| Rise Up, Shepherd - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-6088G Communion Processional. Arranged by Rob Glo...(+)
Guitar SKU:
GI.G-6088G
Communion
Processional.
Arranged by Rob Glover.
This edition: Guitar
edition. Sacred. Guitar
part. With guitar chord
names. 4 pages. GIA
Publications #6088G.
Published by GIA
Publications
(GI.G-6088G). English.
Text Source: Rob Glover,
based on an African
American spiritual. Text
by Rob
Glover. Based on
African American
Spiritual. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is a Balm in Gilead - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-8148G Composed by Traditional African-American. Arranged...(+)
Guitar SKU:
GI.G-8148G Composed
by Traditional
African-American.
Arranged by Jacques
Rizzo. This edition:
Guitar edition. Sacred.
Guitar part. With guitar
chord names. 4 pages. GIA
Publications #8148G.
Published by GIA
Publications
(GI.G-8148G). English.
Text Source: African
American spiritual. Text
by Jacques
Rizzo. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Civil War Suite for Classical Guitar Guitare [Partition + Accès audio] - Avancé Mel Bay
Guitar - Advanced SKU: MB.30762M Saddle-stitched, Solos. American Music. ...(+)
Guitar - Advanced SKU:
MB.30762M
Saddle-stitched, Solos.
American Music. Book and
online audio. 24 pages.
Mel Bay Publications, Inc
#30762M. Published by Mel
Bay Publications, Inc
(MB.30762M). ISBN
9781513465692. 8.75x11.75
inches. Civil War
Suite for Classical
Guitar is a
collection of ten Civil
War-era songs arranged in
standard notation for the
advanced solo classical
guitarist. The suite
includes music from the
Confederacy and the
Union, along with
soldier's songs, parlor
songs, and an African
American spiritual. The
sequencing of the pieces
is designed to create a
musical narrative, with
songs grouped in a manner
that shows various
perspectives of the war
before ultimately
celebrating Union
victory. Throughout the
suite, extensive passages
feature delightful
special effects that
emulate period
instruments such as the
banjo, snare drum, and
fiddle. Includes access
to online
audio. $14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Élégie Guitare Guitare classique - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né Ã
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
à l'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé à La
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé Ã
Paris où il a
commencé des études
d'anglais à la
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique à la mode Ã
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait Ã
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
à jouer de
l'instrument
lui-même. Il a
commencé à composer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain Ã
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
à concilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique Ã
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment à travers le
piano à pouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
à la Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité à se
produire, Ã donner des
conférences ou Ã
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité à faire
partie du jury d'un
concours de guitare
classique Ã
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès à la fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Guitar of Blind Lemon Jefferson Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M). ISBN
9781513467016. 8.75x11.75
inches. Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Festival Gathering - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-6976G Come, All You People (Uyai Mose) / Alabaré /...(+)
Guitar SKU:
GI.G-6976G Come,
All You People (Uyai
Mose) / Alabaré /
Plenty Good Room / All
Are Welcome. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Tune Name: Uyai Mose, Two
Oaks. Sacred. Guitar
part. With guitar chord
names. 8 pages. GIA
Publications #6976G.
Published by GIA
Publications
(GI.G-6976G). English,
Spanish. Text Source:
Alexander Gondo, arr.
John L. Bell, Manuel
José Alonso and
José Pagán, African
American spritual, Marty
Haugen. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| As Far As You Can See - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-7877G Composed by Fred Nelson, III. This edition: Guitar...(+)
Guitar SKU:
GI.G-7877G Composed
by Fred Nelson, III. This
edition: Guitar edition.
Ordinary Time 6 A,
Ordinary Time 17 C.
African American Church
Music Series. Sacred.
Guitar part. With guitar
chord names. GIA
Publications #7877G.
Published by GIA
Publications
(GI.G-7877G). English.
Text by Fred Nelson, III.
Scripture: 1 Corinthians
2:9, Psalm 50:10, John
16:24, 1 John 3:22,
Matthew 7:7, Matthew
21:22, Luke
11:9. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lord, I Want to Be a Christian - Guitar Edition Guitare GIA Publications
Guitar SKU: GI.G-7832G Arranged by Lori True. This edition: Guitar editio...(+)
Guitar SKU:
GI.G-7832G Arranged
by Lori True. This
edition: Guitar edition.
Lent, Christ the King A.
Sacred. Guitar part. With
guitar chord names. 6
pages. GIA Publications
#7832G. Published by GIA
Publications
(GI.G-7832G). English.
Text Source: African
American
spiritual. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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