(with Amazing Grace) Composed by Jonathan Rea, Keith Getty, orchestrated by Mich...(+)
(with Amazing Grace)
Composed by Jonathan Rea,
Keith Getty, orchestrated
by Michael Lawrence,
arranged by Tom Fettke.
Octavo for SATB choir and
piano accompaniment.
Series: Alfred SingPraise
Series. 12 pages.
Published by Alfred
Publishing.
Organ - intermediate-adv SKU: HL.44006367 American Tunes and Spiritual...(+)
Organ - intermediate-adv
SKU: HL.44006367
American Tunes and
Spirituals. By Gunter
Kaluza. Edited by Gü and
nter Kaluza. De Haske
Play-Along Book. Play
Along. Softcover.
Composed 1998. 48 pages.
De Haske Publications
#0981142401. Published by
De Haske Publications
(HL.44006367).
ISBN
9789043101844. UPC:
884088084684.
9.0x12.0x0.158 inches.
International (more than
one
language).
These
arrangements for organ in
the style of folk and
spiritual music were
created during the 19th
century. They provide the
occasional glimpse of the
old African jumba dances
and plantation songs.
Each arrangement is a
unique step on a voyage
of discovery into the
fascinting characteristis
of this music. 16
arrangements of beloved
spirituals, including:
Morning Has Broken *
Amazing Grace * Nobody
Knows the Trouble I've
Seen * Were You There? *
Deep River * Lord, I Want
to Be a Christian * Steal
Away to Jesus * Let Us
Break Bread Together * Go
Tell It on the Mountain *
Is There Anybody Here? *
Swing Low, Sweet Chariot
* Greensleeves.
Amazing Grace Cloches - Intermédiaire Hope Publishing Company
Arranged by Cynthia Dobrinski. For 3-5 octave Handbells. Sacred, Conflict - Spir...(+)
Arranged by Cynthia
Dobrinski. For 3-5 octave
Handbells. Sacred,
Conflict - Spiritual, God
- Grace, Grace, Guidance,
Heaven, Music and
Singing, Promise,
Salvation, General. Grade
3. Handbell score.
Published by Hope
Publishing Company
(Incorporating Amazing Grace ). By Lloyd Larson. For SATB/SAB Choir and Piano. ...(+)
(Incorporating Amazing
Grace ). By Lloyd Larson.
For SATB/SAB Choir and
Piano. Sacred Anthem:
General, Holy Communion,
Lent. Octavo. 12 pages.
Published by Lorenz
Publishing Company
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.
Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:00. Published
by Manhattan Beach Music.
Violin SKU: HL.360036 Composed by Various. Instrumental Folio. Chris...(+)
Violin
SKU:
HL.360036
Composed by
Various. Instrumental
Folio. Christian, General
Worship, Worship.
Softcover. 120 pages.
Published by Hal Leonard
(HL.360036).
ISBN
9781705122822. UPC:
840126947168. 9.0x12.0
inches.
This
glorious collection
provides hours of
repertoire for
instrumentalists.
Includes: Amazing Grace
(My Chains Are Gone)
â?¢ As the Deer â?¢
The Blessing â?¢ Build
My Life â?¢ Do It Again
â?¢ Draw Me Close â?¢
Everlasting God â?¢
Goodness of God â?¢
Great Are You Lord â?¢
Here I Am to Worship
(Light of the World)
â?¢ How Great Is Our
God â?¢ In Christ Alone
â?¢ Living Hope â?¢
Mighty to Save â?¢
Oceans (Where Feet May
Fail) â?¢ Open the Eyes
of My Heart â?¢ Shout
to the Lord â?¢ 10,000
Reasons (Bless the Lord)
â?¢ This Is Amazing
Grace â?¢ Way Maker
â?¢ Yet Not I but
Through Christ in Me
â?¢ Your Name â?¢ and
many more!
Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094826-010 Arranged by Takas...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094826-010
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094826-010.
Published by De Haske
Publications
(BT.DHP-1094826-010).
9x12 inches.
English-German-French-Dut
ch.
