cri - Marche en La - Mon nom est personne - Ricordo Rosa - Sylvie - Valse de l'ambassade.

By Ralph Vaughan Williams (1872-1958). For SATB Choir, brass, timpani and organ or orchestra (Mixed Voices). Psalm, Ascension, General. Psalm 47. Choral. 12 pages. Published by Galaxy Music Corporation