This version of David of the White Rock (Dafydd Y Garreg Wen) is for Voice SATB ...(+)
This version of David of the White Rock (Dafydd Y Garreg Wen) is for Voice SATB Unaccompanied and has words in both English and Welsh and rehearsal Piano line. The tune remains in the Soprano Voice with traditional and effective harmonization.Tradition has it that David Owain was a famous Welsh harpist of the 18th century who, on his deathbed, composed this lovely tune. Words were added a century later by poet Ceiriog Hughes. David of the White Rock is widely known in Wales and abroad and is frequently sung by choirs and recorded, often with harp accompaniment. / Chant Et Piano
Complete Works Volume 18ACONTENTSSongs hitherto uncollected:Over the Mountains h...(+)
Complete Works Volume 18ACONTENTSSongs hitherto uncollected:Over the Mountains high (Bjørnson) C sharp - E; Zwei braune Augen (Hans Anderson) B - C sharp; Der Fichtenbaum (Heine) E - F; Hochgebirgsleben (Ibsen) [original version] F - A (C); O schneller mein Ross (Geibel) D sharp - G (B flat); Chanson de Fortunio (de Musset) B flat - F sharp; Mit deinen blaunen Augen (Heine) [draft] E flat - A; Ein schöner Stern (Heine) E sharp - G sharp; Hör ich das Liedchen Klingen (Heine) E dbl-flat - A flat; Aus deinen Augen fliessen meine Lieder (?Heine) E flat - G flat; Nuages (Richepin) E - G; Traum Rosen (Marie Heinitz) B flat -E flat;Five Songs from theNorwegian:Slumber Song (Bjørnson) D - FThe Nightingale (Welhaven) D - GSummer Eve (Paulsen) D sharp - F dbl-sharpLonging (Th. Kjerulf) C flat - F sharpSunset (A. Munch) D - G;Five Songs from the Danish:The Page sat in the lofty Tower (Jacobsen) D - A flatDreamy Nights (Drachmann) C - GSummer Nights (On the Seashore) (Drachmann) C - G flatThrough long long Years (Red Roses) (Jacobsen) B flat - FWine Roses (Jacobsen) C sharp - E shar
Gaspare Spontini, composer and conductor, was celebrated for his operas in the l...(+)
Gaspare Spontini, composer and conductor, was celebrated for his operas in the late 1700s and early 1800s, although he also composed several pieces of vocal chamber music at the same time. The chamber repertoire was composed with the amateur performer in mind: the tessitura of his melodies falls mostly within the medium/high range and does not call for any special techniques. This does not, however, diminish the artistic value of his chamber music- indeed, it is a body of work of great interest and beauty. Each piece was written for a single voice accompanied by the piano or the harp - the two instruments most commonly found in salons of the time - and in a variety of forms: bagatelle, barcarole, chansonnette, romance, stances, stances élégiaques, élégie, strophes, Lied, romanze, ariette, melodici accenti, duetti and duetti notturni. In addition to a selection of compositions for medium-range voices - proposed here in the original tonic key - this book also includes the most celebrated and significant of Spontini's compositions. / Voix Moyenne(s) Et Piano
37 Favourite SongsInstrument : Voice and PianoType : song bookNombre de Pages : ...(+)
37 Favourite SongsInstrument : Voice and PianoType : song bookNombre de Pages : 88Six outstanding collections of favourite songs (Songs of England, Songs of Ireland, Songs of Scotland, Songs of Wales, Songs of Christmas, Songs of the Americans). All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos. Ideal for playing at home, in the classroom, or even as concert items!Includes Danny Boy, Cockles and Mussels and Down by the Salley Gardens.The edition is part of the ABRSM singing exam syllabus (grade 1,2,3).Content : Believe Me - Come Back to Erin - I Will Walk with My Love - I'll Take You Home Again, Kathleen - Kathleen Mavoumeen - Kelly the Pirate - The Gypsy Rover - The Lover's Curse - The Meeting of the Waters - The Minstrel Boy - The Rose of Tralee - The Spinning Wheel - The Young May Moon - As I Was Going Along the Road - Avenging and Bright - Cockles and Mussels - Danny Boy - Down by the Salley Gardens - Here Come the Navvies - Hey Ho, the Moming Dew - I Know Where I'm Goin' - If AII Those Endearing Young Charms - Kitty of Coleraine - Lullaby - Oft, in the Stilly Night - The Boys of Kilkenny - The Dear Little Shamrock - The Flight of the Earls - The Garden Where the Praties Grow - The Harp That Once Thro' Tara's Halls - The Irish Emigrant - The Last Rose of Summer - The Mallow Fling - The Praties They Grow Small - The Star of the County Down - The Wearin' o' the Green - Tramping Song - Trottin' to the Fair
Par BRITTEN BENJAMIN. Five songs from Harmonia Sacra , for High Voice and Harp o...(+)
Par BRITTEN BENJAMIN. Five songs from Harmonia Sacra , for High Voice and Harp or Piano, all realised by Benjamin Britten./ Répertoire / Chant et Piano
Par PURCELL HENRY. Henry Purcell's Songs Book 2 have been edited by Maureen Leha...(+)
Par PURCELL HENRY. Henry Purcell's Songs Book 2 have been edited by Maureen Lehane and Peter Wishart, and contain: Ah how sweet it is to love (E - F) Dido's lament (C - G) The fatal hour comes on apace (C sharp - F) From rosy bow'rs (C sharp - F sharp) Hark how all things with one sound rejoice (D - F) Set for the Associated Board, Guildhall School and Trinity College examinations. Henry Purcell's Songs Book 2 have been edited by Maureen Lehane and Peter Wishart, and contain: Ah how sweet it is to love (E - F) Dido's lament (C - G) The fatal hour comes on apace (C sharp - F) From rosy bow'rs (C sharp - F sharp) Hark how all things with one sound rejoice (D - F) Set for the Associated Board, Guildhall School and Trinity College examinations./ Répertoire / Chant et Piano
46Introduction by Brian TrowellCONTENTSThe Jackdaw (C - E)The Magpie (A - F shar...(+)
46Introduction by Brian TrowellCONTENTSThe Jackdaw (C - E)The Magpie (A - F sharp)Tune for Swans (E - F)The Bedpost (D - F sharp)Henry and Mary (C - E flat)Spring Sadness (C sharp - F sharp)Lament (B - F)You are a refuge (C - C)My God why hast thou forsaken me? (B flat - C)Cat Godesses (C sharp - F)The Pessimist (D - D)Quatres petits nègres blancs (E - E)A pupil of Nadia Boulanger Peter Wishart (1921-84) produced a body of song which no-one interested in our musical heritage can afford to ignore. This volume which is set for the Trinity College Licentiate and Fellowship diploma and GuildhallSchool Grade examinations brings together a dozen of his finest works in the medium that will prove ideal for recital centrepieces or as encores.
Songs by George Butterworth CONTENTSBredon Hill (C - G)Is my team ploughing? (E ...(+)
Songs by George Butterworth CONTENTSBredon Hill (C - G)Is my team ploughing? (E flat - E flat)Lads in their hundreds The (C sharp - E)Look not in my eyes (C - F)Loveliest of trees (C sharp - F)O fair enough are sky and plain (B flat - E flat)On the idle hill of summer (C sharp - F)Think no more lad (C sharp - E)When I was one and twenty (D - E)When the lad for longing sighs (D - E)With rue my heart is laden (C sharp - E)
Volume 3. Par IRELAND JOHN. CONTENTS All in a garden green (D - E) Aside (B - E)...(+)
Volume 3. Par IRELAND JOHN. CONTENTS All in a garden green (D - E) Aside (B - E) Beckon to me (C - E) Dear think not that they will forget you (C - F) Great things (C - E) Her song (C - D) In Boyhood (C sharp - F) In my sage moments (C - E) It was what you bore with you, woman (D sharp - E) Report song (C - E) Summer schemes (C - F) Sweet season (D - E) Thanksgiving (C sharp - E) Tragedy of that moment (B flat - D) Weathers (C - D) We'll to the woods no more (E flat - F) Set for the Associated Board, Guildhall School, London College and Trinity College examinations. / Niveau : Moyen / Répertoire / Chant et Piano
Bernard Stevens's Four John Donne Songs for high voice. Includes:Sweetest love ...(+)
Bernard Stevens's Four John Donne Songs for high voice. Includes:Sweetest love I do not go (E flat - F sharp)Go and catch a falling star (F sharp - A)The Good-morrow (C sharp - A)Death be not proud (B - A (G sharp))
Introduction by Peter Pears CONTENTSThe Batchelor (C sharp - F sharp)The Birds (...(+)
Introduction by Peter Pears CONTENTSThe Batchelor (C sharp - F sharp)The Birds (D - E flat)Captain Stratton's Fancy (C - F)Contented lover (E flat - A flat)Cricketers of Hambledon (B flat - F)Droll lover (B - E flat)Elore lo (C - F)Hey troly loly lo (C - F)Late summer (B - F sharp)Mr. Belloc’s Fancy (D - G (A))Piggesnie (D - G)Tom Tyler (D - F sharp (G))To the memory of a great singer (D flat - G)Set for the Associated Board Guildhall School and Trinity College Grade examinations.
Volume 5-CONTENTSBed in Summer (C - D)Blind (D - D)Cost (C - F)Friendship in mis...(+)
Volume 5-CONTENTSBed in Summer (C - D)Blind (D - D)Cost (C - F)Friendship in misfortune (D flat - F)Hope the hornblower (F - G)I have twelve oxen (C - F)If there were dreams to sell (E flat - F)If we must part (D - E)Journey (E - E)Love and friendship (C - G)Merry month of May (C - F sharp)One hope (B flat - F sharp)Song from o'er the hill (D - E flat)Three ravens (C - E flat)Tutto e Sciolto (E - E)When lights go rolling (D - F sharp)Set for the Associated Board and Guildhall School examinations.
Book 4-Edited by Edmund FellowesCONTENTSATTEY John: On a time the amorous Silvy...(+)
Book 4-Edited by Edmund FellowesCONTENTSATTEY John: On a time the amorous Silvy (A - D)CAMPION Thomas: Fair if you expect admiring (B - C); Follow thy fair sun (C sharp - C sharp)CAVENDISH Michael: Finetta fair and feat (D - D)DOWLAND John: Fine knacks for ladies (C - D); I saw my lady weep (D - D)FORD Thomas: Come Phyllis come into these bow'rs (D sharp - D); Not full twelve years twice old (A - E)JONES Robert: Love's god is a boy (C - C)PILKINGTON Francis: Now peep Bo peep (B - D)
The songs of George Butterworth with piano accompaniment. Introduction by Peter ...(+)
The songs of George Butterworth with piano accompaniment. Introduction by Peter J. PirieCONTENTSA Blacksmith courted me (E - F sharp)A brisk young sailor courted me (E - E)Come my own one (C - F)The Cuckoo (D - C)I fear thy kisses (B flat - E)I will make you brooches (C - F)A lawyer he went out (C - E)Requiescat (C - F)Roving in the dew (E flat - E flat)Seventeen come Sunday (D - E)Sowing the seeds of love (C - D)Tarry trousers (D - E)The true lover’s farewell (D - E flat)Yonder stands a lovely creature (C sharp - E)Set for the Guildhall School examinations.
Selected Songs chosen by Francois Le Roux-Exceptional singer Reynaldo Hahn (1875...(+)
Selected Songs chosen by Francois Le Roux-Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the “songs for voice and piano” genre whose raison d’être he defines in his journal as follows: “To highlight a poem word for word but without uniformity; to emphasize its meaning without distorting it; to shine light upon one idea obscure another and present it all in vocal sung form; to produce a sharp precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece”. Enhanced by an audio version attached as a download card this anthology of songs should dispel a good manymisconceptions. This is no salon miniature: L’Heure exquise radiates an infinite tenderness exalted by the high vocal cadences of Ô Bien-Aimée! and C’est l’heure exquise which surely wrought tears from the author of the verses Verlaine. Tyndaris the jewel of Heures latines clears a crystal-clear space given over to the delights of slumber and of love. Like D’une prison and Cygnes these songs do more than wet the eyes: they grip the heart.
La partition Giner Bruno : Charlie. Voix Piano. de Giner Bruno a été composée...(+)
La partition Giner Bruno : Charlie. Voix Piano. de Giner Bruno a été composée pour Musique de chambre et plus particulièrement pour Quintette. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Dhalmann. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique.' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ' (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Quintette
Compiled by Noelle BarkerCONTENTSBUSH Geoffrey: The end of love (C - F)DOWLAND ...(+)
Compiled by Noelle BarkerCONTENTSBUSH Geoffrey: The end of love (C - F)DOWLAND John: Come away come sweet love (F sharp - F)HATTON John Liptrot: The Hag (A - F)HOLST Gustav: Betelgeuse (B - F)IRELAND John: My true love hath my heart (D - F sharp)PARRY Hubert: Dirge in the woods (B - E)PINTO George Frederick: Invocation to nature (D - F)PURCELL Henry: Dear pretty youth (D - E); Sweeter than roses (B - E)SULLIVAN Arthur: The Willow Song (B - E)THIMAN Eric: I wandered lonely as a cloud (C - F)WEBB William: As life what is so sweet (C - E)WELDON John: The wakeful nightingale (D - F)
Selected from Musica Britannica Volume 33 edited by Ian SpinkCONTENTSWilt thou...(+)
Selected from Musica Britannica Volume 33 edited by Ian SpinkCONTENTSWilt thou forgive the sin? D - G (John Hilton)Wilt Chloris cast her sun-bright eyes? G sharp - F (Simon Ives)Mark how the blushful morn D - G (Nicholas Lanier)Stay silly heart and do not break D - F (Nicholas Lanier)Bid me but live and I will live G - F (Henry Lawes)No no fair heretic it cannot be E - F(G) (Henry Lawes)Out upon it I have lov'd C - D (Henry Lawes)Sweet stay awhile why do you rise? D - G (Henry Lawes)Will you know my mistress' face? E flat - F (Henry Lawes)Faith be no longer coy F - G (William Lawes)Since 'tis my fate to be thy slave E - E(William Webb)In a season all oppressed G sharp - E (John Wilson)Since love hath in thine and mine eye D - F (John Wilson)Take O take those lips away G - G (John Wilson)Wherefore peep'st thou envious day? G - A (John Wilson)Set for the Associated Board Grade 5 examination.
And Other Songs-Introduction by John LongmireCONTENTSEncounter (G - G)Epilogue (...(+)
And Other Songs-Introduction by John LongmireCONTENTSEncounter (G - G)Epilogue (F - A flat)Goal and wicket (E - G)If we must part (D - E)Ladslove (F - A flat)Lent Lily (G - F sharp)Vain desire (E - A flat)What art thou thinking of (E - G flat)When lights go rolling (D - F sharp)Set for the Associated Board DipABRSM and LRSM examinations.
CONTENTSCuisine Provencale (C - G)End of Love The (C - F)Far-darting Apollo (C ...(+)
CONTENTSCuisine Provencale (C - G)End of Love The (C - F)Far-darting Apollo (C - G)Introspection (B flat - G)Lament (C - G)Love for such a cherry lip (C sharp - F sharp)Song of Praise A (C - G)There is a garden in her face (C - F)