By Sally K. Albrecht, Jay Althouse. Children's Musicals and Programs. Christmas ...(+)
By Sally K. Albrecht, Jay
Althouse. Children's
Musicals and Programs.
Christmas and Choral.
Teacher's Handbook and
Soundtrax CD. 44 pages.
Published by Alfred
Publishing.
Concert band - Pre 1 SKU: CL.023-4494-01 Young Concert Band. Sound Founda...(+)
Concert band - Pre 1
SKU:
CL.023-4494-01
Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR390). Extra full
score. Composed 2016.
Duration 1 minute, 18
seconds. C.L. Barnhouse
#023-4494-01. Published
by C.L. Barnhouse
(CL.023-4494-01).
You’ll
be amazed to discover
that this high-energy
composition has been
created through the use
of only six different
notes. Your young
musicians will relish the
opportunity to perform a
work that sounds far more
advanced than most
selections at this grade
level. Don’t be
surprised if the audience
experiences a definite
wow moment at the
exciting conclusion of
this fast paced piece.
Exhilarating!
Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR359). Extra
full score. Composed
2008. Duration 1 minute,
49 seconds. C.L.
Barnhouse #011-3723-01.
Published by C.L.
Barnhouse
(CL.011-3723-01).
This energetic
setting of an original
Spanish piece brings a
festive mood to the
listener that is
reflective of great pride
and joy. Following a bold
fanfare, our musical
journey introduces a
beautiful theme that is
accompanied by driving
percussion. All sections
of the ensemble are well
scored and the musicians
will appreciate the
non-stop excitement of
the music. Don't be
surprised if this
exceptional composition
becomes your
band’s and
audiences favorite.
Ole!
About
C.L. Barnhouse Command
Series
The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content.
Along Came a Spider Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
Concert Band/Harmonie - easy SKU: BT.CMP-0809-04-010 Composed by Mike Han...(+)
Concert Band/Harmonie -
easy
SKU:
BT.CMP-0809-04-010
Composed by Mike
Hannickel. Beginning
Band. Original Light
Music. Set (Score &
Parts). Composed 2004.
Curnow Music #CMP
0809-04-010. Published by
Curnow Music
(BT.CMP-0809-04-010).
Sure. To the
kids it’s about
Little Miss Muffet and a
surprise visit from her
friendly local spider.But
to you, the director,
it’s REALLY about
the “newâ€
note called concert
E-natural. Whatever
method book you are
using, once concert
E-natural has been
introduced, the band will
be ready to play this
one. The students will
have fun with foot
stomping and Miss
Muffet’s scream,
while you enjoy watching
your students get better
and better at playing
concert E-natural and
concert E-flat at the
right
times.EEEEEEEEK!
V
oor (jonge) muzikanten en
hun publiek is dit een
grappig stuk over een
spin die een verschrikte
dame met een onverwacht
bezoekje vereert. Voor de
dirigent is dit een stuk
om met name de toon E met
het orkest te oefenen.
Terwijl despelers en
toehoorders veel plezier
beleven met originele
elementen zoals stampen
en gillen, weet de
dirigent dat de jonge
muzikanten steeds
zekerder worden in het
afwisselen van de E en de
Es. IEKS!
Als sich
die kleine Miss Muffet
zum Tee niederließ,
konnte sie nicht ahnen,
dass sie bald
Gesellschaft von einer
Spinne bekommen würde,
sonst hätte sie sicher
für sie mit gedeckt...
Mike Hannickel vertonte
ein bekanntes englisches
Kindergedicht über
eine Spinne zu einem
einfachen, aber
reizvollen Stück, das
Jung und Alt bezaubern
wird!
Christmas Surprise Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115196-010 Arranged by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115196-010
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Christmas.
Set (Score & Parts).
Composed 2011. De Haske
Publications #DHP
1115196-010. Published by
De Haske Publications
(BT.DHP-1115196-010).
9x12 inches.
English-German-French-Dut
ch.
Christmas is a
festival of joy, so why
not celebrate this time
of the year with a
swinging festive piece?
