(violin 1). By Franz Schubert (1797-1828). Edited by Peter Hauschild. For orches...(+)
(violin 1). By Franz
Schubert (1797-1828).
Edited by Peter
Hauschild. For orchestra.
This edition: Urtext.
Orchester-Bibliothek
(Orchestral Library).
Individual part. 12
pages. Published by
Breitkopf and Haertel
(wind set). By Franz Schubert (1797-1828). Edited by Peter Jost. For Solo Parts,...(+)
(wind set). By Franz
Schubert (1797-1828).
Edited by Peter Jost. For
Solo Parts, Mixed Choir,
Organ, Orchestra. This
edition: wind parts.
Breitkopf Orchestral
Library. Wind set,
Urtext. 152 pages
(violin 1). By Franz Schubert (1797-1828). Edited by Peter Gulke. For orchestra....(+)
(violin 1). By Franz
Schubert (1797-1828).
Edited by Peter Gulke.
For orchestra. This
edition: Violin 1.
Breitkopf Orchestral
Library. Individual part,
Urtext. 8 pages
24 Piano Transcriptions - 2nd Edition (From Orchestral, Operatic, Vocal, and Cha...(+)
24 Piano Transcriptions -
2nd Edition (From
Orchestral, Operatic,
Vocal, and Chamber
Works). Edited by
Transcr. Robert Schultz.
For Piano. This edition:
2nd. Masterworks; Piano
Collection; Piano
Supplemental. Alfred's
Classic Editions.
Masterwork. Advanced.
Book. 124 pages.
Published by Alfred Music
Chorus (with soloists) and piano (solos: S. A. 7T. Bar. 4B - choir: SAATTBB - pi...(+)
Chorus (with soloists)
and piano (solos: S. A.
7T. Bar. 4B - choir:
SAATTBB - picc.2.2.2.2 -
4.2.3.0 - timp.perc(2) -
hp - str)
SKU:
BR.EB-2066
Comic
Opera in 2 Acts.
Composed by Peter
Cornelius. Edited by Max
Hasse. Arranged by
Waldemar von (KA)
Baussnern. Choir;
Softbound. Edition
Breitkopf. Opera; Music
theatre; Romantic.
Piano/Vocal Score. 240
pages. Breitkopf and
Haertel #EB 2066.
Published by Breitkopf
and Haertel (BR.EB-2066).
ISBN 9790004160770.
7.5 x 10.5
inches.
Text by the
composer Translation:
engl. (M. E. Browne)
Place: Bagdad Characters:
Der Kalif (baritone) -
Baba Mustapha, ein Kadi
(tenor) - Margiana, seine
Tochter (soprano) -
Bostana, eine Verwandte
(alto) - Nureddin (tenor)
- Abul Hassan Ali Ebn
Bekar, Barbier (bass) -
1. Muezzin (bass) - 2.
Muezzin (tenor) - 3.
Muezzin (tenor) - Ein
Sklave (tenor) - Vier
Bewaffnete (2 Tenore, 2
Basse) Corneliuss opera
got off to a bad start,
to say the least: the
scandal provoked at the
first performance in
Weimar in 1858 led to
protests and ultimately
to the resignation of
Franz Liszt as court
opera director. It was
not until 1904 that the
opera was played again in
that city and proved that
the scandal had not been
caused by the work but by
Liszts aesthetic views.
The score was long
considered as the ideal
example of a musical
comedy with a far too
complicated plot. Today,
however, many prominent
commentators beg to
differ: This is one of
the sunniest scores ever
written. Music in the
spirit of Mozart and
Mendelssohn: a highly
delicate mixture of
classical formal rigor
and romantic irony,
heightened with just a
touch of exquisite
sensuality that has just
wafted in from the
Orient. It is practically
incomprehensible how
Cornelius could have been
regarded as a composer of
the Wagner school for
practically a century.
With its intricate fusing
of comedy, lyricism and
sentimentality, it is
precisely the opera that
Schubert, Schumann,
E.T.A. Hoffmann and
Mendelssohn were unable
to write. (Hans
Zender).
(wind set). By Franz Schubert (1797-1828). Edited by Peter Hauschild. For orches...(+)
(wind set). By Franz
Schubert (1797-1828).
Edited by Peter
Hauschild. For orchestra.
This edition: Urtext.
Orchester-Bibliothek
(Orchestral Library).
Individual part. 108
pages. Published by
Breitkopf and Haertel
(viola). By Franz Schubert (1797-1828). Edited by Peter Hauschild. For orchestra...(+)
(viola). By Franz
Schubert (1797-1828).
Edited by Peter
Hauschild. For orchestra.
This edition: Urtext.
Orchester-Bibliothek
(Orchestral Library).
Individual part. 8 pages.
Published by Breitkopf
and Haertel
By Jr.; John Richard Near; Loraine E. Merrill; Philip E. Newman; Richard D. Lee;...(+)
By Jr.; John Richard
Near; Loraine E. Merrill;
Philip E. Newman; Richard
D. Lee; Thomas B.
Richner; Walter E. Young
Franz Schubert; Frederick
W. Root; G.
O'connor-Morris; Henryk
Wieniawski; James G.
Macdermid; John
Kiplinger. Arranged by
Bliss Schnewlin; Peter
Pinda Stearns; Thomas A.
Ainsworth. Text: Mary
Baker Eddy. For Low
Voice, Piano. Choral.
Piano/Vocal Score. 105
pages. Published by Carl
Fischer.
Cello, double bass SKU: KU.OCT-10295_VCKB Composed by Franz Schubert. Edi...(+)
Cello, double bass
SKU:
KU.OCT-10295_VCKB
Composed by Franz
Schubert. Edited by
Hanspeter Gmür. Bach
format (230 x 302).
Folded. Part. 3 pages.
Edition Kunzelmann
#OCT-10295_VCKB.
Published by Edition
Kunzelmann
(KU.OCT-10295_VCKB).
Viola SKU: KU.OCT-10295_VA Composed by Franz Schubert. Edited by Hanspete...(+)
Viola
SKU:
KU.OCT-10295_VA
Composed by Franz
Schubert. Edited by
Hanspeter Gmür. Bach
format (230 x 302).
Folded. Part. 4 pages.
Edition Kunzelmann
#OCT-10295_VA. Published
by Edition Kunzelmann
(KU.OCT-10295_VA).
2e Ballade Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ12699 Composed by Franz Liszt. EMB Liszt Works. Book On...(+)
Piano
SKU:
BT.EMBZ12699
Composed
by Franz Liszt. EMB Liszt
Works. Book Only.
Composed 1984. 60 pages.
Editio Musica Budapest
#EMBZ12699. Published by
Editio Musica Budapest
(BT.EMBZ12699).
English-German.
After touring Europe from
Lisbon to St. Petersburg
in the 1840s, Ferenc
Liszt settled in Weimar.
He abandoned his position
as a celebrated virtuoso
and took up the post of
court Kapellmeister
there. Ballade No. 2 is
also from the output of
this period. Composed
together with the Sonata
in B Minor and in the
same key, to the
discerning listener this
work reveals the
influence of Schubert and
Chopin. Intriguingly, the
work seems to have
progressed along the same
path as the composer
himself: initially, it
concluded with a
sensational and
thunderous finale, while
the definitive version
ends with quiet lyricism.
This duality can easily
be studied in this
edition, which includes
bothversions. This
revised (2018) edition is
raised to the level of
academic thoroughness by
a new editor s preface, a
facsimile, and full
critical notes.