Sadie Harrison's A Journey for Double Bass and Piano. Composed in 2015 revised and published in 2016. Duration: 8 minutes.This four movement work was written at the request of bassist Ben Groenevelt for his pupil Alex Gibberd with funds provided by Bristol City Council’s Guild of Guardians in recognition of Alex’s contribution to the musical life of the city. A Journey is a reflection of Bristol’s history as a trading port with routes to the Americas Northern Europe and the Far East with movements entitled:I Deep South - ‘lazy darkblues’II The Eastern Road - ‘austere theatre’III Northern Lights - ‘a frozen glittering landscape’IV Wayout West! - ‘jaunty hoedown’

Sadie Harrison's Hantu for Double Bass and Piano. Composed 2013 and published 2016. Duration: 8 minutes.Hantu was written especially for Nick Lum as part of the first prize awarded for his performance in the Wells Double Bass Recital Competition in 2013. The title means ‘ghost’ in Malaysian (Lum is from Kuala Lumpar) with the piece taking its inspiration from the country’s annual Festival of the Hungry Ghosts. The Piano is transformed into a westernised gamelan orchestra with ‘gongs’ ‘kendang drums’ and ‘bamboo flutes’. The music ishighly repetitive with rhythm and pitch cycles used to imitate the structure of much gamelan music.The piece is divided into three main sections. The first and last are dark and menacing  marked ‘a slow procession of spirits’. The central section entitled ‘The ghost’s dance’ is a quirky virtuosic interplay between pizz and arco building to a wild crescendo before a return to the procession which gradually disappears into the night.The Double Bass is often used in its highest lyrical register singing out fragments from a Malaysian melody entitled Anak Indung. This tune is heard over the top of the procession music an attempt to dispel the evil spirits through the beauty of song.The piece was kindly commissioned by The Friends of Music at Wells Cathedral School and given its first performance by Nick Lum and Gemma Beeson at Wells Cathedral School on 23 June 2013.

Composées à la demande de son éditeur et achevées en octobre 1873, les 6 pièces Op, 19 pour piano se situent entre le Sextuor 0p, 18 et le célèbre ballet 'Le Lac des cygnes ' Op, 20, Vers 1887 Tchaikovsky réalise une transcription de la quatrième de ces pièces pour A Brandoukov (1859-1930), Violoncelliste virtuose et ami de l'auteur, le 'Pezzo capriccioso', composé la même année, lui est également dédié, A cette occasion Tchaikovsky modifie la tonalité de la pièce et ajoute la cadence précédant la réexposition,La transcription pour contrebasse et quintette à cordes de Daniel Marillier and Régis Prudhomme, issue des deux versions du Nocturne, est proposée dans une tonalité adaptée au registre de l'instrument,Le Nocturne de P I Tchaikovsky a été enregistré par Daniel Marillier dans cette adaptation pour quintette à cordes de Régis Prudhomme, CD : POL 540 163 'INTEGRAL DIstribution, / Contrebasse Et Orchestre