Christmas Surprise will
both surprise and delight
your audience. Peter
Kleine Schaars’
medley, featuring
well-known songs, will be
an exciting highlight at
your next Christmas
concert!
Kerst is
een feest van vreugde.
Dat moet ook Peter Kleine
Schaars hebben gedacht
toen hij dit stuk in
vrolijke swingstijl
schreef. Speciaal voor de
mooiste dagen van het
jaar arrangeerde hij uit
de bekendste
kerstliederen een
vlottemedley. Een
verfrissende verrassing
voor elk
kerstconcert!
Weih
nachten ist ein Fest der
Freude - warum also nicht
einmal mit einem Stück
im fröhlichen
Swing-Stil die
schönste Zeit des
Jahres feiern? Peter
Kleine Schaars' flottes
Medley aus den bekannten
Liedern Good King
Wenceslas, O Come All Ye
Faithful, We Three Kings,
A La Nanita Nana, Away in
a Manger, Once in Royal
David's City, Es ist ein
Ros' entsprungen und
The First Nowell
ist ein wunderbares,
frisches Highlight für
jedes Weihnachtskonzert!
Christmas Surprise Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115196-140 Arranged by Peter...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1115196-140
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop and Rock.
Score Only. Composed
2011. 28 pages. De Haske
Publications #DHP
1115196-140. Published by
De Haske Publications
(BT.DHP-1115196-140).
9x12 inches.
English-German-French-Dut
ch.
Christmas is a
festival of joy, so why
not celebrate this time
of the year with a
swinging festive piece?
Christmas Surprise will
both surprise and delight
your audience. Peter
Kleine Schaarsâ??
medley, featuring
well-known songs, will be
an exciting highlight at
your next Christmas
concert!
Kerst is
een feest van vreugde.
Dat moet ook Peter Kleine
Schaars hebben gedacht
toen hij dit stuk in
vrolijke swingstijl
schreef. Speciaal voor de
mooiste dagen van het
jaar arrangeerde hij uit
de bekendste
kerstliederen een
vlottemedley. Een
verfrissende verrassing
voor elk
kerstconcert!
Weih
nachten ist ein Fest der
Freude - warum also nicht
einmal mit einem Stück
im fröhlichen
Swing-Stil die
schönste Zeit des
Jahres feiern? Peter
Kleine Schaars' flottes
Medley aus den bekannten
Liedern Good King
Wenceslas, O Come All Ye
Faithful, We Three Kings,
A La Nanita Nana, Away in
a Manger, Once in Royal
David's City, Es ist ein
Ros' entsprungen und
The First Nowell
ist ein wunderbares,
frisches Highlight für
jedes Weihnachtskonzert!
Grade 2 - Score
Only. Composed by
James Hosay. Curnow Music
Concert Band. Pop. 24
pages. Published by
Curnow Music
(HL.44007413).
UPC:
884088251819. 9x12
inches.
Opening
with the exciting Also
Sprach Zarathustra
theme, The Masters
Take the Airwaves
explores melodies of the
great composers which
have also found a home in
modern popular music. The
casual radio listener
might be surprised just
how often pop music has
borrowed themes from the
classics. Melodies from
Bach, Chopin, Beethoven,
and Richard Strauss
combine to make an
arrangement you are sure
to enjoy. Great music is
great music, wherever you
find it!
Piano seul [Partition + Accès audio] - Débutant Faber Piano Adventures
Book with Media Online. Composed by Nancy Faber and Randall Faber. Faber Piano A...(+)
Book with Media Online.
Composed by Nancy Faber
and Randall Faber. Faber
Piano Adventures.
Educational, Method.
Softcover Media Online.
184 pages. Faber Piano
Adventures #FF1302.
Published by Faber Piano
Adventures
Piano seul [Partition + CD + DVD] Faber Piano Adventures
Book with CD, DVD and Online Support. Composed by Nancy Faber and Randall Faber....(+)
Book with CD, DVD and
Online Support. Composed
by Nancy Faber and
Randall Faber. Faber
Piano Adventures.
Educational, Method.
Softcover with DVD. 184
pages. Faber Piano
Adventures #FF1302CD.
Published by Faber Piano
Adventures
By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Method. P...(+)
By Nancy Faber and
Randall Faber. For Piano.
