Arrangeur : Michel Bontoux L’intérêt pédagogique des Suites pour ...(+)
Arrangeur : Michel Bontoux L’intérêt pédagogique des Suites pour le violoncelle de Jean-Sébastien Bach retranscrites pour la clarinette basse est triple : I. Tous les niveaux de difficultés techniques se rencontrent dans ces pages, de la Sarabande, de la cinquième Suite jusqu’au Prélude de la sixième. II. La tessiture de la clarinette basse correspond à la tessiture du violoncelle. Pour la transcription des parties monodiques, il n’y a aucun problème, la hauteur du son est toujours respectée. III. On ne peut pas rester insensible à la musique du Cantor et on ne peut pas jouer froidement une œuvre qui fait partie des fondements de la musique classique. Michel Bontoux / Partitions classique / Bois / Hautbois / BILLAUDOT
LUSKELL est une pièce pour Bande de Hautbois intégrant des élèves hautboï...(+)
LUSKELL est une pièce pour Bande de Hautbois intégrant des élèves hautboïstes et bassonistes de cycle 1 and 2, Cette oeuvre a été commandée par l'association ' Bémols Perplexes ' sur l'impulsion de son directeur artistique : Claude Villevieille, Elle a été jouée pour la première fois le 9 février 01/01/14 à la maison de la musique de Nanterre (92) lors du concert des 20 ans de ' La Bande des Hautbois ', Une deuxième pièce, WOZNYA, est venue compléter cette commande,Cette pièce (ternaire) commence par une introduction en forme de berceuse qui utilise les notes harmoniques des hautbois et cor anglais, Puis les percussions annoncent une partie ' swinguée ' qui fait la part belle aux élèves hautboïstes et bassonistes, La Bande de Hautbois se charge des refrains durant ce swing, Les élèves hautboïstes les plus avancés se retrouvent solistes le temps d'un couplet et répondent à leurs camarades durant quelques mesures, LUSKELL se termine par un tutti mêlant élèves et Bande de Hautbois,NB : Les parties de hautbois et basson proposent quatre niveaux de difficultés pour des élèves de 1er cycle et début de 2nd cycle en conservatoire ou école de musique, Les parties A étant les plus simples (débutant) et D les plus difficiles, B and C correspondent à des niveaux intermédiaires entre ces deux extrêmes, A titre d'exemple - A - 1C2A / B - 1C3A / C - Fin 1er cycle / D - 2C1A ? à surtout adapter, moduler en fonction des élèves musiciens et de leur parcours, Collection Les bandes de hautbois / Hautbois
WOZNYA est une pièce pour Bande de Hautbois intégrant des élèves hautboïs...(+)
WOZNYA est une pièce pour Bande de Hautbois intégrant des élèves hautboïstes et bassonistes de cycle 1 and 2, Cette oeuvre a été commandée par l'association ' Bémols Perplexes ' sur l'impulsion de son directeur artistique : Claude Villevieille, Elle a été jouée pour la première fois le 9 février 01/01/14 à la maison de la musique de Nanterre (92) lors du concert des 20 ans de ' La Bande des Hautbois ', Une deuxième pièce, LUSKELL, est venue compléter cette commande,WOZNYA est une sorte de chevauchée héroïque, La métrique est binaire tout au long de l'oeuvre, Le premier thème de cette pièce (en sol mineur) est exposé par les élèves hautboïstes et bassonistes, Ils sont accompagnés par la caisse-claire, Le deuxième thème (en do mineur) est proposé par les musiciens d'une Bande de Hautbois, Ces derniers enchaînent avec une reprise de la première mélodie légèrement modifiée, La fin de celle-ci voit se rapprocher les élèves et la Bande de Hautbois, La redite du deuxième motif est entendue en tutti, Et ce sont les élèves qui terminent la pièce avec un petit rappel du premier thème,NB : Les parties de hautbois et basson proposent quatre niveaux de difficultés pour des élèves de 1er cycle et début de 2nd cycle en conservatoire ou école de musique, Les parties A étant les plus simples (débutant) et D les plus difficiles, B and C correspondent à des niveaux intermédiaires entre ces deux extrêmes, A titre d'exemple - A - 1C2A / B - 1C3A / C - Fin 1er cycle / D - 2C1A ? à surtout adapter, moduler en fonction des élèves musiciens et de leur parcours, Collection Les bandes de hautbois / Hautbois
Par WATTS SARAH. Oboe Hub is a collection of colourful and quirky new pieces, st...(+)
Par WATTS SARAH. Oboe Hub is a collection of colourful and quirky new pieces, studies, duets and trios for bassoons. The book will inspire elementary and intermediate players, providing new music that will support exam preparation, as well as fun arrangements of well-known tunes. There are also duets and trios to play with other bassoonists. Oboe Hub is a highly useful resource with plenty of new material for teachers and students./ Etude / Hautbois
Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroqu...(+)
Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroque pieces for any oboist and are perfect training ground for the instrumentalist looking to learn ensemble playing. Classic trio sonatas of their age they utilized a background of flute and basso continuo - a semi-improvised accompaniment commonly carried out by both a harpsichord and a viola da gamba the two instruments serving as a full bass line supporting the other instruments. The oboist is here afforded a wonderful opportunity to play this beautiful music in association with the wonderful Rameau Trio. Not too difficult these pieces are perfect for the intermediate oboist or for the beginner looking toward amoderate challenge. Listen to and study master oboist Virginia Brewer performing with the Trio then you take your place with this group for one of the most marvelous experiences in chamber music - the Baroque trio sonata. Includes a printed guide to period ornamentation complete with musical examples. Performed by Virginia Brewer oboe Accompaniment: The Rameau Trio: Jean Antrim flute Jocelyn Chaparro harpsichord Fortunato Arico viola da gamba
