Written in the year 1775, Mozart's lively violin concerti manifest the young com...(+)
Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.
Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B...(+)
Symphonies Volume 6Symphony No.32 in G major (Overture) K.318Symphony No.33 in B-flat major K.319Symphony No.34 in C major K.338Symphony No.35 in D major ('Haffner-Symphony') K.385 Wolfgang Amadeus Mozart (1756–1791) - New Edition of the Complete Works edited by the International Mozarteum Foundation Salzburg in cooperation with the Mozart cities of Augsburg Salzburg and Vienna The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At thesame time it also serves as an aid to authentic performances. The principal Series I to IX containing Mozart's actual œuvre appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work such as his activities as a teacher or as an arranger of other composer's works.
En associant son talent de compositeur à sa grande créativité André Waignei...(+)
En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
En associant son talent de compositeur à sa grande créativité André Waignei...(+)
En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
En associant son talent de compositeur à sa grande créativité André Waignei...(+)
En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
En associant son talent de compositeur à sa grande créativité André Waignei...(+)
En associant son talent de compositeur à sa grande créativité André Waignein a créé Remember Mozart (?En souvenir de Mozart?) une œuvre délicate et fluide en hommage à l?un des plus grands compositeurs de l?histoire de la musique Wolfgang Amadeus Mozart. L?œuvre développe une mélodie unique empreinte d?une grande sérénité que seules quelques mesures du passage central viennent perturber. Mais le thème principal revient et progressant avec une fluidité naturelle conduit l?œuvre vers un passage modulatoire ; transition vers le finale d?une œuvre aux saveurs mozartiennes brillamment mises en valeur par un compositeur admiratif du génie de Salzbourg.
One of Mozarts most famous operas and one of his last works Die Zauberflöte (&...(+)
One of Mozarts most famous operas and one of his last works Die Zauberflöte (“The Magic Flute”) continues to be performed worldwide each year. From its iconic majestic opening three chords Mozartsoverture is a wonderfulcombination of the sentiment and spirit of the opera that follows. This adaption for strings is classical programming at its very best.
Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?é...(+)
Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?écriture pourtant si accessible et claire reste quelquefois difficile à manoeuvrer. Amazing Amadeus rassemble 7 airs célèbres. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.
Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?é...(+)
Avec Amazing Amadeus Michael Friedmann célèbre l?inégalable Mozart dont l?écriture pourtant si accessible et claire reste quelquefois difficile à manoeuvrer. Amazing Amadeus rassemble 7 airs célèbres. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
The first page of the autograph of the Mass K.49 (47d) bears below the author&rs...(+)
The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” have been added by two other unidentified eighteenth-century hands.Mozart’s handwriting and the paper quality appear to verify this information. Moreover Mozart sketched the draft of the Gloria (measures 1 to 18) on a piece of paper the reverse side of which his father had used undoubtedly before that for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composed byWolfgang up to 1768 “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices 2 violins etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister. Although the obbligato viola is not mentioned there this comnposition is surely the Mass K.49.- Urtext of the New Mozart Edition- Full score performance material (BA4769) and vocal score (BA4769-90) available for sale.
Heres the musical signature from the memorable film about the life of Mozart. Us...(+)
Heres the musical signature from the memorable film about the life of Mozart. Using the opening strains of Symphony No. 25 this impressive allegro movement will connect any audience with the power and beauty of Mozarts symphonic style.
On the occasion of the marriage of her son Archduke Ferdinand of Austria to the ...(+)
On the occasion of the marriage of her son Archduke Ferdinand of Austria to the Princess Maria Ricciarda Beatrice of Modena the Empress Maria Theresia commissioned the young Mozart to compose the work Serenata Teatrale “Ascanio in Alba”. The librettist the Viennese Abate Guiseppe Parini one of the most outstanding poets of the 18th century wrote a baroque-designed libretto which paid homage to and congratulated the royal couple.Mozart wrote the music in only a few weeks from the end of August until 23 September 1771. The first performance took place on 17 October 1771 in Milan to rousing success. Shortly thereafter LeopoldMozart wrote that his son's composition had so overpowered the main performance of Hasses opera “Il Ruggierio ” from the previous day that he could hardly describe it.- Urtext of the New Mozart Edition- Full score (BA4504-01) and vocal score (BA4504-90) available for sale- Performance material (BA4504-72) available for hire
L?effet magique que la musique de Mozart exerce sur nous demeure intact plus de...(+)
L?effet magique que la musique de Mozart exerce sur nous demeure intact plus de deux siècles après sa mort. Les sons fascinent un univers se dessine. Mozart?s Greatest Hits ! développe de façon vive et colorée cinq célèbres mélodies du génie de Salzbourg. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.
L?effet magique que la musique de Mozart exerce sur nous demeure intact plus de...(+)
L?effet magique que la musique de Mozart exerce sur nous demeure intact plus de deux siècles après sa mort. Les sons fascinent un univers se dessine. Mozart?s Greatest Hits ! développe de façon vive et colorée cinq célèbres mélodies du génie de Salzbourg. Une charmante mosaïque mozartienne qui s?accorde avec bonheur à tout programme de concert.
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Ho...(+)
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflöte which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflöte was his last.
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Ho...(+)
Salzburg birthplace of Wolfgang Amadeus Mozart inspired Dutch composer Henk Hogestein to write this musical tribute. Mozart was born in this charming Austrian town in January 1756. He was a musical prodigy - at the age of four he began receiving lessons from his father Leopold and at the age of six he was composing smart minuets and other short pieces. The composition Charming Salzburg is based on a theme from Mozart's opera Die Zauberflöte which he completed in 1791. The greatest composer of his day - the greatest of all time according to some - the brilliant Mozart wrote some of the world's best operas with Die Zauberflöte was his last.
Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditiona...(+)
Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi ...(+)
Overture-In 1786 Wolfgang Amadeus Mozart composed his wonderful opera Le Nozzi di Figaro. In the opera Count Almaviva tries to seduce the fiancée of Figaro his valet. Eventually through four acts full of complicated intrigue he is outwitted. In his music Mozart at times in a humorous way reflects the numerous social and erotic intrigues with both empathy and insight. The brilliant overture is just as vivacious and witty as the opera itself. Mozart delightfully anticipates the passion and playful love that is to come. The skillful transcription for concert band by the Japanese composer Tohru Takahashi certainly does justice to this enchanting music.
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the th...(+)
KV 467-Wolfgang Amadeus Mozart's concertos for Piano and Orchestra reveal the then young form in classical perfection. Among the most beautiful of them which are quite equals of his great symphonies are the works which he composed in a two year period (1784- 1786) which marks the highest peak in Mozart's instrumental writing and in his career as a virtuoso.- Urtext of the New Mozart Edition- Full score & parts (BA5317) two-Piano reduction (BA5317-90) and study score format 22.5 x 16.5cm (TP148) available for sale.
In Full Score. With Mozart's cadenzas for Nos. 17-19-Republication from Wolfgang...(+)
In Full Score. With Mozart's cadenzas for Nos. 17-19-Republication from Wolfgang Amadeus Mozart's Werke (Breitkopf And Hartel 1878-79). With Mozart's cadenzas for Nos.17-19.