Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th, 1943. Written with the wartime audience in mind, it is unashamedly popular in style, with its flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key, as it makes almost equal use of both, starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer, who followed the tradition of R. Vaughan Williams and John Ireland by collecting, preserving, and using many folk songs, mainly from Norfolk, Suffolk, and Ireland. / Piano Et Orchestre

Piano Concerto No. 2 for Piano and Orchestra (2009) by Poul Ruders.Commissioned by The Norwegian Radio Orchestra and Jerome Lowenthal. Solo Piano part: WH31129CProgramme Note In this day and age when faced with the challenge of writing a 'Piano Concerto' e.g. a piece for symphony orchestra and an all-dominating and virtuosic solo Piano part one has two options: either: DO or do NOT go for it wholesale exploiting and enjoying the conrnucopia of sonorous treasures offered by the combination of the orchestra and the 'Grand Piano'. I have opted to go for it. When writing forone of our great young international Piano stars it would be absurd and a waste to do anything less and only 'nibble at the goodies'.However the piece is not a big clunky 'machine'. Rather it is a transparently orchestrated neo-classic (for the lack of a better work) composition in three movements lastign approximately 25 minutes.The piece begins with a moderately paced opening in which the Piano gradually gathers momentum and strength beginning with the most gentle of motifs. In this movement the soloist and orchestra fo not always agree and the vigilant listener will observe the disparity between the two. Following a swift up-beat coda the movement stops almost in mid-breath on one of the gentle Piano chords taken from the very opening.The extreme simplicity of the second movement 'Semplice' (the opening Piano solo bears the marking: 'slightly hesitant - like a child practicing') is after having been joined by the Vibraphone Harp and solo Violin suddenly violated with unprecedented brutality by the rest of the orchestra which virtually 'lies in wait - panting to pounce'. But eventually calm and order is restored.The finale is a crazy rondo of sorts. The marking 'Avanti Risoluto' (Forward with Resolve) is a bit of an understatement. It is a full throttle no hold barred ride -

Par TAKEMITSU TORU. Détails de la formation instrumentale: 3 (2. auch Picc., 3. auch Alt Flûte Traversière ) · 3 (3. auch Engl. Hr.) · 3 (2. auch Es-Klar.) · Bassklar. · 3 (3. auch Kfg.) - 4 · tp(D) · 2 · 3 · 0 - Percussion (Glsp · vibr · marimb · xyl · t.bells · 3tamt · timp) (4 players) - 2 harps, celesta - Str. (14 · 12 · 10 · 8 · 6) - Durée: 14' -/ Répertoire / Piano et Orchestre

Par RACHMANINOV SERGEI. Détails de la formation instrumentale: 2.2.2.2-4.2.3.0-timp.perc:cyms/tgl-strings - Durée: 26' -/ Répertoire / Piano et Orchestre