After he had
survived a heavy sea
storm, John Newton
(1725-1807), captain of a
slave ship, became a
priest and from then on
he fought for the
abolition of slavery.
During his tenure he
wrote several hymns, of
which Amazing
Grace certainly is
the best known. The
melody assumedly derives
from a song by the
African slaves. Takashi
Hoshide has written a
compelling arrangement of
this beautiful melody.
Nachdem er einen
heftigen Seesturm
glücklich überlebt
hatte, wurde John Newton
(1725-1807), der bis dato
Kapitän eines
Sklavenschiffs gewesen
war, Pfarrer und
kämpfte fortan für
die Abschaffung der
Sklaverei. Während
seiner Amtszeit schrieb
er mehrere Kirchenlieder,
von denen Amazing
Grace sicherlich das
bekannteste ist.
Vermutlich stammt die
Melodie von einem Lied
der afrikanischen
Sklaven. Takashi Hoshide
schuf ein
unwiderstehliches
Arrangement für
Blasorchester dieser
schönen
Melodie.
Dopo essere
sopravissuto ad una
violenta tempesta in
mare, John Newton
(1725-1807), capitano
della propria nave e
mercante di schiavi,
divenne pastore e
cominciò a battersi
per l’abolizione
della schiavitù.
Scrisse diversi inni, il
più celebre dei quali
è Amazing
Grace. L’aria
è probabilmente
ripresa da una melodia
cantata dagli
schiavi.
Amazing Grace Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094826-140 Arranged by Takas...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1094826-140
Arranged by Takashi
Hoshide. New Sounds for
Concert Band. Score Only.
Composed 2009. 24 pages.
De Haske Publications
#DHP 1094826-140.
Published by De Haske
Publications
(BT.DHP-1094826-140).
9x12 inches.
English-German-French-Dut
ch.
After he had
survived a heavy sea
storm, John Newton
(1725-1807), captain of a
slave ship, became a
priest and from then on
he fought for the
abolition of slavery.
During his tenure he
wrote several hymns, of
which Amazing
Grace certainly is
the best known. The
melody assumedly derives
from a song by the
African slaves. Takashi
Hoshide has written a
compelling arrangement of
this beautiful melody.
Nachdem er einen
heftigen Seesturm
glücklich überlebt
hatte, wurde John Newton
(1725-1807), der bis dato
Kapitän eines
Sklavenschiffs gewesen
war, Pfarrer und
kämpfte fortan für
die Abschaffung der
Sklaverei. Während
seiner Amtszeit schrieb
er mehrere Kirchenlieder,
von denen Amazing
Grace sicherlich das
bekannteste ist.
Vermutlich stammt die
Melodie von einem Lied
der afrikanischen
Sklaven. Takashi Hoshide
schuf ein
unwiderstehliches
Arrangement für
Blasorchester dieser
schönen
Melodie.
Dopo essere
sopravissuto ad una
violenta tempesta in
mare, John Newton
(1725-1807), capitano
della propria nave e
mercante di schiavi,
divenne pastore e
cominciò a battersi
per l’abolizione
della schiavitù.
Scrisse diversi inni, il
più celebre dei quali
è Amazing
Grace. L’aria
è probabilmente
ripresa da una melodia
cantata dagli
schiavi.
Assembly,cantor,SATB choir, keyboard accompaniment, C instrument,keyboard SKU...(+)
Assembly,cantor,SATB
choir, keyboard
accompaniment, C
instrument,keyboard
SKU: GI.G-005858
Composed by Marcy Weckler
Barr. Lent 3 Year A, Lent
5 Year A. Tune Name: Were
You There And Amazing
Grace. Sacred. Octavo.
GIA Publications #005858.
Published by GIA
Publications
(GI.G-005858).
UPC:
641151058580.
These
two treasured hymns are
cleverly set for 4-part
choir supported by a
gentle keyboard part and
flowing flute descant.
The last 2 verses feature
both hymns sung
concurrently. Your choir
will enjoy learning and
performing this one and
the assembly will readily
join in. A beautiful,
spiritual reflection on
how truly amazing is the
grace of our Lord‚
suffering and
crucifixion.
Arranged by Jean Anne Shafferman. For Choir. (2-Part). Choral Octavo. Level: Le...(+)
Arranged by Jean Anne
Shafferman. For Choir.
(2-Part). Choral Octavo.
Level: Level 2 (grade
L2). Choral Octavo. 8
pages. Published by
Alfred Publishing.
Composed by Dale
Jergenson.
Multi-Movement/Large
Choral Work. Catholic
Year C Ordinary31. 21st
Century. Choral score.
Duration c. 15 minutes.
Laurendale Associates
#CH-1220. Published by
Laurendale Associates
(MN.CH-1220).
It was during a
short, weekend vacation
cruise to Ensenada. B.C.
(from Los Angeles) with
the St. Cyril Choir that
the idea for an Amazing
Grace Mass came about.
The more I thought about
it, the more I liked the
idea of writing for
chorus and bagpipes.
The early draft
used two bagpipes, but
when we had a piper come
to a rehearsal so that we
could see how it would
work, it became readily
apparent that one piper
would be more than
enough. It was, in fact,
just right. The final
form of the piece was
achieved by a process of
progressive
simplification, i.e., the
bagpipe part had to be
simplified in order for
it to be coherent and not
just noise. The chorus,
needed simplification in
order to compete with the
sheer volume of the
bagpipe during
performance. Thus, the
piper basically plays the
tune Amazing Grace
throughout each movement
of the Mass, while the
chorus sometimes sings
the same tune, and
sometimes sings
uncomplicated lines
against the piper
melody.
The text
is the full Proper of the
Roman Catholic Mass in
Latin.
(Instr. Parts) SKU: HP.C5936P Composed by Charles Wesley. Arranged by Mic...(+)
(Instr. Parts)
SKU:
HP.C5936P
Composed by
Charles Wesley. Arranged
by Michael Hurley. Piano
with Optional
Instrumental Parts:
Acoustic Guitar, Bass,
Violin & Djembe-Doumbek.
General Worship, Sacred.
Instrumental parts. Hope
Publishing Company
#C5936P. Published by
Hope Publishing Company
(HP.C5936P).
UPC:
763628259365. By Charles
Wesley. Ephesians
2:4-9.
Original
melody with words by
Charles Wesley Using
both the beloved lyrics
from John Newton's
Amazing Grace and the
refrain from Charles
Wesley's And Can It Be,
here is Amazing Grace &
Love with a brand-new
original melody. The tune
is in Dorian mode which
perfectly fits the
triple-meter, Celtic,
sea-chanty style. The
final verse moves to the
parallel major key in
order to lift and
showcase the beloved and
timeless text.
Composed
by George Sweet. Young
Band (YPS). Full score.
With Standard notation.
16 pages. Carl Fischer
Music #YPS214F. Published
by Carl Fischer Music
(CF.YPS214F).
ISBN
9781491153017. UPC:
680160910519.
This
new piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.
By Frank Milholland. For Piano. The FJH Sacred Piano Library. Contents include: ...(+)
By Frank Milholland. For
Piano. The FJH Sacred
Piano Library. Contents
include: O Worship the
King; Wonderful Grace of
Jesus; Open My Eyes, That
I May See; Amazing Grace;
Praise Him! Praise Him!;
The Solid Rock; Blessed
Assurance; God Will Take
Care of You; Stand Up,
Stand Up for Jesus.
Sacred. Level: Early
Advanced. Book. Published
by The FJH Music Company
Inc.
Christmas Grace Orchestre d'harmonie [Conducteur] - Débutant Excelcia Music Publishing
Concert Band - Grade 1.5 SKU: XC.HCB2009FS Silent Night, Away in a Man...(+)
Concert Band - Grade 1.5
SKU: XC.HCB2009FS
Silent Night, Away in
a Manger, Greensleeves,
Amazing Grace.
Composed by Larry Clark.
Harmony Band Series.
Christmas and Holiday.