Faber Piano Adventures®.
Method. Primer - Level
2B. CD only. Faber Music
#CD1025. Published by
Faber Music
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band - Grade 2 SKU: AP.50330S Composed by Michael Swank. Concert ...(+)
Concert Band - Grade 2
SKU: AP.50330S
Composed by Michael
Swank. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Halloween; Novelty; Rock.
Score. Duration 2:35.
Belwin Music #00-50330S.
Published by Belwin Music
(AP.50330S).
ISBN
9781470658991. UPC:
038081576251.
English.
Surprises
lurk around every corner.
Shh! Make no sound. Could
it be vampires? Ghosts?
Mummies from the tomb?
Proceed at your own risk
if you dare! Carefully
scored with young
musicians in mind, Zombie
Rock, by Michael Swank,
is sure to raise a
ghoulish smile. Perfect
for Halloween or any time
of the year. (2:35).
Concert Band - Grade 2 SKU: AP.50330 Composed by Michael Swank. Concert B...(+)
Concert Band - Grade 2
SKU: AP.50330
Composed by Michael
Swank. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Young Band.
Halloween; Novelty; Rock.
Score and Part(s).
Duration 2:35. Belwin
Music #00-50330.
Published by Belwin Music
(AP.50330).
ISBN
9781470658984. UPC:
038081576244.
English.
Surprises
lurk around every corner.
Shh! Make no sound. Could
it be vampires? Ghosts?
Mummies from the tomb?
Proceed at your own risk
if you dare! Carefully
scored with young
musicians in mind, Zombie
Rock, by Michael Swank,
is sure to raise a
ghoulish smile. Perfect
for Halloween or any time
of the year. (2:35).
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Pre 1 SKU: AP.98-RWS212001 Arranged by Robert W. Smith. Young Concert Ban...(+)
Pre 1
SKU:
AP.98-RWS212001
Arranged by Robert W.
Smith. Young Concert
Band. Extra score.
Composed 2021. RWS Music
Company #RWS-2120-01.
Published by RWS Music
Company
(AP.98-RWS212001).
Based on the
holiday classic Jingle
Bells, this clever
arrangement by Robert W.
Smith for the beginning
band is based on the
story of a young child
hearing a bit of a
commotion in the living
room on Christmas Eve.
Upon sneaking down the
stairs, the child is
surprised to see Santa
having a great time
dancing the samba as he
delivers the gifts and
then soars out of sight.
Fun and entertaining,
this new arrangement for
beginning band will be a
hit at your holiday
concert!
Pre 1 SKU: CL.RWS-2120-00 Arranged by Robert W. Smith. Young Concert Band...(+)
Pre 1
SKU:
CL.RWS-2120-00
Arranged by Robert W.
Smith. Young Concert
Band. Score and set of
parts. Composed 2021. RWS
Music Company
#RWS-2120-00. Published
by RWS Music Company
(CL.RWS-2120-00).
Based on the
holiday classic Jingle
Bells, this clever
arrangement by Robert W.
Smith for the beginning
band is based on the
story of a young child
hearing a bit of a
commotion in the living
room on Christmas Eve.
Upon sneaking down the
stairs, the child is
surprised to see Santa
having a great time
dancing the samba as he
delivers the gifts and
then soars out of sight.
Fun and entertaining,
this new arrangement for
beginning band will be a
hit at your holiday
concert!
Voix Mezzo-Soprano [Partition + Accès audio] Hal Leonard
Mezzo-Soprano Book/Online Audio. Edited by Richard Walters. Vocal Collection. Pi...(+)
Mezzo-Soprano Book/Online
Audio. Edited by Richard
Walters. Vocal
Collection. Piece for the
NFMC Vocal event with the
National Federation of
Music Clubs (NFMC)
Festivals Bulletin
2008-2009-2010.
Instruction, Classical.
Softcover Audio Online.
224 pages. Published by
Hal Leonard
Voix Mezzo-Soprano, Piano [Partition] - Intermédiaire Hal Leonard
For mezzo soprano voice and piano. Format: piano/vocal songbook. With vocal melo...(+)
For mezzo soprano voice
and piano. Format:
piano/vocal songbook.
With vocal melody, piano
accompaniment, lyrics and
introductory text.
Broadway. 224 pages. 9x12
inches. Published by Hal
Leonard.
SKU: BR.BV-374 Bach-Festschrift Klaus Hofmann. Composed by Ulrich ...(+)
SKU: BR.BV-374
Bach-Festschrift Klaus
Hofmann. Composed by
Ulrich Bartels and Uwe
(Hrsg.) Wolf. Edited by
U. Wolf and Ulrich
Bartels. Softbound.
Buchverlag Breitkopf &
Hartel (Music Books).
Besetzung, Bearbeitung
und Auffuehrungspraxis
bei Johann Sebastian Bach
- Klaus Hofmann zum 65.
Geburtstag. Baroque
period. Book. 200 pages.
Breitkopf and Haertel #BV
374. Published by
Breitkopf and Haertel
(BR.BV-374).
ISBN
9783765103742. 6.5 x 9.5
inches.
Besetzung,
Bearbeitung und
Auffuehrungspraxis bei
Johann Sebastian Bach -
Klaus Hofmann zum 65.
Geburtstag Die
vorliegende Ausgabe
stutzt sich auf die bei
Breitkopf & Hartel
erschienene Gesamtausgabe
Johannes Brahms Samtliche
Werke der Gesellschaft
der Musikfreunde
Wien.
,,Wieder ist
das Neuerscheinen der
Studienpartitur einer
Brahms-Sinfonie zu melden
diesmal der Nr. 2 in
D-Dur op. 73. Und wieder
muss der klare Druck und
die geschickte
Seitenaufteilung geruhmt
werden. (Das
Liebhaberorchester)
The present edition is
based on the complete
edition Johannes Brahms -
Collected Works of the
Gesellschaft der
Musikfreunde in Vienna
which was published by
Breitkopf & Hartel. The
Urtext edition presented
here is based on the
Brahms Complete Edition
of the 'Gesellschaft der
Musikfreunde' in Vienna
published by Breitkopf &
Hartel. Die vorliegende
Ausgabe stutzt sich auf
die bei Breitkopf &
Hartel erschienene
Gesamtausgabe Johannes
Brahms - Samtliche Werke
der Gesellschaft der
Musikfreunde Wien. The
present edition is based
on the Complete Edition
Johannes Brahms -
Samtliche Werke of the
Gesellschaft der
Musikfreunde in Vienna
which was published by
Breitkopf & Hartel.
proficiency.
NE
W! Free MP3 files of all
pieces. Piano duets, get
ready! Here comes Michael
Proksch's A Spaniard for
Elise, a collection of
twelve exquisite pieces
that are an irresistible
treat for lovers of
four-hand playing. The
Spaniard offers something
for every level of
proficiency. You'll feel
blissful In Seventh
Heaven and full of
joie de vivre on
Paris's Pont-Neuf in
Seine Scene. You can join
Erik Satie, Surprised by
the Fresh Country Air and
engage in a temperamental
dialogue of styles in A
Spaniard for Elise.
Enhancing the pedagogical
value of this singular
collection are comments
on how to play the
pieces, as well as a CD
which can not only be
listened to and enjoyed,
but also used as a
play-along version, as it
carries individual tracks
for the primo and secondo
parts
To
music and notes sample
No. 5 High
Spirits Primo
: Staccati with a
dynamic, forward drive
produced with a nimbly
reacting wrist and calm
arm. Strongly accentuate
the first note at legato
slurs. The appoggiaturas
can be initially left
out. mm. 1-8: Right hand
plays alone; mm. 9-16
divided between l.h. and
r.h. Secondo:
four-measure-long
accompaniment pattern
(can also be used as a
basis for original
melodies!). The fourth
beats are stressed
through slurred eighths.
Cover design
by Doris Jausly,
illustrations by Dorothea
Lindenberg
Home on the Range Orchestre d'harmonie [Conducteur] - Facile Curnow Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.CMP-1111-07-140 Arranged by Bry...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.CMP-1111-07-140
Arranged by Bryan Kidd.
Young Band. Concert
Piece. Score Only.
Composed 2007. 16 pages.
Curnow Music #CMP
1111-07-140. Published by
Curnow Music
(BT.CMP-1111-07-140).
9x12 inches.
English.
This
thoughtful and creative
arrangement of the
classic song of the
American West is a rich
and sonorous treatment
infused with exquisite
and unexpected harmonies.
You’ve never heard
it like this before!
Bryan Kidd has managed to
bring a true musical
adventure to the
developing band in his
own unmistakably personal
way.This is a wonderful
chance for your musicians
to show that they can be
truly expressive. This
piece is the perfect tool
for a cross-curricular
unit with U.S. history.
Surprising!
Home
on the Range is gebaseerd
op een gedicht (‘My
Western Home’ uit
1872) van Brewster
Higley, een arts uit
Indiana die een jaar
daarvoor een stukje land
had gekocht in Kansas.
Vervolgens schreef Dean
Kelley er een melodie bij
-het nieuwe lied werd al
snel geliefd onder
migranten in de Verenigde
Staten. In de loop der
jaren werd het steeds
bekender, het is
uitgevoerd door vele
artiesten, onder wie
Frank Sinatra. In 1947
werd Home on the
Range hetofficiële
lied van de staat Kansas.
Brewster Higleys
omschrijving van een
helderblauwe hemel,
oneindige vergezichten en
een overvloedige fauna
vindt met deze muziek nog
altijd weerklank bij
luisteraars.
Ho
me on the Range ist
ein bekanntes Volkslied
aus dem amerikanischen
Westen und Titelsong
eines lustigen
Disneyfilms, der in
Deutschland als Die
Kühe sind los
bekannt ist. Bryan Kidd
schuf eine sehr kreative,
voll klingende
Bearbeitung des
Klassikers mit
ausgefallenen Harmonien.
So haben Sie dieses Lied
noch nie gehört! Mit
dieser Bearbeitung der
einerseits vertrauten
Melodie können Ihre
Musiker doch eine
völlig neue
musikalische Erfahrung
machen und Ihre
Ausdrucksmöglichkeiten
ausloten.
Ãœberraschend!
By David Shaffer. For young concert band. Rising Band Series. Grade 2. Score and...(+)
By David Shaffer. For
young concert band.
Rising Band Series. Grade
2. Score and set of
parts. Duration 2
minutes, 1 second.
Published by C.L.
Barnhouse
Orchestra - Grade 3 SKU: AP.49009S Composed by Chris M. Bernotas. MakeMus...(+)
Orchestra - Grade 3
SKU: AP.49009S
Composed by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Folk; Light Concert.
Score. 20 pages. Duration
3:00. Belwin Music
#00-49009S. Published by
Belwin Music (AP.49009S).
ISBN 9781470645298.
UPC: 038081565330.
English.
The Reel
Deal by Chris M. Bernotas
will be one of your
students' favorite
pieces. This original
reel lies well in the key
of D major. Surprising
harmonies add to
originality of this
piece. All of the
instruments get a chance
to play the melody, and
clear fingerings and
bowings have been added
throughout. The optional
cajon creates an
authentic Irish feel. A
perfect closer to any
festival or concert!
(3:00) This title
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.49009 Composed by Chris M. Bernotas. MakeMusi...(+)
Orchestra - Grade 3
SKU: AP.49009
Composed by Chris M.
Bernotas. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Form: Dance. Fiddle;
Folk; Light Concert.
Score and Part(s). 115
pages. Duration 3:00.
Belwin Music #00-49009.
Published by Belwin Music
(AP.49009).
ISBN
9781470645281. UPC:
038081565323.
English.
The Reel
Deal by Chris M. Bernotas
will be one of your
students' favorite
pieces. This original
reel lies well in the key
of D major. Surprising
harmonies add to
originality of this
piece. All of the
instruments get a chance
to play the melody, and
clear fingerings and
bowings have been added
throughout. The optional
cajon creates an
authentic Irish feel. A
perfect closer to any
festival or concert!
(3:00) This title is
available in MakeMusic
Cloud.