This authoritative edition presents full-score reproductions of three of Liszt?s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer?s unpublished choral setting of Joseph Autran?s poem ?The Four Elements?, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo?s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: ?He runs, he flies, he falls, and he stands up king!? Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement ?transformation of themes,? an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt?s expanding chromaticism would be no less influential, anticipating the twentieth century?s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.

Arrangeur: Bergler. Par LISZT FRANZ / BERGLER. Hungarian Rhapsody #2/ Répertoire / Brass Quintette

Par LISZT FRANZ. Pierre DUPONT (Arr. ) - Durée: 15'30 / Niveau : Avancé / Transcription / Répertoire / Partie Séparée

Arrangeur: C. Mourey. Par LISZT FRANZ. Arr. : C. Mourey / Niveau : 2ème Cycle / Répertoire / Concert Band ou Harmonie

Par LISZT FRANZ. Pierre DUPONT (Arr. ) / Niveau : Avancé / Musique classique / Répertoire / Exemplaire Complet

Par LISZT FRANZ. Pierre DUPONT (Arr. ) - Durée: 15'30 / Niveau : Avancé / Transcription / Répertoire / Parties Supplémentaires

Par LISZT FRANZ. Pierre DUPONT (Arr. ) - Durée: 15'30 / Niveau : Avancé / Transcription / Répertoire / Conducteur

Par LISZT FRANZ. Pierre DUPONT (Arr. ) / Niveau : Avancé / Transcription / Répertoire / Partie Séparée

Par LISZT FRANZ. Pierre DUPONT (Arr. ) / Niveau : Avancé / Musique classique / Répertoire / Partie Séparée

Par LISZT FRANZ. Pierre DUPONT (Arr. ) / Niveau : Avancé / Musique classique / Répertoire / Parties Supplémentaires

Symphonic poem after a poem by Henri Cazalis. Par SAINT-SAENS CAMILLE. Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem 'Danse macabre' reflects not only his affinity to medieval superstitions but also constitutes a tribute to Liszt's 'Totentanz'. 'Danse macabre' is based on the eponymous song Saint-Saëns composed in 1872 after Henri Cazalis' poem. At its premiere, the work was not well-received: in fact it was booed, possibly due to the 'diabolic' solo violin playing on an E-string that was tuned down to E-flat, which the audience might have misinterpreted as being out of tune. However within ten years the work had become so popular that Saint-Saëns quoted some of its musical themes in 'The Carnival of the Animals'. Since the composer's death, 'Danse macabre' is among the works most often mentioned in connection with the theatrical face of death found in popular mortuary cult. / Date parution : 2019-11-29/ Répertoire / Orchestre