Graduale. Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Thomas Doss a arrangé pour orchestre d?harmonie cette transcription exaltante et très abordable de Christus factus est (WAB 11), le motet écrit par Bruckner en 1884. Après la Messe für den Gründonnerstag (1844) et un motet pour ch?ur mixte à huit voix, trois trombones et instruments à cordes ad libitum (1873), cette ?uvre est la troisième mise en musique du graduel (chant grégorien) du même nom. L?influence de Wagner se manifeste clairement. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

Graduale. Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Thomas Doss a arrangé pour orchestre d'harmonie cette transcription exaltante et très abordable de Christus factus est (WAB 11), le motet écrit par Bruckner en 1884. Après la Messe für den Gründonnerstag (1844) et un motet pour ch'ur mixte à huit voix, trois trombones et instruments à cordes ad libitum (1873), cette 'uvre est la troisième mise en musique du graduel (chant grégorien) du même nom. L'influence de Wagner se manifeste clairement. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie

WAB 29. Par BRUCKNER ANTON. Anyone who is familiar with Bruckner?s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner' And yet, isn?t it also possible to hear much of Bruckner?s later style'With this edition, the earliest of Bruckner?s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner?s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses ? not only for the Bruckner anniversary in 2024! / Date parution : 2023-03-11/ Répertoire / Soli [SATB], SATB et Orchestre

Après avoir entendu la mélodie de l'hymne 'Viens, tu Fount de toutes sortes de bénédictions', on est immédiatement frappé par la puissance de sa simplicité. Ce réglage conserve cette simplicité, alors que la refonte de l'air dans les harmonies fraîches et fournir un puissant climax tutti. / Concert Band

Vl2. Par SCHUBERT FRANZ. Editeur(s) d'origine: Seifert, Herbert/ Répertoire / Soliste, Choeur Mixte et Orchestre

Arr. Erik Mast. Par SULLIVAN ARTHUR. / Niveau : 3-4 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

6 pièces caractéristiques du best-seller Adiemus projet international (15 prix d'or et de platine) habilement arrangé par Tony Small pour quintette de cuivres. La musique est dans le style de marque de commerce de Jenkins mettant en vedette une fusion de styles de musique classique et le monde. La collection peut être effectuée comme un ensemble ou les mouvements individuels peuvent être utilisés comme éléments de concert. / Quintette A Vent

'Worship Hymns for Organ and Brass? is a new series with remarkable versatility. The arrangements are for Organ with Solo Trumpet or Brass Ensemble and Percussion. All parts are upper intermediate level with optional high notes for Trumpets and Horn. While the parts are not demanding, they have a level of artistry that is compelling to all of the performers involved. Instrumental options with Organ include: Solo Trumpet - Brass Trio (2 Trumpets and 1st Trombone) - Brass Quartet (2 Trumpets and 2 Trombones OR 1st Trombone and Tuba) - Brass Quintet (All but Horn, 2nd Trombone or Tuba) - and Brass Sextet. Versatile and regal, perfect for the most triumphant season of the year. / Ensemble De Cuivres Et Orgue

Ce dispositif capte l'anticipation, l'arrivée et la célébration des fêtes grâce à l'utilisation de chants sacrés et profanes de même. La pièce s'ouvre sur un cadre paisible de 'O Come, O Come Emmanuel', puis se poursuit par une interprétation colorée et énergique de la 'Ukrainian Bell Carol' avant de tirer la pièce à une conclusion passionnante contre une cacophonie de sonner les cloches. / Concert Band

Small Sacred Concertos II. Par SCHUTZ HEINRICH. The 'Kleine geistliche Konzerte' (Small Sacred Concertos), published in two parts in 1636 and1639, are among the best-known and well-loved compositions of Heinrich Schütz. Both parts constitute a collection of vocal pieces in a broad range of styles written for only a few voices with basso continuo. Most of the texts are in German, but some are also in Latin. The first volume presents a broad spectrum of vocal scoring, musical forms and texts: there are solo concertos in the Italian style, traditional four-part motets, well-known Psalm texts set to music, hymns as well as mystically contemplative meditative literature. The concertos' monodic qualities and high level of virtuosity - especially in the compositions with German text - made Schütz a household name shortly after the 'Kleine geistliche Konzerte' were published in print. As the works required no large ensembles, they could be performed for different occasions and in various locations: particularly during the Thirty Years' War they could be heard at court, in cities or in villages but also in schools or at home. Unlike the 1963 edition of the 'Kleine geistliche Konzerte' (BA 3664, BA 3665, BA 3666) as part of the New Schütz Edition, this new volume presents the works for the first time in their original form and order. A historic-critical evaluation of all relevant sources yields new information regarding the composer's intentions, the printing process and the works' reception. Furthermore, the edition includes a reconstruction of an earlier version that has not been published until now. This edition is geared towards musicologists, as well as professional musicians and amateurs with a keen interest in early music./ Répertoire / Chant et Basse Continue

Arr. Erik Mast. Par SULLIVAN ARTHUR. / Niveau : 3-4 / Hymnes et chorals / Répertoire / Fanfare

Arr. Erik Mast. Par SULLIVAN ARTHUR. / Niveau : 3-4 / Hymnes et chorals / Répertoire / Concert Band ou Harmonie

Par HESKETH KENNETH. The term Danceries can be found in a copy of Playford's Dancing Master which is an extensive collection of folk and popular tunes of the 17th Century (and no doubt earlier). The melodies themselves are a mixture of new and old (although where the old occurs, it has been adapted in mood and composition and is often interspersed with completely new material). The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set./ Répertoire / Orchestre D'Harmonie