Conducteur Avec Couverture Rigide. Par TELEMANN GEORG PHILIPP. The volume presents, as a first edition, Telemann's surviving compositions for a number of public occasions in Altona. It contains two festive compositions written for the inauguration of the Akademische Gymnasium in 1744, one piece composed for the centennial of the Absolute and Hereditary Monarchy Act in Denmark (1760), one Latin ode to the King of Denmark for a school festivity in Altona, and an excerpt of two arias - the only surviving part of the music composed for the inauguration of Elias Caspar Reichard as Professor of Eloquence and Poetry at the Akademische Gymnasium (1741). The edition was prepared on the basis of the known sources held at the Brussels Conservatory Library, new manuscripts contained in a rediscovered anthology of the Hamburg State Library including those previously unknown compositions, as well as printed texts which had not been considered to date from the Royal Library in Copenhagen. The Foreword provides information regarding Telemann's tenure in Altona. Also included is a catalogue of all related works. Moreover the volume contains a Critical Commentary, facsimiles of the printed texts and sample pages from the musical sources. / Date parution : 2019-11-29/ Répertoire / Conducteur

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Tonalité : D-Dur - Tvwv 52:D3. Par TELEMANN GEORG PHILIPP. The D-major Concerto for Two Violins belongs to a group of concertos that Telemann wrote between 1707-8 and 1712 while serving as concert master and later as Kapellmeister of the court musicians in Eisenach. Telemanns double conertos for Eisenach are music-histroical documents of the first order on the early eighteenth-century concerto in central Germany./ Répertoire / 2 Violons Solo, 2 Violons, Alto et Basse Continue

Par TELEMANN GEORG PHILIPP. This volume represents the only annual cycle of sacred music of the 18th century printed in score: it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual practice of the Telemann Edition to edit segments of the church years, here the entire course of the church year is presented. The music to be performed at the beginning of each part of the church year and at special celebrations is included. Telemann used a variety of expressive polyphonic techniques to create the introductory dicta. These, like the chorales, are written in concentrated three-part harmony. The preface provides information on the printing history of the church year and its dissemination supplemented by comments on performance practice: the critical report analyses the rich source material. Editions of Telemann's preface (with his performance notes and an explanation of his figured bass system), the preface on the printing of the texts and the texts of the compositions contained in the volume flank the edition of the music. Facsimiles from the original print and from Hamburg performance materials are included./ Répertoire / Chant et Orchestre

for Flute, Violin, Violoncello, Strings and Basso continuo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas

Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas

Flöte Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et

Violin. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue

Cello. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et

Kontrabass. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et

Violine 1. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et

Violin 2 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue