Tango Tzigane - Jealousy-Tango Jalousie (Tango Tzigane - Jealousy) - Jacob Gade's classic arranged for Piano Duet (four hands) by conductor Esther Bobrova Lange. From the Preface: It is a common misconception that Tango Jalousie (Tango Tzigane) was written for the movie ”Don Q”. The piece was also played at the movie premiere in Paladsteatret on September 14th 1925 but there was no jealousy-based drama in the movie. Nonetheless the melody was well suited to the Zorro legend in a Mexican setting. But in the book “Jacob Gade – et eventyr i musik” (a fairytale in music) by Jørgen GramChristensen one learns that in a 1956 interview Jacob Gade recounted the incident in 1925 which concerned him very much: “One day the magazines featured a dramatic description of a jealousy-based murder and the word “jealousy” stood for me as a title with which the music became more and more attached.”There are many different arrangements of “Tango Jalousie” but I have always found that there was a need for a piano four hands version of this wonderful piece. In the process of working out a piano four hands version I used the full orchestra score and made sure that the most essential orchestra parts were included. Also the melody parts and accompaniment are equally distributed between the primo and secondo parts. (Esther Bobrova Lange)
This lively arrangement of a common children's tune is a study for articulation ...(+)
This lively arrangement of a common children's tune is a study for articulation and for balancing melody and accompaniment. Written in the key of F Major this duet is perfect for elementary level students.The secondoremains in F Major five-finger position but must balance RH 'off-beat' chords with the LH bass line. In the middle section the primo part plays the 'off-beat' chords shifting positions one step at a time and later playing IVand V chord inversions.
The secondo provides a gentle accompaniment to a gorgeous melody found in the pr...(+)
The secondo provides a gentle accompaniment to a gorgeous melody found in the primo played both as a single line and later doubled at the octave. Pedaling is notated for either performer although the highly regarded arrangerscommonly advocate for pedaling executed by the primo performer.With careful attention to melodic shaping this duet would be a lovely addition to any program especially one featuring international folk songs.
