SKU: BT.DHP-1185988-070

ISBN 9789043156516.

B eauty and the Beast has one of the most famous Disney themes ever, and it was recently recorded by Ariana Grande and John Legend for the 2017 remake. Everyone has a nice part to play in this easy-intermediate version for quartet.

De film Beauty and the Beast heeft een van de beroemdste Disney-titelsongs ooit. Voor de remake in 2017 is dit prachtige nummer opgenomen door Ariana Grande en John Legend. In deze eenvoudige tot gemiddeld moeilijke versie voor kwartet heeft ieder een fraaie partij om te spelen.

Beauty and the Beast (Die Schöne und das Biest“) hat einen der bekanntesten Disney-Titelsongs überhaupt, der kürzlich von Ariana Grande und John Legend für die Neuverfilmung 2017 aufgenommen wurde. In dieser leichten bis mittelschweren Quartettversion hat jeder eine schöne Stimme zu spielen.

La Belle et la Bête contient l’une des chanson-thèmes de Disney les plus célèbres - elle a été récemment enregistrée par Ariana Grande et John Legend pour la reprise de 2017 du film. Tous les instruments ont de belles parties jouer dans cette version pour quatuor de niveau facile-intermédiaire.< /p>

SKU: AP.1-ADV7473

ISBN 9783892218531. UPC: 805095074734. English.

Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.

SKU: AP.1-ADV7472

ISBN 9783892218524. UPC: 805095074727. English.

Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.

SKU: AP.1-ADV7471

ISBN 9783892218371. UPC: 805095074710. English.

Dating back to 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece was not and is beautifully rendered here for saxophone quartet.

SKU: AP.1-ADV7470

ISBN 9783892218364. UPC: 805095074703. English.

Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.

SKU: AP.1-ADV7458

UPC: 805095074581. English.

Gardel was one of the leading composers and performers of tango music before Piazzolla. In this arrangement, all players take turns carrying the main melody.

SKU: HL.48182974

UPC: 888680877118. 9.0x12.0x0.022 inches.

Written by Robert Clerisse, Serenade Variee is a serenade piece for Bb soprano saxophone or tenor and piano accompaniment. Perfect for intermediate players, this volume features the score and parts. The serenade itself is very melodious. It starts Andantino to evolve to Andante before coming back to the main tempo before a harmonious finale. Robert Clerisse (1899-1973) was a saxophonist and composer. He was the founder of the Marcel Mule Saxophone Quartet.

SKU: HL.48024645

ISBN 9781784544034. UPC: 888680949099.

In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.

SKU: HL.48024644

ISBN 9781784544010. UPC: 888680949082. 9.0x12.0x0.273 inches.

In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.