This new collection of 11-14 Rubank solos includes many that had long been unava...(+)
This new collection of 11-14 Rubank solos includes many that had long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Available December 2017. (Percussion book includes snare solos, bass drum solos, and percussion ensembles.) / Hautbois
Par EDLEFSEN BLAINE. with Fred Weber
The Belwin Student Instrumental Course is t...(+)
Par EDLEFSEN BLAINE. with Fred Weber
The Belwin Student Instrumental Course is the first and only complete course for individual instruction of all band instruments. Like instruments may be taught in classes. Cornets, trombones, baritones, and basses may be taught together. The course igned to give the student a sound musical background and at the same time provide for the highest degree of interest and motivation. The entire course is correlated to the band oriented sequence. To make the course both authoritative and practical, moks are co-authored by a national authority of each instrument in collaboration with Fred Weber, perhaps the most widely-known and accepted authority at the student level. / Méthode / Méthode / Hautbois
Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, eac...(+)
Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Hautbois
Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, eac...(+)
Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Hautbois
Arrangeur: Evelyn Rothwell. Par SAMMARTINI GIOVANNI BATTISTA. Sammartini Sonate ...(+)
Arrangeur: Evelyn Rothwell. Par SAMMARTINI GIOVANNI BATTISTA. Sammartini Sonate en sol majeur pour hautbois et piano édité et arrangé par Evelyn Rothwell. Basse chiffrée réalisée par A. Gibilaro. / Niveau : Intermédiaire à Avancé / Rép Classique / Répertoire / Hautbois
Version 2010-“Books talk to each other” - Umberto Eco’s statem...(+)
Version 2010-“Books talk to each other” - Umberto Eco’s statement could just as easily apply to music as Les Citations for Oboe Harpsichord Double Bass and Percussion by Henri Dutilleux (1916-2013) brilliantly proves. Written in 1991 the score was reworked by the composer for the Festival d’Auvers-sur-Oise where the new version premiered in June 2010. The origin of this work goes back to For Aldeburgh 85. Written for the 75th birthday of singer Peter Pears the piece takes up a fragment of Peter Grimes whose leading role had been written by Britten for the beloved tenor. Dutilleux adds a page titled FromJanequin to Jehan Alain in which appears a song from the Renaissance composer “L’espoir que j’ay d’acquerir vostre grace” used by J. Alain in his Variations for Organ on a theme by Clément Janequin. The junction between the two parties is made through an Interlude that introduces the “wolf’s moan” theme from the ballet Le Loup (The Wolf) composed by Dutilleux in 1953 for the troupe of Roland Petit. This subtle tangle of quotations forms a shimmering and sensual work where the uniqueness of an authentic artist powerfully asserts itself.
on Themes by Gluck-Freely adapted from various movements from Six Sonatas for tw...(+)
on Themes by Gluck-Freely adapted from various movements from Six Sonatas for two violins and figured bass published in London 1746.The edition is part of the ABRSM syllabus (grade 5 7).
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
The magnificent interweaving of harmonies and dialogue-like Voices in Handel&rsq...(+)
The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.
Master Solos book/CD packs are a fresh source of solo literature in a comprehens...(+)
Master Solos book/CD packs are a fresh source of solo literature in a comprehensive package for developing instrumentalists. The collections for the various instruments were personally selected and performed by world-famousperforming artists and educators (see below) and each features a specially prepared lesson. Every Master Solos pack includes 8 selections by renowned composers ? different for each instrument ? and a pianoaccompaniment book. The accompanying CDs are uniquely designed to serve in practice and performance situations and offer immeasurable benefits for the intermediate soloist and for the instrumental instructor. The first trackfeatures the solo performance with piano accompaniment providing tempo and musical style and the second track is the piano accompaniment only designed for rehearsal. The recorded accompaniment can also be used inperformances. Flute by Gary Sigurdson Oboe by Don Jaeger Bassoon by Leonard Sharrow Bb Clarinet by Ramon Kireilis Eb Alto Saxophone by Larry Teal Bb Trumpet/Cornet by Robert Getchell Horn by Louis Stout Trombone byBuddy Baker Baritone Horn by Larry Campbell Tuba by Daniel Perantoni Percussion by Peter Magadini. All books edited by Linda Rutherford.