Score. Excelcia Music
Publishing #HCB2009FS.
Published by Excelcia
Music Publishing
(XC.HCB2009FS).
UPC:
812598033977. 9 x 12
inches.
Intertwinin
g folk songs and
Christmas carols gives
Christmas Grace a unique
voice in the holiday
catalog. Great for
expressive playing, this
work includes SIlent
Night, Away in a Manger,
Greensleeves and Amazing
Grace.
SKU: WD.080689629235 Choral. Sacred Anthem, Christmas. Octavo. Word Music...(+)
SKU:
WD.080689629235
Choral. Sacred Anthem,
Christmas. Octavo. Word
Music #080689629235.
Published by Word Music
(WD.080689629235).
UPC:
080689629235.
Set
to the tune of
“Amazing
Grace,†and
offering two optional
endings, this gorgeous
ballad will lead your
congregation into a time
of sweet worship of the
Baby born in a manger
bed. Behold the Grace
of God, from arranger
J. Daniel Smith, sings of
the Love that came to
seek and save and the
amazing grace the world
beheld as Earth and
Heaven met
face-to-face.
Christmas Grace Orchestre d'harmonie - Débutant Excelcia Music Publishing
Concert Band Concert Band - Grade 1.5 SKU: XC.HCB2009 Silent Night, Aw...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
XC.HCB2009
Silent
Night, Away in a Manger,
Greensleeves, Amazing
Grace. Composed by
Larry Clark. Harmony Band
Series. Christmas and
Holiday. Set of parts.
Excelcia Music Publishing
#HCB2009. Published by
Excelcia Music Publishing
(XC.HCB2009).
UPC:
812598033410. 9 x 12
inches.
Intertwinin
g folk songs and
Christmas carols gives
Christmas Grace a unique
voice in the holiday
catalog. Great for
expressive playing, this
work includes SIlent
Night, Away in a Manger,
Greensleeves and Amazing
Grace.
Amazing Grace Orgue - Intermédiaire Lorenz Publishing Company
(Heartfelt Hymns and Gospel Songs for Organ and Piano). By Mary Mcdonald. For or...(+)
(Heartfelt Hymns and
Gospel Songs for Organ
and Piano). By Mary
Mcdonald. For organ:
3-staff and piano.
Sacred. Moderately
difficult. Published by
Lorenz Publishing Company
Composed by
George Sweet. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+1+2+3+16+2
pages. Duration 2
minutes, 49 seconds. Carl
Fischer Music #YPS214.
Published by Carl Fischer
Music (CF.YPS214).
ISBN 9781491152331.
UPC: 680160909834. Key:
Bb major.
This new
piece from composer
George Sweet is a
delightful combination of
Scotland the Brave and
Amazing Grace. Each tune
on its own is wonderful,
but in Sweet's setting,
they are masterfully
layered to reflect the
composer's
Scottish-American
heritage. This
presentation of a
Scottish melody with
Americana-inspired
harmonies is a stunning
example of compositional
craft. Bravery and
Grace is a setting of the
unofficial Scottish
national anthem, Scotland
the Brave. While the
melody is taken from
Scotland the Brave, the
accompaniment and harmony
both have a
“Western
Americana†feel,
reminiscent of composers
like Roy Harris and Aaron
Copland. Â This
combination of a Scottish
melody with American
harmony is a reflection
of the composer’s
Scottish-American
Heritage.The piece begins
with a fragment of
Scotland the Brave
presented in a lush and
reflective context. The
main theme is performed
in full by the upper
voices at m. 9. The
middle voices perform the
material at m. 17, and
the lower voices perform
it again at m. 33. This
results in a loud passage
representing pipers at m.
46. The traditional
spiritual Amazing Grace
appears suddenly at m. 51
in a somewhat polytonal
setting. This is, once
again, reminiscent of
practices of the
aforementioned American
composers. Â After this
lyrical presentation, a
fragment of the main
theme returns at m. 66.
This is followed by a
broad restatement of the
theme at m. 70 and a
brisk conclusion with a
final flair of
polytonality.